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Music Classes Pullman WA

See below to find music schools and music instructors in Pullman that give access to music classes, along with music ensembles, early childhood music, music summer programs, percussion classes, guitar classes, piano classes, and guitar classes, as well as advice and content on learning music.

Washington State University
PO Box 645300
Pullman, WA
 
University of Idaho
Rm 206 Music Building
Moscow, ID
 
Atom Heart Music
255 NE Olsen St
Pullman, WA
 
JC H.
(877) 231-8505
58th Ave
Mountlake Terrace, WA
Subjects
Music Theory, Upright Bass, Music Performance, Guitar, Music Recording, Songwriting, Bass Guitar
Ages Taught
13 to 99
Specialties
Jazz, Classical, Progressive Rock, Celtic, Funk, R&B/Soul For jazz, I tend to work on individual tunes from the Real Book and some of the Jamey Aebersold books. I also like Barry Galbraith's books on jazz chord comping. For rock guitar I have transcriptions of various techniques (tapping, sweep)/ For slap bass I have bits transcribed from Marcus Miller and Vic Wooten pieces. For reading, I'll work with Bach's 2-part inventions and then excerpts from rock or jazz charts.
Education
Wayne Status University - Music - 06/81 - 06/85 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Emiliya M.
(877) 231-8505
111th Place SE
Kent, WA
Subjects
Music Performance, Piano
Ages Taught
1 to 99
Specialties
Music, piano, piano performance, ear training, and music appreciation. Styles, specialties and genres are specific to each student based on preferences and background. Special training in classical music.
Education
Harmony - HIgh School - 2001-2004 (High School diploma received) Musci School - Piano - 1992-2003 (High School diploma received) Music College - Piano - 2003-2005 (Bachelor's degree received) University of Washington - Piano - 2008-2009 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Washington State University
(509) 335-4244
Pullman WA
Pullman, WA

Data Provided By:
University of Idaho (Lionel Hampton School of Music)
(208) 885-6231
Music Building Room 206
Moscow, ID
 
Kallie H.
(877) 231-8505
NE 96th St
Vancouver, WA
Subjects
Piano, Acting, Flute, Singing, Theatrical Broadway Singing
Ages Taught
5 to 99
Specialties
I love to use games and activities to engage my younger students. I also have them study a different composer each month. I teach my students about all music and how to identify musical styles and instruments. Composition and improvising is another method I stress with my students.
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Dennis Pierret
3424 97th Ave SE
Mercer Island, WA
Promotion
$60 / hr
Hours
"Classical
Memberships and Certifications
Other"
Services
Piano
Service Types and Repair
6 years

Scott T.
(877) 231-8505
SE 267th Place
Maple Valley, WA
Subjects
French Horn, Music Performance, Guitar, Singing, Classical Guitar, Songwriting, Bass Guitar, Percussion, Trumpet, Music Theory, Music Recording, Drums, Piano, Trombone
Ages Taught
5 to 99
Specialties
Classically trained. I focus on theory with my students. It is the base that they can leap from. I also have taught and performed jazz, salsa, and reggae.
Education
Navy School of Music - AA equivalent in Music - 1982 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

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Take A Breath, Listen To The Spaces

Take A Breath, Listen To The Spaces
By Chris Standring ( www.chrisstandring.com )

I was at the NAMM show recently, a massive trade show for musical products. If you've ever been into Guitar Center and witnessed that infernal noise made by guitarists and bass players 'trying out' instruments, then the NAMM show is that x 50,000. It can be hell, yet a necessary evil if you are in the business.

I spent some time walking around and of course made my way to many of the guitar and amp booths, after all it's always good to keep up with anything new and groundbreaking. I came across a few professional guitar players who had been hired to demonstrate guitars, and as good as these players were technically, there was always one aspect of their playing that stood out to me. I find this is the case with any guitar player that is not communicating. They play too much. Tons and tons of notes, in rapid succession, all brilliantly executed. But what is really being said? How can you enjoy music when you feel like you are having your teeth drilled?

Guitar players are notorious for doing this, simply because they can. If they were horn players things would be very different. You simply have to take a breath. Guitar players technically don't have to do this, so they don't, and as a result their music is compromised.

The first time I was aware of this was several years ago when I started using a digital vocoder. In order for the notes to be heard on my guitar, I would have to mouth something into the microphone to trigger them. Then of course you get to shape the sound with syllables and so on. I was in a rehearsal and my sax player said to me, "Chris you play different when you use that thing, because you have to take a breath". Perhaps that was a kind way of saying I sucked, but the talkbox thing was cool. It certainly struck a chord anyway. So from then on, and it took a while to really sink in, but I tried to really focus on phrasing. And not just as a guitar player, but compositionally, if my music doesn't breathe, I'm just not interested.

As jazz guitarists, there is a terrible tendency for us to play a lot of notes, firstly because the genre historically has given us permission to do so, and second, archtop jazz guitars don't generally lend themselves to sustaining notes, so in order to 'get over', guitarists fall into the trap of overplaying.

There are of course compromising situations which affect the way we play and it is important to be aware of these at the time. First, if you are taking a solo and the band behind you is not being particularly supportive, i.e.; playing busily and not listening to you, then this very often makes a player play more notes because they are fighting to speak, as it were. But if the band is just grooving, you as a soloist can play just a few notes and the spaces are music in themselves!

Another compromising situation might be a borrowed or rented amp that ju...

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