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Music Theory Classes Bradenton FL

Music theory classes offer lessons on introduction to minor chords, key signatures, introduction staff and clefs, writing intervals, trial inversion and many more. See below for local businesses in Bradenton that give access to Roman numeral analysis, voicing chords, as well as advice and content on diatonic seventh chords and composing with minor scales.

Preston B.
(877) 231-8505
Lockwood Ridge Rd
Sarasota, FL
Subjects
Music Theory, Percussion, Music Performance, Piano, Drums, Music Recording
Ages Taught
5 to 99
Specialties
Jazz, Rock, Latin, Orchestral, Band, Classical, rudimental drum line
Education
University of South Florida - Percussion Performance/ Music Composition/ Electronic Music - Fall 2006 - Spring 2010 (Bachelor's degree received) Alan Abel Percussion Seminar at Temple University - Percussion - 5/16/10 - 5/22/10 (Degree received)
Membership Organizations
TakeLessons Music Teacher

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Florida West Coast Symphony
(941) 953-4252
Sarasota FL
Sarasota, FL

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Eastside Music Academy
(941) 708-6595
3938 E State Rd 64
Bradenton, FL

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Suzuki Institute
(941) 330-9930
3100 S Tamiami Trl
Sarasota, FL

Data Provided By:
Rene R.
(877) 231-8505
Southwest 151st Place
Miami, FL
Subjects
Singing, Songwriting, Music Theory, Flamenco Guitar, Bass Guitar, Guitar, Cello, Piano, Upright Bass, Music Recording, Drums, Music Performance, Classical Guitar
Ages Taught
5 to 99
Specialties
My classical training began in High School with Influences in Segovia, and Romero I studied classical for 4 yrs. and trained in Jazz and Improvisation with performances In Big Band and group ensemble. Also sang and played in the school gospel choir.
Education
Miami-Dade College - Music Education - 2004-2006 (Degree received)
Membership Organizations
TakeLessons Music Teacher

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Matthew S.
(877) 231-8505
Stratford Dr
Sarasota, FL
Subjects
Music Theory, Guitar, Music Performance
Ages Taught
10 to 75
Specialties
Rock, and Live performance
Education
Ridgefield Park High School - General - 89-92 (High School diploma received) DeVry Technical - Electronics - 92-94 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

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Pleasant Hill Piano Studio
Located in Sunrise Plaza
Sarasota, FL
 
Manatee Music
(941) 741-8832
2710 Manatee Ave W
Bradenton, FL

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Jill H.
(877) 231-8505
Lake Underhill Road
Orlando, FL
Subjects
Bass Guitar, Guitar, Accordion, Music Theory, Theatrical Broadway Singing, Banjo, Opera Voice, Trumpet, Percussion, Ukulele, Harmonica, Piano, Clarinet, Classical Guitar, Singing, Violin, Music Performance, Songwriting, Drums, Music Recording, Speaking Voice
Ages Taught
4 to 99
Specialties
My specialty in voice comes from years of lessons and experience. I used many methods and books to bring out various ideas on how to teach voice lessons. I take each individual at his/her level and try to improve breathing technique, posture, enunciation with style and phrasing, depending on the student's aspirations.
Education
Charleston HIgh School - academic diploma - 1971-75 (High School diploma received) Evangel College - music education - 1975-79 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Daniel S.
(877) 231-8505
SW 136th St
Miami, FL
Subjects
Classical Guitar, Guitar, Music Theory
Ages Taught
5 to 99
Specialties
I specialize in classical guitar music and technique. I also give instruction in Music Theory.
Education
Vanguard - - 1997-2001 (degree received) U. of Central Florida - Music Performance - 2001-2007 (degree received) Roosevelt U. - CCPA - Music performance - 2008-2010 (degree received)
Membership Organizations
TakeLessons Music Teacher

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Interpretation, Individuality & The Miracle Of Music

By Chris Standring ( www.chrisstandring.com )

I watched a wonderful masterclass recently on PBS television. The show was called Barenboim on Beethoven. Daniel Barenboim is a classical concert pianist and conductor with a penchant for the music of Beethoven. I am always fascinated with these masterclasses because one only needs to come away with a small soundbyte of wisdom or expertise and the experience has been worth it. Also, I think it is always interesting how the mind of a classical musician works when interpreting the music of another composer, something that is inherently different from the jazz improviser.

The one thing that I always come away with from these classical maestros is the deep respect they have for the original composition. Of course this is a very classical musician's approach, and quite different from the jazz musician who is free to take a composition and butcher it as he or she sees fit!

In fact at one point during the masterclass Barenboim asks his student why he chooses to play a particular section loud. The student replies "Because I like it that way". The maestro responds "Not good enough!", and then proceeds to explain why that section might have sounded better played pianissimo, and gave extremely substantial musical reasons why it would have been so, even though individual interpretation was certainly valid.

Now if Herbie Hancock was giving a masterclass and he asked the student the same question, the response "Because I like it that way" might have been more acceptable.

But I think in both scenarios, if the individual can justify his chosen interpretation, provided it does justice to the music, whether it be respecting the original content of the composer or not, is to my mind valid. And I think that is actually what Daniel Barenboim was getting at. He just didn't think his student justified his own approach.

But the one thing that struck a chord with me (if you will pardon the pun), is when Daniel Barenboim discussed the 'miracle of music'. He said that no matter how much a musician practices, no matter how technically adept he or she is, the concept of individuality and personal emotiveness, simply cannot be taught. How much passion and feeling one puts into a piece, how involved in that performance the player is at the time, are all factors that simply cannot be learned in a cl...

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