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Songwriting Classes Latham NY

Songwriting classes cover subjects such as lyric writing, harmony, music writing, jazz composition, commercial songwriting techniques and more. See below for local businesses in Latham that give access to jingle writing, music notation using finale, as well as advice and content on music composition for films.

Jon Tario
1 Barney Rd
Clifton Park, NY
Instruments
Audio Recording, Composition, Ear Training, Electric Bass, Guitar, Mandolin, Piano, Recording
Styles
Blues, Classical, Folk - Country - Bluegrass, Jazz, Kids, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$40
Years of Experience
6 Years

Data Provided By:
College of St. Rose
(800) 637-8556
Albany NY
Albany, NY

Data Provided By:
College of St. Rose (College of St. Rose - Music Department)
(800) 637-8556
432 Western Avenue
Albany, NY
 
Michelle Stewart
15 Albany Ave
Round LAke, NY
Instruments
Suzuki Method, Viola, Violin
Styles
Classical, Kids
Experience Levels
Advanced, Beginner, Intermediate
Rate
$40
Years of Experience
25 Years

Data Provided By:
Harold A.
(877) 231-8505
Unionport Rd
Bronx, NY
Subjects
Songwriting, Music Theory, Music Recording, Drums, Percussion
Ages Taught
5 to 99
Specialties
I believe in constructivism as way to develop knowledge. Latin music like salsa, merengues and boleros are my strong but I also play jazz, latin jazz and rock. I also studied composition and music technology.
Education
University of Puerto Rico - Music Ed - Aug 03 - Dec 08 (Bachelor's degree received) Lehman College - Music Ed - Sept 09 - (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
College of St. Rose
432 Western Avenue
Albany, NY
 
State University of New York-Albany (UAlbany Music Department)
(518) 442-3300
1400 Washington Ave.
Albany, NY
 
Union College (Music at Union College:)
(518) 388-6785
807 Union St.
Schenectady, NY
 
Veronica G.
(877) 231-8505
Rogers Ave
Brooklyn, NY
Subjects
Piano, Singing, Songwriting, Music Theory
Ages Taught
4 to 99
Specialties
Piano and Vocals: beg to adv Jazz and contemporary music specialization
Education
Northern Virginia Community College - Music - 1998-2000 (Associate degree received) Berklee College of Music - Music - 2000-2005 (Bachelor's degree received) University of North Texas - Music - 2006-2009 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Ted B.
(877) 231-8505
Henry Street
New York, NY
Subjects
Songwriting, Guitar, Music Theory, Music Performance
Ages Taught
10 to 30
Specialties
Genres I cover include rock, pop jazz, blues, funk, folk, and RnB. Focus on guitar performance, technique, tone, improvisation, theory, musicianship. Cover techniques for both electric and acoustic guitars.
Education
Manhattan School of Music - Jazz guitar performance - 2006-2010 (Bachelor's degree received) New Orleans Center for Creative Arts - Jazz guitar - 2002-2005 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Data Provided By:

Defining The True Artist - Do You Have What It Takes?

Defining The True Artist - Do You Have What It Takes?
By Chris Standring ( www.chrisstandring.com )

There are musicians who are more than comfortable remaining anonymous. You know, happy to hide behind their guitars or keyboards and be sidemen to the stars of today or tomorrow. Then there are those that have grandiose aspirations of stardom, adoration and limelight. And then there are those who have a driving desire and need to say something original artistically, to express themselves and to communicate that expression to an audience, be it a small niche market or wider demographic.

Those falling into the first category can make a living, albeit fairly modest as a general rule. Those falling into the second category often live in a little bit of a dream world and, depending on their tenacity and 'smart' skills, usually end up disappointed because the focus is set on the destination rather than the journey. The third category usually reap the rewards of the second category gaining all the success and limelight, but as a result of focusing on their art rather than the shallow and flighty end of the musician's world. These are usually the most fascinating people too, because they generally have a little mystery about them and because they actually possess what most entertainers really want; sincere and dedicated talent!

But there are also those that are in the early stages of artistic development who are still learning their craft, and open to influences. Possibly they will become great artists in the future, possibly not. It will be a question of choices and consequences, and doors opened and opportunities taken advantage of - or not. Life certainly will take you places.

But for those that do have aspirations of artistry and expression, then I firmly believe you must have qualities that others do not have. As an artist I believe one must stand out from the heard in order to be heard. It is so easy to make a record these days. One no longer needs to have the luxury of a recording contract in order to stand on a pedestal and say "I am an artist - buy my record!" With home studios costing one 16th of the price they did ten years ago and with software programs that do it all, you can churn out albums by the dozen if you put your mind to it. And many do.

However, just because you can, why would you? - is my question. Just for fun? OK, valid I suppose. But Isn't it better to spend that time and energy searching relentlessly for something unique and different? God knows record companies are releasing enough crap by the hour, even signed artists are now under the impression they have got something to offer. Maybe they have, but for the most part I don't think so (as public reaction and their soundscans will attest!)

Perhaps I am being extremely unfair, but I think too many artists do not realize that they have a responsibility to say something profoundly unique, certainly if they expect any kin...

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