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Songwriting Classes Lubbock TX

Songwriting classes cover subjects such as lyric writing, harmony, music writing, jazz composition, commercial songwriting techniques and more. See below for local businesses in Lubbock that give access to jingle writing, music notation using finale, as well as advice and content on music composition for films.

Texas Tech Band/Orchestra Camp
Box 42033
Lubbock, TX
 
Texas Tech University
(806) 742-1480
Lubbock TX
Lubbock, TX

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Texas Tech University - Lubbock (School of Music at Texas Tech)
(806) 742-2270, Ext 233
18th and Boston Avenue
Lubbock, TX
 
Rob B.
(877) 231-8505
Metric Blvd.
Austin, TX
Subjects
Saxophone, Guitar, Banjo, Classical Guitar, Piano, Songwriting, Flamenco Guitar, Bass Guitar
Ages Taught
5 to 99
Specialties
I'm best at teaching students music that they want to learn. I specialize in rock and blues instruction. Don't own a banjo (learned on my daddy's), but am happy to pick one up if someone's interested (though they will probably need to provide one, don't know if I can buy two at the moment).
Education
Lubbock High School - N/A - 8/92-5/95 Texas Tech University - English-major Music-minor - 1/00-8/03 Goddard College - Creative Writing - 7/07-5/09
Membership Organizations
TakeLessons Music Teacher

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Kristopher B.
(877) 231-8505
Austin, TX
Subjects
Classical Guitar, Music Recording, Music Theory, Music Performance, Guitar, Songwriting, Bass Guitar
Ages Taught
11 to 99
Specialties
On the guitar, I specialize in teaching mostly in rock and blues, but also bossa nova, jazz and classical. I feel like rock and blues are my strongest because I personally love them the most.
Education
Berklee College of Music - Guitar Principal/Film Scoring - 2000-2004 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Texas Tech Band/Orchestra Camp
(806) 742-2225
Lubbock TX
Lubbock, TX

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Texas Tech University
PO Box 42033
Lubbock, TX
 
gfire m.
(877) 231-8505
st and Manor Road
Austin, TX
Subjects
Singing, Theatrical Broadway Singing, Piano, Music Recording, Songwriting, Music Theory, Music Performance, Speaking Voice, Opera Voice
Ages Taught
5 to 99
Specialties
music, singing, piano, songwriting, DJ'ing, yoga I have developed Yoga for the Voice - a combination of my 18 years of studying and receiving certification in the Science of Singing (as taught by Ernest George White of London, England) and my 10 years experience and certification in yoga, specifically ancient yoga breathing techniques. I will work with voice students as young as 7 and as old as they want to go! Voice lessons span all styles and all levels - pop, rock, r 'n' b, country, folk, …
Education
Univ. of MD - music - voice & piano - 1986-1990 Kennedy H.S. - college prep - 1983-1986
Membership Organizations
TakeLessons Music Teacher

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Joshua L.
(877) 231-8505
Goldmark Dr.
Arlington, TX
Subjects
Speaking Voice, Music Theory, Guitar, Singing, Music Recording, Songwriting, Music Performance
Ages Taught
5 to 60
Specialties
I specialize in Rock, Country, and personal Song Writing. Also am versatile in rhythm guitar playing. I also have a very firm grasp on the theory of music including, key signatures, tempo, chords, etc.
Education
Tarrant County Community College - Music Education - 08/2004-05/2005 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Alan R.
(877) 231-8505
Crossing Pl,
Austin, TX
Subjects
Songwriting, Flamenco Guitar, Music Theory, Guitar, Music Performance, Classical Guitar
Ages Taught
5 to 99
Specialties
My first love was blues and rock guitar, and I now specialize in Jazz guitar and performance. I also have three years of formal classical guitar training and lots of experience playing many other styles including Latin Jazz, Salsa, Pop, Classical, Fusion, etc.
Education
Texas A&M International University - Guitar Performance - 2004-2007 (not complete) Berklee College of Music - Jazz Composition - 2007-2010 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Defining The True Artist - Do You Have What It Takes?

Defining The True Artist - Do You Have What It Takes?
By Chris Standring ( www.chrisstandring.com )

There are musicians who are more than comfortable remaining anonymous. You know, happy to hide behind their guitars or keyboards and be sidemen to the stars of today or tomorrow. Then there are those that have grandiose aspirations of stardom, adoration and limelight. And then there are those who have a driving desire and need to say something original artistically, to express themselves and to communicate that expression to an audience, be it a small niche market or wider demographic.

Those falling into the first category can make a living, albeit fairly modest as a general rule. Those falling into the second category often live in a little bit of a dream world and, depending on their tenacity and 'smart' skills, usually end up disappointed because the focus is set on the destination rather than the journey. The third category usually reap the rewards of the second category gaining all the success and limelight, but as a result of focusing on their art rather than the shallow and flighty end of the musician's world. These are usually the most fascinating people too, because they generally have a little mystery about them and because they actually possess what most entertainers really want; sincere and dedicated talent!

But there are also those that are in the early stages of artistic development who are still learning their craft, and open to influences. Possibly they will become great artists in the future, possibly not. It will be a question of choices and consequences, and doors opened and opportunities taken advantage of - or not. Life certainly will take you places.

But for those that do have aspirations of artistry and expression, then I firmly believe you must have qualities that others do not have. As an artist I believe one must stand out from the heard in order to be heard. It is so easy to make a record these days. One no longer needs to have the luxury of a recording contract in order to stand on a pedestal and say "I am an artist - buy my record!" With home studios costing one 16th of the price they did ten years ago and with software programs that do it all, you can churn out albums by the dozen if you put your mind to it. And many do.

However, just because you can, why would you? - is my question. Just for fun? OK, valid I suppose. But Isn't it better to spend that time and energy searching relentlessly for something unique and different? God knows record companies are releasing enough crap by the hour, even signed artists are now under the impression they have got something to offer. Maybe they have, but for the most part I don't think so (as public reaction and their soundscans will attest!)

Perhaps I am being extremely unfair, but I think too many artists do not realize that they have a responsibility to say something profoundly unique, certainly if they expect any kin...

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