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Music Theory Classes Murfreesboro TN

Music theory classes offer lessons on introduction to minor chords, key signatures, introduction staff and clefs, writing intervals, trial inversion and many more. See below for local businesses in Murfreesboro that give access to Roman numeral analysis, voicing chords, as well as advice and content on diatonic seventh chords and composing with minor scales.

Chris D.
(877) 231-8505
Middle Tennesse State University
Murfreesboro, TN
Subjects
Music Recording, Songwriting, Music Performance, Guitar, Classical Guitar, Music Theory
Ages Taught
10 to 99
Specialties
The biggest part of my rep. is romantic era guitar (albeniz- Tango no.2, Mallorco 'Barcarola' [and others]) but I also have passion for baroque and renaissance guitar. However, I am capable of learning and performing with modern electric instruments and the musical styles and techniques they utilize. Apart from guitar I have exp. with Pro Tools, Reason, and DP. My song writing, arranging, and editing skills are, along with guitar, part of my double major and I am constantly working on and ref…
Education
MTSU - music theory/composition and guitar performance - '06-10 (not complete)
Membership Organizations
TakeLessons Music Teacher

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Troika H.
(877) 231-8505
Bradburn Village Cr.
Antioch, TN
Subjects
Music Theory, Piano, Music Performance
Ages Taught
5 to 70
Specialties
::::Piano:::: As family is the base for a stable home, scales for me is foundation. I specialize in Jazz, Classical and Contemporary.
Education
Fisk University - Music Performance, minor Music Business - 2005 - 2009 (Bachelor's degree received)
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TakeLessons Music Teacher

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Music & Arts
(615) 893-4241
536 N Thompson Lane, Suite G
Murfreesboro, TN
 
William K.
(877) 231-8505
N. Royal Oaks Blvd
Franklin, TN
Subjects
Music Performance, Songwriting, Classical Guitar, Guitar, Music Theory, Flamenco Guitar
Ages Taught
5 to 85
Specialties
I specialize in classical guitar and flamenco guitar (as was my main focus in college). My methods of technique is a contemporary adaptation of Andres Segovia. I play a lot of jazz guitar, which I like to put into a lot of my lessons because it is a fun way to teach music theory instead of playing Mary Had a Little Lamb. It also is a great way to introduce and demonstrate how to play scales and improvise.
Education
Keene State College - Music Technology specializing in Music Theory and Composition - 8-2005 to 12-2009 (Bachelor's degree received)
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TakeLessons Music Teacher

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Jeanne M.
(877) 231-8505
Vanosdale
Knoxville, TN
Subjects
Piano, Music Theory, Organ
Ages Taught
1 to 99
Education
Bearden High School - - 1968-1970 (High School diploma received) University of Tennessee - Musicology - 1970-1974 (Bachelor's degree received) University of Tennessee - Musicology - 1974-1977 (Master's degree received)
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TakeLessons Music Teacher

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BOB B.
(877) 231-8505
N. THOMPSON
Murfreesboro, TN
Subjects
Music Performance, Music Theory, Bass Guitar, Songwriting, Guitar, Flamenco Guitar, Music Recording
Ages Taught
6 to 99
Specialties
All areas including Special Ed.
Education
SEAHOLM - COLLEGE PREP - 1963-67 (High School diploma received) EASTERN MICH UNIVERSITY - MUSIC - 1967-71 (Bachelor's degree received) MTSU - SPECIAL ED - 2007-CURRENT
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TakeLessons Music Teacher

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Matt S.
(877) 231-8505
Destiny Dr.
Murfreesboro, TN
Subjects
Drums
Ages Taught
13 to 19
Specialties
I like working hard with my students to find out which ways they learn the best. Each student requires a different method and style of teaching. I really like working on rudiments, different drumming books, and writing out grooves that students can learn. I'm best known as a metal/rock drummer because of the band Project 86 that I play with but I also enjoy teaching Latin and Jazz.
Education
Middle Tennessee State University - Recording Industry - Fall 05 - Spring 09 (Bachelor's degree received)
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TakeLessons Music Teacher

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Middle Tennessee State University (Robert W,McLean School of Music )
(615) 898-2469
1301 E Main St
Murfreesboro, TN
 
William K.
(877) 231-8505
B Columbia Ave.
Franklin, TN
Subjects
Songwriting, Classical Guitar, Music Performance, Flamenco Guitar, Music Theory, Guitar
Ages Taught
5 to 85
Specialties
I specialize in classical guitar and flamenco guitar (as was my main focus in college). My methods of technique is a contemporary adaptation of Andres Segovia. I play a lot of jazz guitar, which I like to put into a lot of my lessons because it is a fun way to teach music theory instead of playing Mary Had a Little Lamb. It also is a great way to introduce and demonstrate how to play scales and improvise.
Education
Keene State College - Music Technology specializing in Music Theory and Composition - 8-2005 to 12-2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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BOB B.
(877) 231-8505
N. THOMPSON
Murfreesboro, TN
Subjects
Music Performance, Music Theory, Bass Guitar, Songwriting, Guitar, Flamenco Guitar, Music Recording
Ages Taught
6 to 99
Specialties
All areas including Special Ed.
Education
SEAHOLM - COLLEGE PREP - 1963-67 (High School diploma received) EASTERN MICH UNIVERSITY - MUSIC - 1967-71 (Bachelor's degree received) MTSU - SPECIAL ED - 2007-CURRENT
Membership Organizations
TakeLessons Music Teacher

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Interpretation, Individuality & The Miracle Of Music

By Chris Standring ( www.chrisstandring.com )

I watched a wonderful masterclass recently on PBS television. The show was called Barenboim on Beethoven. Daniel Barenboim is a classical concert pianist and conductor with a penchant for the music of Beethoven. I am always fascinated with these masterclasses because one only needs to come away with a small soundbyte of wisdom or expertise and the experience has been worth it. Also, I think it is always interesting how the mind of a classical musician works when interpreting the music of another composer, something that is inherently different from the jazz improviser.

The one thing that I always come away with from these classical maestros is the deep respect they have for the original composition. Of course this is a very classical musician's approach, and quite different from the jazz musician who is free to take a composition and butcher it as he or she sees fit!

In fact at one point during the masterclass Barenboim asks his student why he chooses to play a particular section loud. The student replies "Because I like it that way". The maestro responds "Not good enough!", and then proceeds to explain why that section might have sounded better played pianissimo, and gave extremely substantial musical reasons why it would have been so, even though individual interpretation was certainly valid.

Now if Herbie Hancock was giving a masterclass and he asked the student the same question, the response "Because I like it that way" might have been more acceptable.

But I think in both scenarios, if the individual can justify his chosen interpretation, provided it does justice to the music, whether it be respecting the original content of the composer or not, is to my mind valid. And I think that is actually what Daniel Barenboim was getting at. He just didn't think his student justified his own approach.

But the one thing that struck a chord with me (if you will pardon the pun), is when Daniel Barenboim discussed the 'miracle of music'. He said that no matter how much a musician practices, no matter how technically adept he or she is, the concept of individuality and personal emotiveness, simply cannot be taught. How much passion and feeling one puts into a piece, how involved in that performance the player is at the time, are all factors that simply cannot be learned in a cl...

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