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Music Classes Ormond Beach FL

See below to find music schools and music instructors in Ormond Beach that give access to music classes, along with music ensembles, early childhood music, music summer programs, percussion classes, guitar classes, piano classes, and guitar classes, as well as advice and content on learning music.

Eric B.
(877) 231-8505
Clock Tower Dr.
Port Orange, FL
Subjects
Music Performance, Guitar, Songwriting, Bass Guitar, Drums, Percussion, Music Recording, Music Theory
Ages Taught
5 to 99
Specialties
Drums- Funk, Jazz, Classic Rock, Metal, Punk, Blues, Hip-Hop Guitar/Bass- Funk, Blues, Metal, Rock, Hip-Hop Music Recording/Songwriting- Electronic Music/electroacoustic, Rock, Funk
Education
Stetson University - Digital arts, music, business - 08/08-current (not complete) Daytona State College - Arts - 08/06-05/08 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
The Kings Academy of Palm Coast, LLC
(386) 586-7777
801 North State Street
Bunnell, FL
 
Lawrence Rein
4316 Forest Hill Blvd
Palm Springs, FL
Instruments
Audio Recording, Composition, Drums, Ear Training, Electric Bass, Guitar, Harmonica, Percussion, Piano, Recording, Saxophone, Stand Up Bass, Theory, Ukelele, Viola, Violin, Voice
Styles
Blues, Jazz, Kids, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$25
Years of Experience
20 Years

Data Provided By:
Paul M.
(877) 231-8505
Silvera Court
Orlando, FL
Subjects
Drums
Ages Taught
5 to 65
Specialties
Basic hand technique for beginners, eventually incorporating an extra limb, usually the bass drum first. Rock and basic funk, jazz, and latin. Also basic musical notation. Ultimately, I would like the student to be able to transcribe the beats from some of their favorite songs, as well as write their own!
Education
Cornell University - English - Arts & Sciences - 8/90 - 5/94 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Miguel R.
(877) 231-8505
SW 15th Ln.
Miami, FL
Subjects
Singing, Guitar
Ages Taught
5 to 18
Specialties
Blues, Rock, Pop
Education
Valencia College - General Studies - Jan 2006-Dec 2008 (Associate degree received) Florida International University - Music - Aug 2010-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
The Chase Academy
(386) 690-0893
908 Beville Road
Daytona Beach, FL
 
Bethune-Cookman College (Bethune-Cookman Department of Music)
(386) 481-2000
640 Dr. Mary McLeod Bethune Blvd
Daytona Beach, FL
 
Damien S.
(877) 231-8505
Conroy Rd.
Orlando, FL
Subjects
Music Theory, Banjo, Guitar, Music Performance, Music Recording
Ages Taught
5 to 99
Specialties
I have been taught, on a college level, of classical, jazz, ethnic musics. I specialize in guitar, theory, composition.
Education
St Josephs Coll Inst - - 9/1986-6/1990 (High School diploma received) SUNY Purchase - Music Composition - 9/1990-5/1994 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Matthew P.
(877) 231-8505
Salih st
Opa Locka, FL
Subjects
Bass Guitar, Music Recording, Piano, Trombone, Music Performance
Ages Taught
5 to 99
Specialties
specialize in jazz and gospel music
Education
Norland high - - 08/92-05/94 (not complete) stranahan high - - 08/94-05/96 (not complete) grambling state - music performance - 08/97-05/01 (not complete) Florida memorial - music performance - 08/08-present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jill H.
(877) 231-8505
Punta Gorda Circle
Winter Springs, FL
Subjects
Accordion, Music Theory, Theatrical Broadway Singing, Banjo, Opera Voice, Trumpet, Bass Guitar, Percussion, Ukulele, Harmonica, Piano, Clarinet, Classical Guitar, Singing, Violin, Music Performance, Songwriting, Drums, Music Recording, Speaking Voice, Guitar
Ages Taught
4 to 99
Specialties
My specialty in voice comes from years of lessons and experience. I used many methods and books to bring out various ideas on how to teach voice lessons. I take each individual at his/her level and try to improve breathing technique, posture, enunciation with style and phrasing, depending on the student's aspirations.
Education
Charleston HIgh School - academic diploma - 1971-75 (High School diploma received) Evangel College - music education - 1975-79 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Take A Breath, Listen To The Spaces

Take A Breath, Listen To The Spaces
By Chris Standring ( www.chrisstandring.com )

I was at the NAMM show recently, a massive trade show for musical products. If you've ever been into Guitar Center and witnessed that infernal noise made by guitarists and bass players 'trying out' instruments, then the NAMM show is that x 50,000. It can be hell, yet a necessary evil if you are in the business.

I spent some time walking around and of course made my way to many of the guitar and amp booths, after all it's always good to keep up with anything new and groundbreaking. I came across a few professional guitar players who had been hired to demonstrate guitars, and as good as these players were technically, there was always one aspect of their playing that stood out to me. I find this is the case with any guitar player that is not communicating. They play too much. Tons and tons of notes, in rapid succession, all brilliantly executed. But what is really being said? How can you enjoy music when you feel like you are having your teeth drilled?

Guitar players are notorious for doing this, simply because they can. If they were horn players things would be very different. You simply have to take a breath. Guitar players technically don't have to do this, so they don't, and as a result their music is compromised.

The first time I was aware of this was several years ago when I started using a digital vocoder. In order for the notes to be heard on my guitar, I would have to mouth something into the microphone to trigger them. Then of course you get to shape the sound with syllables and so on. I was in a rehearsal and my sax player said to me, "Chris you play different when you use that thing, because you have to take a breath". Perhaps that was a kind way of saying I sucked, but the talkbox thing was cool. It certainly struck a chord anyway. So from then on, and it took a while to really sink in, but I tried to really focus on phrasing. And not just as a guitar player, but compositionally, if my music doesn't breathe, I'm just not interested.

As jazz guitarists, there is a terrible tendency for us to play a lot of notes, firstly because the genre historically has given us permission to do so, and second, archtop jazz guitars don't generally lend themselves to sustaining notes, so in order to 'get over', guitarists fall into the trap of overplaying.

There are of course compromising situations which affect the way we play and it is important to be aware of these at the time. First, if you are taking a solo and the band behind you is not being particularly supportive, i.e.; playing busily and not listening to you, then this very often makes a player play more notes because they are fighting to speak, as it were. But if the band is just grooving, you as a soloist can play just a few notes and the spaces are music in themselves!

Another compromising situation might be a borrowed or rented amp that ju...

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