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Music Classes Parker CO

See below to find music schools and music instructors in Parker that give access to music classes, along with music ensembles, early childhood music, music summer programs, percussion classes, guitar classes, piano classes, and guitar classes, as well as advice and content on learning music.

Kristen C.
(877) 231-8505
Longstone Drive
Parker, CO
Subjects
Piano, Flute
Ages Taught
5 to 99
Specialties
I am classically trained pianist and flautist who specializes in teaching the beginner and intermediate students. Genres include: classical, pop, and contemporary.
Education
University of Denver - Music-piano performance - 1990-1995 (Bachelor's degree received) Colorado Christian University - Counseling - 1998-2000 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
John King
21133 Saddleback Cir
Parker, CO
Instruments
Trumpet
Styles
Classical, Kids
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
25 Years

Data Provided By:
Kevin Z.
(877) 231-8505
E Belleview Pl
Aurora, CO
Subjects
Guitar, Music Recording
Ages Taught
1 to 99
Specialties
music, electric guitar, guitar, digital recording Shred metal, rock, acoustic.
Education
Westminster High - General - 1991-1995
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Joey I.
(877) 231-8505
S. Parker Rd.,
Aurora, CO
Subjects
Guitar
Ages Taught
1 to 99
Specialties
Guitar, Drums Speed, Metal, Psychedelic Rock (Pink Floyd, The Beatles, etc.), Dexterity, Coordination, Synchronization, Writing Music, Interpreting music.
Education
Grandview Highschool - Music - 2004-2008 (degree received) Metro State College - Music - Spring 2009 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Gyongyver Petheo
9269 Hickory CIR
Highlands Ranch, CO
Instruments
Viola, Violin
Styles
Classical, Kids
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
23 Years

Data Provided By:
Brandon N.
(877) 231-8505
E Summit Road
Parker, CO
Subjects
Music Theory, Acting, Bass Guitar, Guitar, Piano, Classical Guitar, Music Performance, Songwriting, Music Recording
Ages Taught
1 to 99
Specialties
I generally can play any style of music that I hear. I enjoy rock/pop music and enjoy learning various finger-picking style of music. Most of my practice takes place on the acoustic guitar for finger strength and then I will apply that to electric guitar. I love blues music as well as R&B and have written several pieces in every genre.
Education
University of Colorado - Bachelors of Science in Music - 2002-2003 (degree received) Polk Community College - General Associate of Arts - 1999-2001 (degree received) Lake Region High School - Tri-Music Honor Society - 1997-2001 (degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
John King
21133 Saddleback Cir
Parker, CO
Promotion
$50 / hr
Hours
"Classical
Memberships and Certifications
Kids"
Services
Trumpet
Service Types and Repair
25 years

Brandon N.
(877) 231-8505
Quartz Street
Castle Rock, CO
Subjects
Music Theory, Acting, Bass Guitar, Guitar, Piano, Classical Guitar, Music Performance, Songwriting, Music Recording
Ages Taught
1 to 99
Specialties
I generally can play any style of music that I hear. I enjoy rock/pop music and enjoy learning various finger-picking style of music. Most of my practice takes place on the acoustic guitar for finger strength and then I will apply that to electric guitar. I love blues music as well as R&B and have written several pieces in every genre.
Education
University of Colorado - Bachelors of Science in Music - 2002-2003 (degree received) Polk Community College - General Associate of Arts - 1999-2001 (degree received) Lake Region High School - Tri-Music Honor Society - 1997-2001 (degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Robin Smith
2132 S. Quentin Way, #204
Aurora, CO
Instruments
Viola, Violin
Styles
Classical, Kids
Experience Levels
Beginner, Intermediate
Rate
$36
Years of Experience
12 Years

Data Provided By:
Cassandra Racz
9657 Red Oakes Pl
Highlands Ranch, CO
Promotion
$45 / hr
Hours
Other
Memberships and Certifications
Clarinet
Services
12 years

Data Provided By:

Take A Breath, Listen To The Spaces

Take A Breath, Listen To The Spaces
By Chris Standring ( www.chrisstandring.com )

I was at the NAMM show recently, a massive trade show for musical products. If you've ever been into Guitar Center and witnessed that infernal noise made by guitarists and bass players 'trying out' instruments, then the NAMM show is that x 50,000. It can be hell, yet a necessary evil if you are in the business.

I spent some time walking around and of course made my way to many of the guitar and amp booths, after all it's always good to keep up with anything new and groundbreaking. I came across a few professional guitar players who had been hired to demonstrate guitars, and as good as these players were technically, there was always one aspect of their playing that stood out to me. I find this is the case with any guitar player that is not communicating. They play too much. Tons and tons of notes, in rapid succession, all brilliantly executed. But what is really being said? How can you enjoy music when you feel like you are having your teeth drilled?

Guitar players are notorious for doing this, simply because they can. If they were horn players things would be very different. You simply have to take a breath. Guitar players technically don't have to do this, so they don't, and as a result their music is compromised.

The first time I was aware of this was several years ago when I started using a digital vocoder. In order for the notes to be heard on my guitar, I would have to mouth something into the microphone to trigger them. Then of course you get to shape the sound with syllables and so on. I was in a rehearsal and my sax player said to me, "Chris you play different when you use that thing, because you have to take a breath". Perhaps that was a kind way of saying I sucked, but the talkbox thing was cool. It certainly struck a chord anyway. So from then on, and it took a while to really sink in, but I tried to really focus on phrasing. And not just as a guitar player, but compositionally, if my music doesn't breathe, I'm just not interested.

As jazz guitarists, there is a terrible tendency for us to play a lot of notes, firstly because the genre historically has given us permission to do so, and second, archtop jazz guitars don't generally lend themselves to sustaining notes, so in order to 'get over', guitarists fall into the trap of overplaying.

There are of course compromising situations which affect the way we play and it is important to be aware of these at the time. First, if you are taking a solo and the band behind you is not being particularly supportive, i.e.; playing busily and not listening to you, then this very often makes a player play more notes because they are fighting to speak, as it were. But if the band is just grooving, you as a soloist can play just a few notes and the spaces are music in themselves!

Another compromising situation might be a borrowed or rented amp that ju...

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