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Violin Classes Lafayette CO

Local resource for violin classes in Lafayette. Includes detailed information on local businesses that provide access to basic violin classes, advanced violin classes, youth violin classes, viola classes, as well as advice and content on violin books and violin techniques.

Dr. Catherine Millis
908 Snowberry St.
Longmont, CO
Instruments
Piano, Violin
Styles
Blues, Classical, Electronic, Jazz, Kids, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
25 Years

Data Provided By:
Kevin J.
(877) 231-8505
Depot Hill Rd.,
Broomfield, CO
Subjects
Music Theory, Bass Guitar, Guitar, Classical Guitar, Music Performance
Ages Taught
5 to 99
Specialties
The majority of my expertise in in classical guitar and electric rock guitar.
Education
Tishomingo High - diploma - 1991-1995 (High School diploma received) Oklahoma City University - classical guitar - 1998-2000 (Bachelor's degree received) University of North Texas - classical guitar - 2002-2005 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Mary F.
(877) 231-8505
Simms St
Arvada, CO
Subjects
Guitar, Classical Guitar, Piano, Organ, Music Theory, Music Performance, Singing, Banjo
Ages Taught
5 to 105
Specialties
classical guitar and piano
Education
Alleman High School - - 1963-67 (High School diploma received) St Ambrose University - music education - 1979-81 (Bachelor's degree received) Northern Illinois University - music - 1994-96 (Master's degree received) Art Institute of Colorado - graphic design - 2007-09 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Doug S.
(877) 231-8505
E 104 Drive
Commerce City, CO
Subjects
Classical Guitar, Guitar, Music Performance, Upright Bass, Music Theory, Bass Guitar
Ages Taught
5 to 99
Specialties
I specialize in latin, jazz, popular and classical guitar. I teach all styles including rock, blues, folk and country. Focus on teaching chords, scales, theory and reading skills.
Education
Denver Institute of Technology - Drafting - July 1976-1977 (Associate degree received) University of Colorado At Denver - Music - 1982 (not complete) University of Denver - Music - 2009-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Kramer K.
(877) 231-8505
Emerson St.
Denver, CO
Subjects
Music Performance, Upright Bass, Piano, Music Theory, Bass Guitar
Ages Taught
12 to 99
Specialties
I like to use a fun, but practical approach to teaching that utilizes musical examples, auditory and visual learning, and well as conceptual ideas. I teach music theory, improvisation, as well as ideas for playing with a group. I also teach some technique, in order to facilitate progress, and to avoid injury or unnecessary physical strain. Sometimes, I use instructional books for particular lessons as well. Genres that I specialize in include, but are not limited to rock, funk, jazz, alternat…
Education
University of Wisconsin - Milwaukee - Music Performance - Sept. 2005 - June 2009 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Sonya H.
(877) 231-8505
Washington St
Denver, CO
Subjects
Violin, Viola
Ages Taught
5 to 12
Specialties
I was trained in the Suzuki method starting at the age of four. I have a good deal of teaching experience using this method up to Book 4 and have also spent time working with students on elementary/middle school orchestral pieces.
Education
Syracuse University - Music, Biology - 8/2003-5/2008 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
John Taylor
4901 W 93rd Ave Unit #816
Westminster, CO
Instruments
Composition, Electric Bass, Guitar, Other, Theory
Styles
Blues, Other, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$35
Years of Experience
7 Years

Data Provided By:
Benjamin Gauss
1612 Twin Sisters Dr.
Longmont, CO
Promotion
$35 / hr
Hours
Classical
Memberships and Certifications
"Viola
Services
Violin"
Service Types and Repair
6 years

Mike M.
(877) 231-8505
Walnut Street
Denver, CO
Subjects
Drums, Percussion
Ages Taught
5 to 99
Specialties
Music, Drum set, Orchestral Snare Drum Technique, Hand Drums, World Percussion Moeller Technique, Multi-Fulcrum Technique, Four-Limb Cordination and independance, Odd time, Polyrhythms, Mixed Meter! Capable of teaching drum set Reading and Notation! Also capable of teaching ALL STYLES of music. If you can think of it, I have played it. Too many to list here.
Education
Cherry Creek High School - Jazz Drumset/Marching Band/Orchestral - 9/92-4/96 (degree received) California Institute of the Arts - Jazz Drumset/Orchestral/World Percussion - 9/98-12/01 (degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Carol Smith
9074 W. Center Ave.
Lakewood, CO
Instruments
Chorus, Piano
Styles
Classical, Other
Experience Levels
Advanced, Beginner, Intermediate
Rate
$40
Years of Experience
17 Years

Data Provided By:
Data Provided By:

Observe Yourself

Observe Yourself
By Chris Standring ( www.chrisstandring.com )

It is always interesting to me why from time to time a player plays really well on a given day and on another does not. Or put another way, "Why do I sometimes suck but not other times?"

For me personally, I am usually at the top of my game when I am playing all the time. I know that if we can technically pull off musical phrases that we hear in our heads we ideally need to be in tip-top shape. Our chops need to be 'on' simply because in order for music to freely flow, we cannot be hindered by external distractions, and technical difficulties are a major external distraction.

But there are always other distractions, things that can get in the way of that 'zen-flow' thing. An airplane flying outside your window can subconciously have an effect on your playing. A gardner mowing a lawn. A screaming kid.

Once I started playing jazz festivals, a whole new set of distractions appeared, and of the most challenging kind. Summertime is big for these festivals and on any given festival stage there can be a number of bands taking turns to perform their shows. Because of the strict time constraints, each band gets a time slot and a 'line-check'. This is promoter speak for a mini sound check and can be cut to as little as 10 minutes from time to time. This inevitably means sound on stage may not be as ideal as it might be. Perhaps the piano player who is the other side of the stage is not coming out of your monitor and the MC has just introduced you to 10,000 jazz fans in the audience. It's time to go!

A bit of a distraction perhaps? I'd say. In fact my whole expectation for these live shows has gone to a different place over the years. The chances are, the sound will not be great. Provided I can hear me on stage, I'll do all I need to to get through the show and put on a good performance. Everything else is gravy. Does this make for good 'zen-flow', you know, where you get lost in your playing and it's just all heavenly? Not really. But these situations are not condusive to that. Give me a small jazz club anytime, then I can get lost in the music. Festivals are business. It's just the way it is.

So yeh, distractions, they come a plenty and in all shapes and sizes. One must be ready to deflect them but these days my approach is a little different. I embrace them. Why? because they are simply everywhere and the days of me torturing myself because things were not perfect are over. I just don't want to put myself through that anymore. I still have a full head of hair and frankly I'd like to keep it that way for as long as possible! Life is not about torturing ourselves but jazz musicians have such high expectations of themselves. Real life is about dealing with things despite all those little inconvieniences.

Recently I have become interested in 'observing' my guitar playing. Sounds odd I know, but I'm quite serious. I like to p...

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