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Music Theory Classes Lawrence KS

Music theory classes offer lessons on introduction to minor chords, key signatures, introduction staff and clefs, writing intervals, trial inversion and many more. See below for local businesses in Lawrence that give access to Roman numeral analysis, voicing chords, as well as advice and content on diatonic seventh chords and composing with minor scales.

Cortona Contemporary Music Festival
(785) 856-2497
Lawrence KS
Lawrence, KS

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University of Kansas (University of Kansas - School of Fine Arts)
785/864-3421
1502 Iowa Street
Lawrence, KS
 
Americana Music Academy
(785) 830-9640
1419 Massachusetts St
Lawrence, KS

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Daniel D.
(877) 231-8505
Locust Ave
Kansas City, KS
Subjects
Music Theory, Guitar, Classical Guitar, Music Performance, Acting, Speaking Voice
Ages Taught
1 to 99
Specialties
Rock, Blues, Metal, Jazz, Improvisation, and Composition
Education
Pittsburg State University - Education - 04-06 (Master's degree received) Pittsburg State University - English - 01-03 (Master's degree received) University of Kansas - English - 96-01 (Bachelor's degree received) Sumner Academy - - 91-96 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

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Marci S.
(877) 231-8505
W. 91st Ter
Lenexa, KS
Subjects
Singing, Piano
Ages Taught
1 to 99
Specialties
Piano-- Keyboard basics, music theory, playing technique, sight-reading music Singing-- Vocal mechanics, pitch matching, breathing techniques, vocal performance techniques. ALL genres of music are welcome in my studio!
Education
Lawrence High School - general - 1984-1986 (High School diploma received) University of Kansas - psychology/human biology - 1986-1996 (Bachelor's degree received) University of Kansas - human development - 2003-2006 (Master's degree received) University of Kansas - developmental psychology - currently (not complete)
Membership Organizations
TakeLessons Music Teacher

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University of Kansas
(785) 864-2958
Lawrence KS
Lawrence, KS

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Baker University (Baker University - Department of Music)
(785) 594-8400
P.O. Box 65
Baldwin City, KS
 
Music Clubhouse
(785) 865-0884
2201 W 25th St Ste M
Lawrence, KS

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Rhianna S.
(877) 231-8505
E. Mulberry Street
Olathe, KS
Subjects
Theatrical Broadway Singing, Piano, Opera Voice, Music Performance, Singing
Ages Taught
5 to 60
Specialties
VOICE: I believe that using classical art songs and arias are the best way to teach proper vocal usage. I always start a vocal student on songs that are easy on the vocal chords and promote a natural use of the voice. Once they've learned the basics of proper vocal usage I will then open their repertoire to other genres as they desire but without abandoning the classical genre. PIANO: While I am proficient in teaching classical piano methods up to an intermediate level, I also enjoy and am e…
Education
Francis Howell High School - Music and Business - 91-95 (High School diploma received) Wichita State University - Voice Perf./Business Dbl. Major - 95-97 (not complete) Oral Roberts University - Vocal Performance - 97-99 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Cortona Contemporary Music Festival
(785) 856-2497
Lawrence KS
Lawrence, KS

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Interpretation, Individuality & The Miracle Of Music

By Chris Standring ( www.chrisstandring.com )

I watched a wonderful masterclass recently on PBS television. The show was called Barenboim on Beethoven. Daniel Barenboim is a classical concert pianist and conductor with a penchant for the music of Beethoven. I am always fascinated with these masterclasses because one only needs to come away with a small soundbyte of wisdom or expertise and the experience has been worth it. Also, I think it is always interesting how the mind of a classical musician works when interpreting the music of another composer, something that is inherently different from the jazz improviser.

The one thing that I always come away with from these classical maestros is the deep respect they have for the original composition. Of course this is a very classical musician's approach, and quite different from the jazz musician who is free to take a composition and butcher it as he or she sees fit!

In fact at one point during the masterclass Barenboim asks his student why he chooses to play a particular section loud. The student replies "Because I like it that way". The maestro responds "Not good enough!", and then proceeds to explain why that section might have sounded better played pianissimo, and gave extremely substantial musical reasons why it would have been so, even though individual interpretation was certainly valid.

Now if Herbie Hancock was giving a masterclass and he asked the student the same question, the response "Because I like it that way" might have been more acceptable.

But I think in both scenarios, if the individual can justify his chosen interpretation, provided it does justice to the music, whether it be respecting the original content of the composer or not, is to my mind valid. And I think that is actually what Daniel Barenboim was getting at. He just didn't think his student justified his own approach.

But the one thing that struck a chord with me (if you will pardon the pun), is when Daniel Barenboim discussed the 'miracle of music'. He said that no matter how much a musician practices, no matter how technically adept he or she is, the concept of individuality and personal emotiveness, simply cannot be taught. How much passion and feeling one puts into a piece, how involved in that performance the player is at the time, are all factors that simply cannot be learned in a cl...

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