Search Play Jazz Guitar.com

 

 




Songwriting Classes Marysville WA

Songwriting classes cover subjects such as lyric writing, harmony, music writing, jazz composition, commercial songwriting techniques and more. See below for local businesses in Marysville that give access to jingle writing, music notation using finale, as well as advice and content on music composition for films.

Ben G.
(877) 231-8505
Harbour Pointe Blvd.
Mukilteo, WA
Subjects
Music Theory, French Horn, Piano, Music Performance, Songwriting
Ages Taught
5 to 99
Specialties
No specific methods in particular, and I tend to teach more in the classical genres, with some pop/film music thrown in for variety (from time to time). I prefer using the Bastian, Alfred, and/or John Thompson piano methods, and Pottag-Hovey, Maxime-Alphonse, etc. for French Horn.
Education
Central Washington University - Bachelor of Arts in Music - Spring 2003-Fall 2007 (Bachelor's degree received) George R. Curtis Senior High School - High School Diploma - 1993-1996 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Everett Community College
(425) 388-9222
Everett WA
Everett, WA

Data Provided By:
Academy Of Music Northwest
(425) 778-7711
9109 196th St SW
Edmonds, WA

Data Provided By:
Jolinda C.
(877) 231-8505
196th St SW
Edmonds, WA
Subjects
Piano
Ages Taught
5 to 99
Specialties
Faber and Faber, Celebration Series, Music for Little Mozarts, Alfred
Education
Seattle Pacific University - Communication - 1989-1993 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Monica G.
(877) 231-8505
224th St. Sw
Edmonds, WA
Subjects
Speaking Voice, Music Performance, Singing, Opera Voice
Ages Taught
15 to 40
Specialties
I am a classical singer. I sing opera and art song, but I also love musical theatre and sacred music. I teach singers how to use their own voice with good technique and apply that to music that is suited for their voice and interests.
Education
University of Michigan - Vocal Performance - 2004-2007 (PhD degree received) Rice University - Vocal Performance - 2000-2002 (Master's degree received) Texas Wesleyan University - Vocal Performance - 1998-2000 (Bachelor's degree received) Piedmont High School - - 1993-1995 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Benjamin Gessel
19321 36th Ave W #44
Lynnwood, WA
Instruments
Composition, Ear Training, Horn, Piano, Theory
Styles
Classical, Other
Experience Levels
Advanced, Beginner, Intermediate
Rate
$30
Years of Experience
3 Years

Data Provided By:
Everett Community College
2000 Tower St.
Everett, WA
 
Suzuki Violin School
(425) 745-0477
15516 72nd Ave W
Edmonds, WA

Data Provided By:
Michelle Young
5200 175th St SW
Edmonds, WA
Instruments
Ear Training, Piano, Theory
Styles
Classical, Kids
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
8 Years

Data Provided By:
JC H.
(877) 231-8505
12th Ave S
Seattle, WA
Subjects
Music Theory, Guitar, Bass Guitar, Upright Bass, Music Recording, Songwriting, Music Performance
Ages Taught
13 to 99
Specialties
Jazz, Classical, Progressive Rock, Celtic, Funk, R&B/Soul For jazz, I tend to work on individual tunes from the Real Book and some of the Jamey Aebersold books. I also like Barry Galbraith's books on jazz chord comping. For rock guitar I have transcriptions of various techniques (tapping, sweep)/ For slap bass I have bits transcribed from Marcus Miller and Vic Wooten pieces. For reading, I'll work with Bach's 2-part inventions and then excerpts from rock or jazz charts.
Education
Wayne Status University - Music - 06/81 - 06/85 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Data Provided By:

Defining The True Artist - Do You Have What It Takes?

Defining The True Artist - Do You Have What It Takes?
By Chris Standring ( www.chrisstandring.com )

There are musicians who are more than comfortable remaining anonymous. You know, happy to hide behind their guitars or keyboards and be sidemen to the stars of today or tomorrow. Then there are those that have grandiose aspirations of stardom, adoration and limelight. And then there are those who have a driving desire and need to say something original artistically, to express themselves and to communicate that expression to an audience, be it a small niche market or wider demographic.

Those falling into the first category can make a living, albeit fairly modest as a general rule. Those falling into the second category often live in a little bit of a dream world and, depending on their tenacity and 'smart' skills, usually end up disappointed because the focus is set on the destination rather than the journey. The third category usually reap the rewards of the second category gaining all the success and limelight, but as a result of focusing on their art rather than the shallow and flighty end of the musician's world. These are usually the most fascinating people too, because they generally have a little mystery about them and because they actually possess what most entertainers really want; sincere and dedicated talent!

But there are also those that are in the early stages of artistic development who are still learning their craft, and open to influences. Possibly they will become great artists in the future, possibly not. It will be a question of choices and consequences, and doors opened and opportunities taken advantage of - or not. Life certainly will take you places.

But for those that do have aspirations of artistry and expression, then I firmly believe you must have qualities that others do not have. As an artist I believe one must stand out from the heard in order to be heard. It is so easy to make a record these days. One no longer needs to have the luxury of a recording contract in order to stand on a pedestal and say "I am an artist - buy my record!" With home studios costing one 16th of the price they did ten years ago and with software programs that do it all, you can churn out albums by the dozen if you put your mind to it. And many do.

However, just because you can, why would you? - is my question. Just for fun? OK, valid I suppose. But Isn't it better to spend that time and energy searching relentlessly for something unique and different? God knows record companies are releasing enough crap by the hour, even signed artists are now under the impression they have got something to offer. Maybe they have, but for the most part I don't think so (as public reaction and their soundscans will attest!)

Perhaps I am being extremely unfair, but I think too many artists do not realize that they have a responsibility to say something profoundly unique, certainly if they expect any kin...

Click here to read the rest of this article from Play Jazz Guitar