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Music Classes Olympia WA

See below to find music schools and music instructors in Olympia that give access to music classes, along with music ensembles, early childhood music, music summer programs, percussion classes, guitar classes, piano classes, and guitar classes, as well as advice and content on learning music.

Trinity S.
(877) 231-8505
Baker Terrace SE
Olympia, WA
Subjects
Music Theory, Theatrical Broadway Singing, Singing, Music Performance, Opera Voice
Ages Taught
5 to 99
Specialties
I specialize in classcal music and music performance, because I've studied and performed it for over 13 years, but I'm also quite skilled in musical theater, which I've studied for 6 years, and I graduated top of my class for the 2 years of music theory classes I took at St. Martin's University.
Education
St. Martin's University - Music/vocal performance - 8/2008-5/2010 (Bachelor's degree received) South Puget Sound Community College - Associate of Arts/ Music - 9-2006-6/2008 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Renata F.
(877) 231-8505
Basin View Ct SE
Yelm, WA
Subjects
Music Theory, Piano
Ages Taught
5 to 99
Education
University of Toronto, Canada - piano performance - 1984 - 1988 (Bachelor's degree received) East Texas State University, Commerce, TX - piano perfomance/pedagogy - 1992 - 1994 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Capitol Tutors LLC
(360) 259-4825
4001 Morton Ct SE
Olympia, WA
 
Creative Concepts Investment Group/NSIC
(360) 426-9810
440 E. Saint Andrews Dr.
Shelton, WA
 
Music Stand
(360) 528-3944
6528 Capitol Blvd Se, # C
Olympia, WA
 
Tim Cromwell
Cromwell Music 7033A 20th Ave SE
Lacey, WA
Instruments
Chorus, Clarinet, Flute, Handbells, Horn, Percussion, Piano, Recorder, Saxophone, Theory, Trombone, Trumpet, Tuba, Voice
Styles
Blues, Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$45
Years of Experience
5 Years

Data Provided By:
Washington State Higher Education Coordinating Board
(360) 753-7800
P.O. Box 43430
Olympia, WA
 
Nurturing Beginnings Infant Massage Instruction / Parent Education
(360) 349-5402
4927 Cottage Lane SE
Lacey, WA
 
Positive Pregnancy
(253) 566-8788
Tacoma/Lakewood
Tacoma, WA
 
Peter C.
(877) 231-8505
SW Grayson St.
Seattle, WA
Subjects
Piano, Music Performance, Saxophone, Music Theory, Singing
Ages Taught
1 to 99
Specialties
My major in college was jazz voice. But a close second and third instruments are saxophone and piano. Great with young students as well as adults.
Education
Cornish College of the Arts - jazz voice - 03'-07' (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Data Provided By:

Take A Breath, Listen To The Spaces

Take A Breath, Listen To The Spaces
By Chris Standring ( www.chrisstandring.com )

I was at the NAMM show recently, a massive trade show for musical products. If you've ever been into Guitar Center and witnessed that infernal noise made by guitarists and bass players 'trying out' instruments, then the NAMM show is that x 50,000. It can be hell, yet a necessary evil if you are in the business.

I spent some time walking around and of course made my way to many of the guitar and amp booths, after all it's always good to keep up with anything new and groundbreaking. I came across a few professional guitar players who had been hired to demonstrate guitars, and as good as these players were technically, there was always one aspect of their playing that stood out to me. I find this is the case with any guitar player that is not communicating. They play too much. Tons and tons of notes, in rapid succession, all brilliantly executed. But what is really being said? How can you enjoy music when you feel like you are having your teeth drilled?

Guitar players are notorious for doing this, simply because they can. If they were horn players things would be very different. You simply have to take a breath. Guitar players technically don't have to do this, so they don't, and as a result their music is compromised.

The first time I was aware of this was several years ago when I started using a digital vocoder. In order for the notes to be heard on my guitar, I would have to mouth something into the microphone to trigger them. Then of course you get to shape the sound with syllables and so on. I was in a rehearsal and my sax player said to me, "Chris you play different when you use that thing, because you have to take a breath". Perhaps that was a kind way of saying I sucked, but the talkbox thing was cool. It certainly struck a chord anyway. So from then on, and it took a while to really sink in, but I tried to really focus on phrasing. And not just as a guitar player, but compositionally, if my music doesn't breathe, I'm just not interested.

As jazz guitarists, there is a terrible tendency for us to play a lot of notes, firstly because the genre historically has given us permission to do so, and second, archtop jazz guitars don't generally lend themselves to sustaining notes, so in order to 'get over', guitarists fall into the trap of overplaying.

There are of course compromising situations which affect the way we play and it is important to be aware of these at the time. First, if you are taking a solo and the band behind you is not being particularly supportive, i.e.; playing busily and not listening to you, then this very often makes a player play more notes because they are fighting to speak, as it were. But if the band is just grooving, you as a soloist can play just a few notes and the spaces are music in themselves!

Another compromising situation might be a borrowed or rented amp that ju...

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