Search Play Jazz Guitar.com

 

 




Music Theory Classes Wayne NJ

Music theory classes offer lessons on introduction to minor chords, key signatures, introduction staff and clefs, writing intervals, trial inversion and many more. See below for local businesses in Wayne that give access to Roman numeral analysis, voicing chords, as well as advice and content on diatonic seventh chords and composing with minor scales.

Bonnie Laub
429 Wyckoff Avenue
Wyckoff, NJ
Instruments
Chorus, Ear Training, Piano, Recorder, Theory, Voice
Styles
Classical
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
30 Years

Data Provided By:
Scott F.
(877) 231-8505
Mountain Way
Rutherford, NJ
Subjects
Acting, Theatrical Broadway Singing, Singing, Music Theory
Ages Taught
6 to 99
Specialties
Music Theater voice, Rock singing, Pop / R&B Singing, Beginning to Intermediate Music Theory, Beginning Piano, Choral Singing. I really like to focus on supporting from the diaphragm and keeping a nice relaxed throat. My style is that of learning how to read the music, then working on the voice. I can teach how to sing rock without destroying your voice. The same goes for Pop / R&B.
Education
Central Highschool - Theater/Music - 1991-1994 University of Northern Colorado - Musical Theater - 1995-1999
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Orion P.
(877) 231-8505
Quarry Ter
West Orange, NJ
Subjects
Singing, Music Performance, Music Recording, Songwriting, Music Theory
Ages Taught
16 to 35
Specialties
I specialize in Pop and R&B.
Education
Rutgers University - Music - 9/03 - 10/07 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Lori Fredrics
5 Duke Ct
Park Ridge, NJ
Instruments
Music Business, Theory, Voice
Styles
Classical, Electronic, Jazz, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$60
Years of Experience
25 Years

Data Provided By:
Cheryl C.
(877) 231-8505
Carriage House Rd
Mount Tabor, NJ
Subjects
Classical Guitar, Music Performance, Music Recording, Guitar, Music Theory, Songwriting
Ages Taught
7 to 99
Specialties
Specialize in acoustic guitar - both classical and contemporary, steel string and nylon. I usually include music theory and sight singing/reading and rhythm exercises during the lesson.
Education
Montclair State University - Music - Graduated 2000 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Abbey Owens
24 Hillside Ave
Upper Saddle River, NJ
Instruments
Ear Training, Musicology, Piano, Theory
Styles
Classical
Experience Levels
Advanced
Rate
$60
Years of Experience
20 Years

Data Provided By:
Wiley G.
(877) 231-8505
harriet st
West Orange, NJ
Subjects
Guitar, Music Theory, Music Performance
Ages Taught
5 to 99
Specialties
I have an in depth knowledge of jazz and classical harmony. And would love to work with any students who are pursuing a college degree in jazz studies. I also love classic rock, r&b, reggae, and funk. These are my specialties.
Education
Goddard College - music composition and education - 9/08- present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Tamar Bloch
1098 Belle Avenue
Teaneck, NJ
Instruments
Composition, Ear Training, Other, Piano, Theory
Styles
Classical
Experience Levels
Advanced, Beginner, Intermediate
Rate
$70
Years of Experience
35 Years

Data Provided By:
Richard V.
(877) 231-8505
Columbia Avenue
Bergenfield, NJ
Subjects
Clarinet, Music Performance, Speaking Voice, Music Theory, Songwriting, Acting, Piano, Percussion, Opera Voice, Singing
Ages Taught
5 to 99
Specialties
Bel Canto Technique -Vocal Training
Education
Suffrn High - general - 1975 (complete) Berklee School of Music - B.M. - 77-80 (complete) City College of New York - M.A.T. - 95-97 (complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Bridget H.
(877) 231-8505
W Third Street
South Orange, NJ
Subjects
Piano, Theatrical Broadway Singing, Music Performance, Speaking Voice, Opera Voice, Music Theory, Singing
Ages Taught
5 to 99
Specialties
Classical singing, Musical Theater, Jazz, music for young children, beginner piano, pop singing, audition preparation, beginning music for adults
Education
University of Windsor - Vocal Performance - 2000-2003 (Bachelor's degree received) Manhattan School of Music - Classical Voice - 2005-2007 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Data Provided By:

Interpretation, Individuality & The Miracle Of Music

By Chris Standring ( www.chrisstandring.com )

I watched a wonderful masterclass recently on PBS television. The show was called Barenboim on Beethoven. Daniel Barenboim is a classical concert pianist and conductor with a penchant for the music of Beethoven. I am always fascinated with these masterclasses because one only needs to come away with a small soundbyte of wisdom or expertise and the experience has been worth it. Also, I think it is always interesting how the mind of a classical musician works when interpreting the music of another composer, something that is inherently different from the jazz improviser.

The one thing that I always come away with from these classical maestros is the deep respect they have for the original composition. Of course this is a very classical musician's approach, and quite different from the jazz musician who is free to take a composition and butcher it as he or she sees fit!

In fact at one point during the masterclass Barenboim asks his student why he chooses to play a particular section loud. The student replies "Because I like it that way". The maestro responds "Not good enough!", and then proceeds to explain why that section might have sounded better played pianissimo, and gave extremely substantial musical reasons why it would have been so, even though individual interpretation was certainly valid.

Now if Herbie Hancock was giving a masterclass and he asked the student the same question, the response "Because I like it that way" might have been more acceptable.

But I think in both scenarios, if the individual can justify his chosen interpretation, provided it does justice to the music, whether it be respecting the original content of the composer or not, is to my mind valid. And I think that is actually what Daniel Barenboim was getting at. He just didn't think his student justified his own approach.

But the one thing that struck a chord with me (if you will pardon the pun), is when Daniel Barenboim discussed the 'miracle of music'. He said that no matter how much a musician practices, no matter how technically adept he or she is, the concept of individuality and personal emotiveness, simply cannot be taught. How much passion and feeling one puts into a piece, how involved in that performance the player is at the time, are all factors that simply cannot be learned in a cl...

Click here to read the rest of this article from Play Jazz Guitar

Local Events

Jenny's Penny Musical
Dates: 11/19/2019 – 11/19/2019
Location:
Riverdale Y Bronx
View Details