Search Play Jazz Guitar.com

 

 




Music Classes New Lenox IL

See below to find music schools and music instructors in New Lenox that give access to music classes, along with music ensembles, early childhood music, music summer programs, percussion classes, guitar classes, piano classes, and guitar classes, as well as advice and content on learning music.

Tom Maslowski
2014 Sanford Ave
New Lenox, IL
Instruments
Electric Bass, Guitar, Theory
Styles
Blues, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$40
Years of Experience
8 Years

Data Provided By:
Akilah W.
(877) 231-8505
Clarendon Ave
Richton Park, IL
Subjects
Music Theory, Trombone, Piano
Ages Taught
5 to 40
Specialties
Classical Piano/ Classical Trombone
Education
University of Arkansas at Pine Bluff - Music Education - 08/2005-12/2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jason Peterson
21723 W Halifax Dr
Plainfield, IL
Promotion
$25 / hr
Hours
Classical
Memberships and Certifications
Piano
Services
12 years

Clete Davis
Fairview Music 418 75th Street
Downers Grove, IL
Instruments
Cello, Ear Training, Early Music, Harpsichord, Musicology, Organ, Theory, Viola, Violin
Styles
Classical, Folk - Country - Bluegrass, Kids
Experience Levels
Advanced, Beginner, Intermediate
Rate
$45
Years of Experience
42 Years

Data Provided By:
wiggle & coos baby massage class
(708) 769-1803
18876 Vanderbilt dr
MOKENA, IL
 
Paul Schmitz
133 w 13th st
lockport, IL
Promotion
$50 / hr
Hours
Classical
Memberships and Certifications
"Guitar
Services
Theory"
Service Types and Repair
10 years

Jason Peterson
21723 W Halifax Dr
Plainfield, IL
Instruments
Piano
Styles
Classical
Experience Levels
Advanced, Beginner, Intermediate
Rate
$25
Years of Experience
12 Years

Data Provided By:
G.R. S.
(877) 231-8505
W. 95th Street
Hickory Hills, IL
Subjects
Organ, Piano, Music Theory, Singing, Opera Voice
Ages Taught
9 to 67
Specialties
Church organ, either classical or gospel; operatic, oratorio and Broadway singing; classical piano. I can teach other genera, but these are my specialties.
Education
Knoxville High School - Music, writing - 1979-1982 (Honors Diploma) Illinois Wesleyan University - Religion/Music dbl maj - 1982-1986 (B.A.) Western Illinois University - Organ/Voice/Conducting - 1987-1988 American Conservatory of Music - Vocal Performance - 2008-Nov 2009 (M.M.)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Paul Schmitz
7363 Grand ave
Downers Grove, IL
Instruments
Guitar, Theory
Styles
Blues, Classical, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
10 Years

Data Provided By:
Mary Sears Children's Academy
(815) 724-0055
2319 Manhattan Rd
Joliet, IL
 
Data Provided By:

Take A Breath, Listen To The Spaces

Take A Breath, Listen To The Spaces
By Chris Standring ( www.chrisstandring.com )

I was at the NAMM show recently, a massive trade show for musical products. If you've ever been into Guitar Center and witnessed that infernal noise made by guitarists and bass players 'trying out' instruments, then the NAMM show is that x 50,000. It can be hell, yet a necessary evil if you are in the business.

I spent some time walking around and of course made my way to many of the guitar and amp booths, after all it's always good to keep up with anything new and groundbreaking. I came across a few professional guitar players who had been hired to demonstrate guitars, and as good as these players were technically, there was always one aspect of their playing that stood out to me. I find this is the case with any guitar player that is not communicating. They play too much. Tons and tons of notes, in rapid succession, all brilliantly executed. But what is really being said? How can you enjoy music when you feel like you are having your teeth drilled?

Guitar players are notorious for doing this, simply because they can. If they were horn players things would be very different. You simply have to take a breath. Guitar players technically don't have to do this, so they don't, and as a result their music is compromised.

The first time I was aware of this was several years ago when I started using a digital vocoder. In order for the notes to be heard on my guitar, I would have to mouth something into the microphone to trigger them. Then of course you get to shape the sound with syllables and so on. I was in a rehearsal and my sax player said to me, "Chris you play different when you use that thing, because you have to take a breath". Perhaps that was a kind way of saying I sucked, but the talkbox thing was cool. It certainly struck a chord anyway. So from then on, and it took a while to really sink in, but I tried to really focus on phrasing. And not just as a guitar player, but compositionally, if my music doesn't breathe, I'm just not interested.

As jazz guitarists, there is a terrible tendency for us to play a lot of notes, firstly because the genre historically has given us permission to do so, and second, archtop jazz guitars don't generally lend themselves to sustaining notes, so in order to 'get over', guitarists fall into the trap of overplaying.

There are of course compromising situations which affect the way we play and it is important to be aware of these at the time. First, if you are taking a solo and the band behind you is not being particularly supportive, i.e.; playing busily and not listening to you, then this very often makes a player play more notes because they are fighting to speak, as it were. But if the band is just grooving, you as a soloist can play just a few notes and the spaces are music in themselves!

Another compromising situation might be a borrowed or rented amp that ju...

Click here to read the rest of this article from Play Jazz Guitar