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Music School Colorado Springs CO

Music schools provide lessons in music history, music technology, composition, musicianship, music theory, chamber music and more. See below to find music schools in Colorado Springs that give access to early childhood music programs, adult music learning programs, as well as advice and content on music education.

Hanson Music Academy
(719) 633-2794
Colorado Springs CO
Colorado Springs, CO

Data Provided By:
University of Colorado-Colorado Springs (Visual And Performing Arts at UCCS)
(800) 990-8227
1420 Austin Bluffs Pkwy
Colorado Springs, CO
 
Colorado College
(719) 389-6000
900 Block North Cascade West
Colorado Springs, CO
Tuition
Tuition Costs : $35844
School Information
Type of Institution : Comprehensive higher education system
Institutional Designation : Private—Nonprofit

Data Provided By:
Sarah D.
(877) 231-8505
Robbie View
Colorado Springs, CO
Subjects
Music Performance, Music Theory, Piano
Ages Taught
5 to 15
Specialties
My preferred curriculum for private lessons include: Faber Piano Adventures, the Celebration Series, and Julie Johnson Theory. I specialize in working with children / young beginners.
Education
TELOS Institue International - Biblical Counseling - 01/2000-08/2000 (not complete) International Academy of Music - Music - 01/2001-02/2001 (not complete) Berklee College of Music - Music Theory - 09/2007-11/2007 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
University of Denver
(303) 871-6997
Denver CO
Denver, CO

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Colorado College (Colorado College Music Department)
719·389·6545
14 East Cache La Poudre Street
Colorado Springs, CO
 
Nazarene Bible College
(719) 884-5000
1111 Academy Park Loop
Colorado Springs, CO
Tuition
Tuition Costs : $8100
School Information
Type of Institution : Four-Year college
Institutional Designation : Private—Religious

Data Provided By:
Wendy H.
(877) 231-8505
Academy Boulevard North
Colorado Springs, CO
Subjects
Guitar, Piano, Singing, Speaking Voice, Music Performance, Music Theory
Ages Taught
5 to 99
Specialties
Classical piano is my strenghts; however, I can teach any style from christian to contemporary to jazz. Vocal styles are basic classical, modern, and christian. Guitar styles include basic instruction on learning to play guitar, chording, fingerpicking, using different positions on the finger board. I can teach beginning to college level music theory.
Education
Nazarene Bible College - Music Ministry with emphasis on piano certification - 2003-2008 (Bachelor's degree received) Riverview Collegiate Institute - H.S. Diploma - 1971-1974 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Wendy H.
(877) 231-8505
Cathys Loop
Peyton, CO
Subjects
Guitar, Piano, Singing, Speaking Voice, Music Performance, Music Theory
Ages Taught
5 to 99
Specialties
Classical piano is my strenghts; however, I can teach any style from christian to contemporary to jazz. Vocal styles are basic classical, modern, and christian. Guitar styles include basic instruction on learning to play guitar, chording, fingerpicking, using different positions on the finger board. I can teach beginning to college level music theory.
Education
Nazarene Bible College - Music Ministry with emphasis on piano certification - 2003-2008 (Bachelor's degree received) Riverview Collegiate Institute - H.S. Diploma - 1971-1974 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Boulder Arts Academy
(303) 449-9291
Boulder CO
Boulder, CO

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Reaching For The Soul Zone

Reaching For The Soul Zone
By Chris Standring ( www.chrisstandring.com )

Every searching artist wants to get there. It's that magical place where something takes over, you know, when something bigger than you whispers in your ear and says "Relax - I'll take it from here!"

I like to call it the 'soul zone', others simply call it the 'zone', I'm sure there are many other names for it.

For those of you who don't know what the heck I'm talking about, it is the ultimate state to be in as an improviser. You might have played a gig and gone through the motions and nothing particularly interesting sprung from you. You might have played a solo at a different time and place and thought you said some pretty interesting things. But then you'll probably remember those times when you played a solo and something absolutely magical happened. Maybe you closed your eyes and you went off into this magical mysterious place where nothing else mattered. While you were playing you felt like you were in the middle of a 'happening'. Your tone was just right, your phrasing was great and it seemed like you were truly improvising for the first time in a long while. And strangely enough, at the end of your solo, you look up and you can't remember a thing you just played. Then the band members look at you with a big smile of approval. You were in a completely altered state, or so it seemed.

Does this situation sound familiar to you? If so, you have experienced the soul zone. One of those trance like states that every searching musician is trying to get back to. It's the spiritual realm. And we would like it to happen more often than it does.

There's no question about it, this experience may well be one of the factors determining why so many musicians have turned to drugs and alcohol in the past. That Zen like state seems to be one of the reasons musicians play music at all. Of course the good news is that you can get there without the substance abuse!

The question I have always asked is this: "Why does this zone only come about from time to time?" I think there are a number of reasons.

First and most important I think is the fact that there are so many distractions when we play. I have found that as my career got busier as an artist, I was sometimes taking on the role of artist, manager and agent. By the time I got on stage I was finally having to think about entertaining, whilst asking myself all sorts of things like "Am I losing the audience? Do they like this song and if not should I cut it from the set? - have I brought enough people to this show? Is the promoter seething with anger - will she book me ever again? How many CDs am I selling over there? Should I be promoting my CD more during the show? Am I funny witty and charming on stage - dammit do they like me at all??" Yiiiikkes heeeeeellllllppp!!

As you can imagine, this scenario doesn't exactly make for a Zen like transce...

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