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Songwriting Classes Bradenton FL

Songwriting classes cover subjects such as lyric writing, harmony, music writing, jazz composition, commercial songwriting techniques and more. See below for local businesses in Bradenton that give access to jingle writing, music notation using finale, as well as advice and content on music composition for films.

Florida West Coast Symphony
(941) 953-4252
Sarasota FL
Sarasota, FL

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Eastside Music Academy
(941) 708-6595
3938 E State Rd 64
Bradenton, FL

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Suzuki Institute
(941) 330-9930
3100 S Tamiami Trl
Sarasota, FL

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Matthew S.
(877) 231-8505
Stratford Dr
Sarasota, FL
Subjects
Music Theory, Guitar, Music Performance
Ages Taught
10 to 75
Specialties
Rock, and Live performance
Education
Ridgefield Park High School - General - 89-92 (High School diploma received) DeVry Technical - Electronics - 92-94 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

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Erik A.
(877) 231-8505
Collins Ave
Miami Beach, FL
Subjects
Music Recording, Songwriting, Music Performance, Guitar
Ages Taught
5 to 99
Education
St. Olaf College - - 1997-2001 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Pleasant Hill Piano Studio
Located in Sunrise Plaza
Sarasota, FL
 
Manatee Music
(941) 741-8832
2710 Manatee Ave W
Bradenton, FL

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Preston B.
(877) 231-8505
Lockwood Ridge Rd
Sarasota, FL
Subjects
Music Theory, Percussion, Music Performance, Piano, Drums, Music Recording
Ages Taught
5 to 99
Specialties
Jazz, Rock, Latin, Orchestral, Band, Classical, rudimental drum line
Education
University of South Florida - Percussion Performance/ Music Composition/ Electronic Music - Fall 2006 - Spring 2010 (Bachelor's degree received) Alan Abel Percussion Seminar at Temple University - Percussion - 5/16/10 - 5/22/10 (Degree received)
Membership Organizations
TakeLessons Music Teacher

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Emily R.
(877) 231-8505
Villa View Circle
Tampa, FL
Subjects
Music Theory, Songwriting, Music Performance, Piano
Ages Taught
5 to 99
Specialties
I am partial to hymn arrangements and to the Romantic period composers such as Chopin and Rachmaninoff. I teach music by both detail and big picture; history plays such a part in music, and I teach my students the history along with the music and theory.
Education
University of South Florida - Interpersonal and Organizational Communication - 2004-2008 (Bachelor's degree received) University of South Florida - Minor in Music Academic Studies - 2004-2008 (Degree received)
Membership Organizations
TakeLessons Music Teacher

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Pablo C.
(877) 231-8505
NW 9th Drive
Hollywood, FL
Subjects
Bass Guitar, Guitar, Music Performance, Songwriting, Banjo
Ages Taught
4 to 99
Specialties
I specialize in teaching beginner to intermediate students proficiency in reading chord sheets and TAB for guitar, bass, and banjo while exploring power chord voicing, dynamics with distortion, barre chords, blues progression basics & diversity, pentatonic scale guitar improvisation, and drop-D melodic techniques.
Education
Charles W. Flanagan High School - Music/Art - 1997-2001 (High School diploma received) University of North Florida - English - 2002-2004 (Associate degree received) Florida International University - Education/Music - 2004-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

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Defining The True Artist - Do You Have What It Takes?

Defining The True Artist - Do You Have What It Takes?
By Chris Standring ( www.chrisstandring.com )

There are musicians who are more than comfortable remaining anonymous. You know, happy to hide behind their guitars or keyboards and be sidemen to the stars of today or tomorrow. Then there are those that have grandiose aspirations of stardom, adoration and limelight. And then there are those who have a driving desire and need to say something original artistically, to express themselves and to communicate that expression to an audience, be it a small niche market or wider demographic.

Those falling into the first category can make a living, albeit fairly modest as a general rule. Those falling into the second category often live in a little bit of a dream world and, depending on their tenacity and 'smart' skills, usually end up disappointed because the focus is set on the destination rather than the journey. The third category usually reap the rewards of the second category gaining all the success and limelight, but as a result of focusing on their art rather than the shallow and flighty end of the musician's world. These are usually the most fascinating people too, because they generally have a little mystery about them and because they actually possess what most entertainers really want; sincere and dedicated talent!

But there are also those that are in the early stages of artistic development who are still learning their craft, and open to influences. Possibly they will become great artists in the future, possibly not. It will be a question of choices and consequences, and doors opened and opportunities taken advantage of - or not. Life certainly will take you places.

But for those that do have aspirations of artistry and expression, then I firmly believe you must have qualities that others do not have. As an artist I believe one must stand out from the heard in order to be heard. It is so easy to make a record these days. One no longer needs to have the luxury of a recording contract in order to stand on a pedestal and say "I am an artist - buy my record!" With home studios costing one 16th of the price they did ten years ago and with software programs that do it all, you can churn out albums by the dozen if you put your mind to it. And many do.

However, just because you can, why would you? - is my question. Just for fun? OK, valid I suppose. But Isn't it better to spend that time and energy searching relentlessly for something unique and different? God knows record companies are releasing enough crap by the hour, even signed artists are now under the impression they have got something to offer. Maybe they have, but for the most part I don't think so (as public reaction and their soundscans will attest!)

Perhaps I am being extremely unfair, but I think too many artists do not realize that they have a responsibility to say something profoundly unique, certainly if they expect any kin...

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