Search Play Jazz Guitar.com

 

 




Music Theory Classes Fort Lauderdale FL

Music theory classes offer lessons on introduction to minor chords, key signatures, introduction staff and clefs, writing intervals, trial inversion and many more. See below for local businesses in Fort Lauderdale that give access to Roman numeral analysis, voicing chords, as well as advice and content on diatonic seventh chords and composing with minor scales.

Marcella E.
(877) 231-8505
NW 11th Street
Fort Lauderdale, FL
Subjects
Violin, Music Performance, Music Theory, Viola
Ages Taught
5 to 18
Specialties
I mainly teach classical violin and viola using the Suzuki Method and other traditional methods. However, I do incorporate other genres as well, such as jazz, salsa, and fiddle tunes into my instruction.
Education
Florida Atlantic University - Music Education - 2009-present (not complete) University of South Florida - Music Education - 2005-2009 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jacob S.
(877) 231-8505
NW 54th St
Fort Lauderdale, FL
Subjects
Music Performance, Bass Guitar, Music Theory, Guitar
Ages Taught
5 to 99
Specialties
I have taught all styles of guitar and played rock, blues, classical, and jazz genres at a high level. All lessons are customized to the learners needs and goals.
Education
Florida State University - Music, specializing in guitar - 2004-2006 (Bachelor's degree received) ITT Technical College - Business Administration - 2006-2008 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Khelga Link
2633 Pierce street
Hollywood, FL
Instruments
Accordion, Chorus, Concertina, Conducting, Ear Training, Piano, Theory, Voice
Styles
Classical, Folk - Country - Bluegrass, Kids, Other
Experience Levels
Advanced, Beginner, Intermediate
Rate
$45
Years of Experience
30 Years

Data Provided By:
Joseph Nibbs
1535 Ne 128th Street,North Miami fl 33161
North Miami, FL
Instruments
Electric Bass, Guitar, Piano, Theory
Styles
Blues, Classical, Jazz, World
Experience Levels
Intermediate
Rate
$30
Years of Experience
15 Years

Data Provided By:
Marcella E.
(877) 231-8505
Glades Rd
Boca Raton, FL
Subjects
Viola, Music Performance, Music Theory, Violin
Ages Taught
5 to 18
Specialties
I mainly teach classical violin and viola using the Suzuki Method and other traditional methods. However, I do incorporate other genres as well, such as jazz, salsa, and fiddle tunes into my instruction.
Education
Florida Atlantic University - Music Education - 2009-present (not complete) University of South Florida - Music Education - 2005-2009 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Bryan D.
(877) 231-8505
NW 94th Terrace
Fort Lauderdale, FL
Subjects
Upright Bass, Bass Guitar, Guitar, Piano, Music Theory
Ages Taught
5 to 99
Specialties
Mostly contemporary music - I have incorporated some computer software into my teaching. I find it can provide a more broad range of information and interaction, especially in the teachers absence.
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Rhonda Kupfer
4171 Carambola Circle S
Coconut Creek, FL
Instruments
Electronic, Flute, Piano, Theory
Styles
Blues, Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$0
Years of Experience
10 Years

Data Provided By:
Eric F.
(877) 231-8505
SW 54th Way
Boca Raton, FL
Subjects
Trumpet, Music Theory, Music Theory, Guitar, Trumpet, Guitar, Bass Guitar, Bass Guitar, Music Performance, Songwriting, Songwriting, Music Performance, Piano, Piano, Music Recording, Music Recording
Ages Taught
12 to 99
Specialties
lydian chromatic theory, George Russell jazz, rock, pop, digital studio recording, record copying, recording techniques, mastering.
Education
Berklee College - Education - 1976-79 (Bachelor's degree received) New England Conservatory - Composition - 1991-93 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Ernesto O.
(877) 231-8505
W 21st Ave
Hialeah, FL
Subjects
Songwriting, Guitar, Music Theory, Music Recording
Ages Taught
5 to 100
Specialties
I specialize in fretboard theory, songwriting, improvisation, finger-picking, chord theory, and chart reading. I like to think of myself as a very well rounded player who shows interest in several genres of music including anything from Pop and RnB to Alternative Rock and Progressive Death-Metal. I'm open to all genres of music and hope to share similar musical interest's with my future students.
Education
Musicians Institute - G.I.T - 2008-2009 (not complete) Miami Dade College - A.S in Music Performance - Currently Enrolled (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Justin L.
(877) 231-8505
NE 65th Street
Miami, FL
Subjects
Music Theory, Guitar, Songwriting
Ages Taught
7 to 99
Specialties
I teach both electric and acoustic guitar geared toward the classic and contemporary rock and roll and blues lover. After our initial lesson, I will have gathered enough personal information to plan out your curriculum. You will be learning your favorite songs, and/or songs by your favorite artists supplemented with technical lessons.
Education
West Islip High School - - 91-95 (degree received) Nassau Community College - Liberal Arts - 97-99 (degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Data Provided By:

Interpretation, Individuality & The Miracle Of Music

By Chris Standring ( www.chrisstandring.com )

I watched a wonderful masterclass recently on PBS television. The show was called Barenboim on Beethoven. Daniel Barenboim is a classical concert pianist and conductor with a penchant for the music of Beethoven. I am always fascinated with these masterclasses because one only needs to come away with a small soundbyte of wisdom or expertise and the experience has been worth it. Also, I think it is always interesting how the mind of a classical musician works when interpreting the music of another composer, something that is inherently different from the jazz improviser.

The one thing that I always come away with from these classical maestros is the deep respect they have for the original composition. Of course this is a very classical musician's approach, and quite different from the jazz musician who is free to take a composition and butcher it as he or she sees fit!

In fact at one point during the masterclass Barenboim asks his student why he chooses to play a particular section loud. The student replies "Because I like it that way". The maestro responds "Not good enough!", and then proceeds to explain why that section might have sounded better played pianissimo, and gave extremely substantial musical reasons why it would have been so, even though individual interpretation was certainly valid.

Now if Herbie Hancock was giving a masterclass and he asked the student the same question, the response "Because I like it that way" might have been more acceptable.

But I think in both scenarios, if the individual can justify his chosen interpretation, provided it does justice to the music, whether it be respecting the original content of the composer or not, is to my mind valid. And I think that is actually what Daniel Barenboim was getting at. He just didn't think his student justified his own approach.

But the one thing that struck a chord with me (if you will pardon the pun), is when Daniel Barenboim discussed the 'miracle of music'. He said that no matter how much a musician practices, no matter how technically adept he or she is, the concept of individuality and personal emotiveness, simply cannot be taught. How much passion and feeling one puts into a piece, how involved in that performance the player is at the time, are all factors that simply cannot be learned in a cl...

Click here to read the rest of this article from Play Jazz Guitar