Search Play Jazz Guitar.com

 

 




Songwriting Classes Blue Springs MO

Songwriting classes cover subjects such as lyric writing, harmony, music writing, jazz composition, commercial songwriting techniques and more. See below for local businesses in Blue Springs that give access to jingle writing, music notation using finale, as well as advice and content on music composition for films.

Peter A.
(877) 231-8505
Kenwood Ave,
Kansas City, MO
Subjects
Music Theory, Theatrical Broadway Singing, Music Performance, Singing, Songwriting, Opera Voice
Ages Taught
16 to 28
Specialties
In my study of music education at Rutgers University, we discussed Orff, Kodaly, Suzuki and other methods of teaching, but overall, I've taken a blend of the ones I've learned (along with personal ideas about teaching) and have taught in that way, trying to accommodate any specific needs of each individual student.
Education
Rutgers University (Mason Gross School of the Arts) - Music Education (Choral, Vocal, Composition) - Fall 2005 - Fall 2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Rachel Narula Piano Studio
Lees Summit, MO
 
Heartland Chamber Music Academy
(816) 235-2741
Kansas City MO
Kansas City, MO

Data Provided By:
Rebekah S.
(877) 231-8505
NW Camelot Pl.
Blue Springs, MO
Subjects
Violin, Piano, Viola
Ages Taught
3 to 99
Specialties
I began violin lessons at a Suzuki school at age three, and continued my Suzuki studies through Book 7 and age 13, at which point I moved on to standard violin performance repertoire. I completed Suzuki training for Pre-Twinkles and Book 1, however, after years of Suzuki study, workshops, and camps, I am fully versed in the Suzuki culture and method. For violin and viola students I use the Suzuki method with an emphasis on music history, theory, and sight-reading. With piano students I use th…
Education
UMKC - Conservatory of Music and Dance - B. A. of Arts in Music, History minor - 2004 - 2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Kathryn D.
(877) 231-8505
Jackson
Kansas City, MO
Subjects
Music Performance, Singing, Opera Voice
Ages Taught
12 to 99
Specialties
Classical, Broadway, folk, sacred music, vocal technique, voice training, speaking (speakers), music theory, musical theatre, singing, theatrical singing, adults, audition prep, breathing technique, children, theatre singing, healthy phonation, building vocal tone, sight singing, singers' diction in Italian, Spanish, French, Latin, German
Education
Massaponax - Advanced Studies - 1998-2001 (degree received) Brigham Young University- Idaho - Vocal Performance, Italian, Philosophy - 2001-2007 (degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Musical Beginnings
Independence, MO
 
University of Missouri - Kansas City
(816) 235-2900
Kansas City MO
Kansas City, MO

Data Provided By:
Kansas City String Quartet Program
(816) 926-9438
Prairie Village KS
Prairie Village, KS

Data Provided By:
Emily Elliott
8602 Buckingham Lane Apt. 17
Kansas City, MO
Instruments
Chorus, Conducting, Ear Training, Early Music, Other, Piano, Voice
Styles
Blues, Classical, Folk - Country - Bluegrass, Kids, Other, World
Experience Levels
Beginner, Intermediate
Rate
$30
Years of Experience
10 Years

Data Provided By:
Thomas G.
(877) 231-8505
W. 61st Terrace
Kansas City, MO
Subjects
Piano, Theatrical Broadway Singing, Singing, Opera Voice
Ages Taught
16 to 99
Specialties
classical bel canto styel
Education
Ball State Univ - Music Education - 1967-1971 (Bachelor's degree received) Univ. of Bridgeport - Music Education - 1973-1975 (Master's degree received) Ball State Uni - Music - 1975-1978 (PhD degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Data Provided By:

Defining The True Artist - Do You Have What It Takes?

Defining The True Artist - Do You Have What It Takes?
By Chris Standring ( www.chrisstandring.com )

There are musicians who are more than comfortable remaining anonymous. You know, happy to hide behind their guitars or keyboards and be sidemen to the stars of today or tomorrow. Then there are those that have grandiose aspirations of stardom, adoration and limelight. And then there are those who have a driving desire and need to say something original artistically, to express themselves and to communicate that expression to an audience, be it a small niche market or wider demographic.

Those falling into the first category can make a living, albeit fairly modest as a general rule. Those falling into the second category often live in a little bit of a dream world and, depending on their tenacity and 'smart' skills, usually end up disappointed because the focus is set on the destination rather than the journey. The third category usually reap the rewards of the second category gaining all the success and limelight, but as a result of focusing on their art rather than the shallow and flighty end of the musician's world. These are usually the most fascinating people too, because they generally have a little mystery about them and because they actually possess what most entertainers really want; sincere and dedicated talent!

But there are also those that are in the early stages of artistic development who are still learning their craft, and open to influences. Possibly they will become great artists in the future, possibly not. It will be a question of choices and consequences, and doors opened and opportunities taken advantage of - or not. Life certainly will take you places.

But for those that do have aspirations of artistry and expression, then I firmly believe you must have qualities that others do not have. As an artist I believe one must stand out from the heard in order to be heard. It is so easy to make a record these days. One no longer needs to have the luxury of a recording contract in order to stand on a pedestal and say "I am an artist - buy my record!" With home studios costing one 16th of the price they did ten years ago and with software programs that do it all, you can churn out albums by the dozen if you put your mind to it. And many do.

However, just because you can, why would you? - is my question. Just for fun? OK, valid I suppose. But Isn't it better to spend that time and energy searching relentlessly for something unique and different? God knows record companies are releasing enough crap by the hour, even signed artists are now under the impression they have got something to offer. Maybe they have, but for the most part I don't think so (as public reaction and their soundscans will attest!)

Perhaps I am being extremely unfair, but I think too many artists do not realize that they have a responsibility to say something profoundly unique, certainly if they expect any kin...

Click here to read the rest of this article from Play Jazz Guitar