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Music School Knoxville TN

Music schools provide lessons in music history, music technology, composition, musicianship, music theory, chamber music and more. See below to find music schools in Knoxville that give access to early childhood music programs, adult music learning programs, as well as advice and content on music education.

University of Tennessee - Knoxville
(865) 974-3241
Knoxville TN
Knoxville, TN

Data Provided By:
Kindermusik With Ms. Eady
(865) 671-0131
9915 Kingston Pike
Knoxville, TN

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Johnson Bible College
(865) 573-4517
7900 Johnson Drive
Knoxville, TN
Tuition
Tuition Costs : $7780
School Information
Type of Institution : Comprehensive higher education system
Institutional Designation : Private—Religious

Data Provided By:
Jeanne M.
(877) 231-8505
Larkwood Lane
Knoxville, TN
Subjects
Piano, Music Theory, Organ
Ages Taught
1 to 99
Education
Bearden High School - - 1968-1970 (High School diploma received) University of Tennessee - Musicology - 1970-1974 (Bachelor's degree received) University of Tennessee - Musicology - 1974-1977 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
John H.
(877) 231-8505
Northshore Drive
Knoxville, TN
Subjects
Music Performance, Music Theory, Singing, Speaking Voice
Ages Taught
5 to 99
Specialties
I specialize in breath support, diction, easy production and beautiful tone.
Education
Queens College - music performance - 1976-1978 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Keyboard College
(800) 433-3243
1152 Albany Rd
Knoxville, TN

Data Provided By:
University of Tennessee
(865) 974-1000
320 Student Services Building
Knoxville, TN
Tuition
Full-Time In-State Tuition Costs : $5428
Full-Time Non-Resident Tuition Costs : $18086
School Information
Type of Institution : University
Institutional Designation : Public—State

Data Provided By:
Elizabeth S.
(877) 231-8505
Andy Holt Ave.
Knoxville, TN
Subjects
Drums, Music Theory, Music Performance, Percussion
Ages Taught
5 to 99
Specialties
I am a classically trained percussionist. I specialize in orchestral percussion, but I teach hand drumming and drum set as well. Because I am getting my master's degree, I understand theory and could teach this as well.
Education
Central Michigan University - Bachelor of Music - Percussion - 2005-2009 (Bachelor's degree received) University of Tennessee - Master of Music - Percussion - 2009-present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Dixie R.
(877) 231-8505
Kingston Pike
Knoxville, TN
Subjects
Speaking Voice, Music Performance, Opera Voice, Singing, Acting, Theatrical Broadway Singing
Ages Taught
5 to 99
Specialties
I am an opera performer, but my undergraduate degree was in music theater so I feel very comfortable teaching and coaching both of these genres of voice, as well as the acting/performing aspects that come along with the genres.
Education
Viterbo University - Musical Theater/Music - 2002-2006 (Bachelor's degree received) Wichita State University - Opera/Music Performance - 2006-2009 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jeanne M.
(877) 231-8505
Vanosdale
Knoxville, TN
Subjects
Piano, Music Theory, Organ
Ages Taught
1 to 99
Education
Bearden High School - - 1968-1970 (High School diploma received) University of Tennessee - Musicology - 1970-1974 (Bachelor's degree received) University of Tennessee - Musicology - 1974-1977 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

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Reaching For The Soul Zone

Reaching For The Soul Zone
By Chris Standring ( www.chrisstandring.com )

Every searching artist wants to get there. It's that magical place where something takes over, you know, when something bigger than you whispers in your ear and says "Relax - I'll take it from here!"

I like to call it the 'soul zone', others simply call it the 'zone', I'm sure there are many other names for it.

For those of you who don't know what the heck I'm talking about, it is the ultimate state to be in as an improviser. You might have played a gig and gone through the motions and nothing particularly interesting sprung from you. You might have played a solo at a different time and place and thought you said some pretty interesting things. But then you'll probably remember those times when you played a solo and something absolutely magical happened. Maybe you closed your eyes and you went off into this magical mysterious place where nothing else mattered. While you were playing you felt like you were in the middle of a 'happening'. Your tone was just right, your phrasing was great and it seemed like you were truly improvising for the first time in a long while. And strangely enough, at the end of your solo, you look up and you can't remember a thing you just played. Then the band members look at you with a big smile of approval. You were in a completely altered state, or so it seemed.

Does this situation sound familiar to you? If so, you have experienced the soul zone. One of those trance like states that every searching musician is trying to get back to. It's the spiritual realm. And we would like it to happen more often than it does.

There's no question about it, this experience may well be one of the factors determining why so many musicians have turned to drugs and alcohol in the past. That Zen like state seems to be one of the reasons musicians play music at all. Of course the good news is that you can get there without the substance abuse!

The question I have always asked is this: "Why does this zone only come about from time to time?" I think there are a number of reasons.

First and most important I think is the fact that there are so many distractions when we play. I have found that as my career got busier as an artist, I was sometimes taking on the role of artist, manager and agent. By the time I got on stage I was finally having to think about entertaining, whilst asking myself all sorts of things like "Am I losing the audience? Do they like this song and if not should I cut it from the set? - have I brought enough people to this show? Is the promoter seething with anger - will she book me ever again? How many CDs am I selling over there? Should I be promoting my CD more during the show? Am I funny witty and charming on stage - dammit do they like me at all??" Yiiiikkes heeeeeellllllppp!!

As you can imagine, this scenario doesn't exactly make for a Zen like transce...

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