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Violin Classes Newtown PA

Local resource for violin classes in Newtown. Includes detailed information on local businesses that provide access to basic violin classes, advanced violin classes, youth violin classes, viola classes, as well as advice and content on violin books and violin techniques.

Bhauraw A.
(877) 231-8505
Washington Crossing Penn Rd
Titusville, NJ
Subjects
Music Theory, Bass Guitar, Guitar, Percussion, Piano, Music Performance, Songwriting, Drums, Music Recording
Ages Taught
1 to 99
Specialties
Rock Pop Hip Hop Audio production some jazz/classical songwriting music business
Education
SUNY Purchase College: Music Conservatory - Studio Production - 2002-2005 (Bachelor's degree)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Ty A.
(877) 231-8505
N. Union St.
Lambertville, NJ
Subjects
Guitar
Ages Taught
1 to 99
Specialties
Blues, Rock, Metal
Education
Berklee College of Music - Performance, Teaching, Music Production and Engineering, and Teaching - 2007-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Michael M.
(877) 231-8505
Federal City Rd.
Pennington, NJ
Subjects
Piano, Singing
Ages Taught
5 to 99
Specialties
Middle C Piano Method using instructional materials of the Bastien's and Alfred Publications
Education
Moravian College - Music Education - 9/70 - 5/74 (Bachelor's degree received) Trenton State College - Special Education - 1980 - 1981 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Frank King
6 Beechwood Lane
Burlington Township, NJ
Instruments
Piano
Styles
Blues, Classical, Electronic, Jazz, Other, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
30 Years

Data Provided By:
Brennan M.
(877) 231-8505
Tennis Ave
Ambler, PA
Subjects
Guitar
Ages Taught
5 to 99
Specialties
Although I play primarily acoustic guitar, I play the following styles: bluegrass, blues, rock and roll, solo riffs, funk guitar, punk and alternative music, and I have recently been trying to learn classical styles of guitar playing. I have also been teaching myself scales for solo riffing over the past three years.
Education
M.C.C.C. - Education - 2004-2006 (not complete) Kutztown University - Education - 2003-2004 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Georganne D'Angelo
21 Bernard Drive
Ewing, NJ
Instruments
Harp, Suzuki Method
Styles
Classical, Folk - Country - Bluegrass, Kids
Experience Levels
Advanced, Beginner, Intermediate
Rate
$80
Years of Experience
40 Years

Data Provided By:
Jennifer Y.
(877) 231-8505
North Union Street
Lambertville, NJ
Subjects
Music Theory, Theatrical Broadway Singing, Singing, Opera Voice
Ages Taught
9 to 99
Specialties
I teach classical vocal style and Broadway show tunes. I am also good at working with beginners on developing their basic vocal technique independent of a specific style of singing. My students work on a variety of repertoire.
Education
Longy School of Music - Vocal Performance - 2002-2004 (Master's degree received) Harvard University - Music - 1996-2000 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Dena C.
(877) 231-8505
Blair Mill Rd.
Horsham, PA
Subjects
Guitar, Piano, Singing
Ages Taught
6 to 99
Specialties
Musical theatre, Adaptive music lessons (for learning differences).
Education
Sperry HS - music, theatre - 1975-1979 (High School diploma received) SUNY Potsdam - music education - 1982-1985 (Bachelor's degree received) Temple University - music therapy - 1896-1993 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
David C.
(877) 231-8505
Jackson Ave.
Glenside, PA
Subjects
Singing, Songwriting, Music Theory, Opera Voice
Ages Taught
13 to 65
Education
Westminster Choir College - Music Education - 8/05-5/15/10 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jennifer Y.
(877) 231-8505
Lakeview Ter
Princeton, NJ
Subjects
Theatrical Broadway Singing, Singing, Opera Voice, Music Theory
Ages Taught
9 to 99
Specialties
I teach classical vocal style and Broadway show tunes. I am also good at working with beginners on developing their basic vocal technique independent of a specific style of singing. My students work on a variety of repertoire.
Education
Longy School of Music - Vocal Performance - 2002-2004 (Master's degree received) Harvard University - Music - 1996-2000 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Data Provided By:

Observe Yourself

Observe Yourself
By Chris Standring ( www.chrisstandring.com )

It is always interesting to me why from time to time a player plays really well on a given day and on another does not. Or put another way, "Why do I sometimes suck but not other times?"

For me personally, I am usually at the top of my game when I am playing all the time. I know that if we can technically pull off musical phrases that we hear in our heads we ideally need to be in tip-top shape. Our chops need to be 'on' simply because in order for music to freely flow, we cannot be hindered by external distractions, and technical difficulties are a major external distraction.

But there are always other distractions, things that can get in the way of that 'zen-flow' thing. An airplane flying outside your window can subconciously have an effect on your playing. A gardner mowing a lawn. A screaming kid.

Once I started playing jazz festivals, a whole new set of distractions appeared, and of the most challenging kind. Summertime is big for these festivals and on any given festival stage there can be a number of bands taking turns to perform their shows. Because of the strict time constraints, each band gets a time slot and a 'line-check'. This is promoter speak for a mini sound check and can be cut to as little as 10 minutes from time to time. This inevitably means sound on stage may not be as ideal as it might be. Perhaps the piano player who is the other side of the stage is not coming out of your monitor and the MC has just introduced you to 10,000 jazz fans in the audience. It's time to go!

A bit of a distraction perhaps? I'd say. In fact my whole expectation for these live shows has gone to a different place over the years. The chances are, the sound will not be great. Provided I can hear me on stage, I'll do all I need to to get through the show and put on a good performance. Everything else is gravy. Does this make for good 'zen-flow', you know, where you get lost in your playing and it's just all heavenly? Not really. But these situations are not condusive to that. Give me a small jazz club anytime, then I can get lost in the music. Festivals are business. It's just the way it is.

So yeh, distractions, they come a plenty and in all shapes and sizes. One must be ready to deflect them but these days my approach is a little different. I embrace them. Why? because they are simply everywhere and the days of me torturing myself because things were not perfect are over. I just don't want to put myself through that anymore. I still have a full head of hair and frankly I'd like to keep it that way for as long as possible! Life is not about torturing ourselves but jazz musicians have such high expectations of themselves. Real life is about dealing with things despite all those little inconvieniences.

Recently I have become interested in 'observing' my guitar playing. Sounds odd I know, but I'm quite serious. I like to p...

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