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Songwriting Classes Elmira NY

Songwriting classes cover subjects such as lyric writing, harmony, music writing, jazz composition, commercial songwriting techniques and more. See below for local businesses in Elmira that give access to jingle writing, music notation using finale, as well as advice and content on music composition for films.

Elmira College
One Park Place
Elmira, NY
 
Elmira College (Elmira College Music)
(800) 935-6472
One Park Place
Elmira, NY
 
Kenny P.
(877) 231-8505
23rd st
Brooklyn, NY
Subjects
Music Recording, Music Performance, Guitar, Songwriting, Music Theory
Ages Taught
9 to 30
Specialties
I have been teaching rock music mostly when it comes to playing. I try to involve music theory in everything I teach as well. My songwriting lessons are very involved in theory.
Education
Berklee College of Music - - 2005-2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Cesar A.
(877) 231-8505
Patchen Ave
Brooklyn, NY
Subjects
Saxophone, Guitar, Music Performance, Speaking Voice, Music Recording, Music Theory, Songwriting
Ages Taught
5 to 99
Specialties
The primary focus of my work is in songwriting. My conservatory training is in Saxophone and Electronic music. I can teach guitar and music theory. I can also help students with singing in folk, rock and pop styles.
Education
Oberlin Conservatory - Saxophone/Electronic/Interdisciplinary Performance - 1999-2003 (Bachelor's degree received) Bard College - MFA in Music/Sound - 2006-2008 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Eric B.
(877) 231-8505
west 6th street
Brooklyn, NY
Subjects
Music Performance, Songwriting, Bass Guitar, Guitar, Music Theory, Music Recording
Ages Taught
5 to 99
Specialties
rock, blues, metal, funk, acoustic..... chords, rhythm, theory, scales, modes, soloing, etc.... slap, fingering technique....
Education
IPFW - general studies - 1995-1996
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Corning Community College
1 Academic Dr
Corning, NY
 
Corning Community College (Corning Community College - Vocal and Instrumental Music)
(800) 358-7171
1 Academic Drive
Corning, NY
 
Adam C.
(877) 231-8505
E. 40th St
New York, NY
Subjects
Guitar, Piano, Classical Guitar, Songwriting, Bass Guitar, Music Theory, Music Performance
Ages Taught
5 to 99
Specialties
I specialize in a diverse variety of styles on the acoustic and electric guitar, bass, and piano, and am particularly skilled at communicating and applying theoretical and musical knowledge in a simplified manner. I am particularly capable in rock guitar, and have performed regularly in a rock band over the last 10 years as well as the University of Rochester's popular music performance group No Jackets Required, where I served as the group's president. I also specialize in classical guitar, …
Education
University of Rochester - Music & Psychology - Fall, 2006-Spring, 2010 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jo W.
(877) 231-8505
36th Street 3rd
New York, NY
Subjects
Speaking Voice, Singing, Songwriting
Ages Taught
5 to 99
Specialties
Folk music (old school joan baez/joni mitchell) with a classical base Standard Classical Training (Scales, Breath Support, tone, pitch ) Linklater Voice Technique Physical Awareness
Education
New York University - Theater and Music - 2000-2004 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Andriy L.
(877) 231-8505
Menahan st. ap
Brooklyn, NY
Subjects
Piano, Music Theory, Songwriting
Ages Taught
5 to 60
Specialties
I am very familiar with the method that was invented by Rahmaninoff, since his youngest student taught me personally at Mannes.
Education
Higher State Music Institute - composition - 1989-1994 (Bachelor's degree received) Mannes College of Music - composition - 2008-2010 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

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Defining The True Artist - Do You Have What It Takes?

Defining The True Artist - Do You Have What It Takes?
By Chris Standring ( www.chrisstandring.com )

There are musicians who are more than comfortable remaining anonymous. You know, happy to hide behind their guitars or keyboards and be sidemen to the stars of today or tomorrow. Then there are those that have grandiose aspirations of stardom, adoration and limelight. And then there are those who have a driving desire and need to say something original artistically, to express themselves and to communicate that expression to an audience, be it a small niche market or wider demographic.

Those falling into the first category can make a living, albeit fairly modest as a general rule. Those falling into the second category often live in a little bit of a dream world and, depending on their tenacity and 'smart' skills, usually end up disappointed because the focus is set on the destination rather than the journey. The third category usually reap the rewards of the second category gaining all the success and limelight, but as a result of focusing on their art rather than the shallow and flighty end of the musician's world. These are usually the most fascinating people too, because they generally have a little mystery about them and because they actually possess what most entertainers really want; sincere and dedicated talent!

But there are also those that are in the early stages of artistic development who are still learning their craft, and open to influences. Possibly they will become great artists in the future, possibly not. It will be a question of choices and consequences, and doors opened and opportunities taken advantage of - or not. Life certainly will take you places.

But for those that do have aspirations of artistry and expression, then I firmly believe you must have qualities that others do not have. As an artist I believe one must stand out from the heard in order to be heard. It is so easy to make a record these days. One no longer needs to have the luxury of a recording contract in order to stand on a pedestal and say "I am an artist - buy my record!" With home studios costing one 16th of the price they did ten years ago and with software programs that do it all, you can churn out albums by the dozen if you put your mind to it. And many do.

However, just because you can, why would you? - is my question. Just for fun? OK, valid I suppose. But Isn't it better to spend that time and energy searching relentlessly for something unique and different? God knows record companies are releasing enough crap by the hour, even signed artists are now under the impression they have got something to offer. Maybe they have, but for the most part I don't think so (as public reaction and their soundscans will attest!)

Perhaps I am being extremely unfair, but I think too many artists do not realize that they have a responsibility to say something profoundly unique, certainly if they expect any kin...

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