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Music Classes New Castle DE

See below to find music schools and music instructors in New Castle that give access to music classes, along with music ensembles, early childhood music, music summer programs, percussion classes, guitar classes, piano classes, and guitar classes, as well as advice and content on learning music.

Valerie B.
(877) 231-8505
Denn Place
Wilmington, DE
Subjects
Piano, Violin, Singing
Ages Taught
1 to 16
Specialties
For piano & violin, I specialize in the younger aged students (grades K-8) beginner/intermediate levels. For singing, I specialize in whatever age you at! I am able to train in various styles ranging from Children's songs to Broadway, Contemporary or even the more classical approach necessary for arias and traditional hymns. I also can address specific needs like learning choral music for a student's school choir and preparing a student for auditions or talent shows.
Education
West Chester University - Music Education, K-12 - Fall 1993- Spring 1997 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Sharon B.
(877) 231-8505
Yorkminster Road
West Chester, PA
Subjects
Piano
Ages Taught
5 to 99
Specialties
I'm a classically trained pianist. I teach students to read music. I teach all kinds of music not just classical.
Education
Loudoun County High - HS Diploma - 1978-81 (High School diploma received) West Chester University - Piano Performance - 1981-85 (Bachelor's degree received) Catholic University of America - Piano Performance - 1981-87 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Music & Arts
(302) 633-0600
Midway Plaza, 4707 Kirkwood Hwy
Wilmington, DE
 
Primerica Financial Services
(302) 276-1818
47-B Highland Boulevard
New Castle, DE
 
The Math King, LLC
(302) 345-5752
308 8th Avenue
Wilmington, DE
 
Nora M.
(877) 231-8505
Thorn Lane,
Newark, DE
Subjects
Flute, Music Performance, Music Theory, Piano, Oboe, Bassoon, Singing
Ages Taught
5 to 40
Specialties
I have used the Gordon Method during my studies at the University of Miami. I use a combination of that method as well as my own depending on the age level of the students.
Education
University of Miami - music education - 08/06-05/10 (Bachelor's degree received) University of Delaware - music performance - 08/10-05/12 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Valerie H.
(877) 231-8505
Parkridge Dr
Media, PA
Subjects
Singing, Music Performance
Ages Taught
7 to 99
Specialties
voice, Classical, Musical Theater, Pop Opera, Musical Theater
Education
Strath Haven High School - - 1997-2001 Northwestern University - Voice - 2001-2005 Univeristy of Tennessee - Opera - 2008-2010
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Delaware Higher Education Commission
(302) 577-5240
820 North French Street
Wilmington, DE
 
Star Scholars
(302) 220-0059
200 W. 9th Street
Wilmington, DE
 
Kumon of Wilmington Limestone
(302) 607-8120
127 Kirkwood Sq
Wilmington, DE
 
Data Provided By:

Take A Breath, Listen To The Spaces

Take A Breath, Listen To The Spaces
By Chris Standring ( www.chrisstandring.com )

I was at the NAMM show recently, a massive trade show for musical products. If you've ever been into Guitar Center and witnessed that infernal noise made by guitarists and bass players 'trying out' instruments, then the NAMM show is that x 50,000. It can be hell, yet a necessary evil if you are in the business.

I spent some time walking around and of course made my way to many of the guitar and amp booths, after all it's always good to keep up with anything new and groundbreaking. I came across a few professional guitar players who had been hired to demonstrate guitars, and as good as these players were technically, there was always one aspect of their playing that stood out to me. I find this is the case with any guitar player that is not communicating. They play too much. Tons and tons of notes, in rapid succession, all brilliantly executed. But what is really being said? How can you enjoy music when you feel like you are having your teeth drilled?

Guitar players are notorious for doing this, simply because they can. If they were horn players things would be very different. You simply have to take a breath. Guitar players technically don't have to do this, so they don't, and as a result their music is compromised.

The first time I was aware of this was several years ago when I started using a digital vocoder. In order for the notes to be heard on my guitar, I would have to mouth something into the microphone to trigger them. Then of course you get to shape the sound with syllables and so on. I was in a rehearsal and my sax player said to me, "Chris you play different when you use that thing, because you have to take a breath". Perhaps that was a kind way of saying I sucked, but the talkbox thing was cool. It certainly struck a chord anyway. So from then on, and it took a while to really sink in, but I tried to really focus on phrasing. And not just as a guitar player, but compositionally, if my music doesn't breathe, I'm just not interested.

As jazz guitarists, there is a terrible tendency for us to play a lot of notes, firstly because the genre historically has given us permission to do so, and second, archtop jazz guitars don't generally lend themselves to sustaining notes, so in order to 'get over', guitarists fall into the trap of overplaying.

There are of course compromising situations which affect the way we play and it is important to be aware of these at the time. First, if you are taking a solo and the band behind you is not being particularly supportive, i.e.; playing busily and not listening to you, then this very often makes a player play more notes because they are fighting to speak, as it were. But if the band is just grooving, you as a soloist can play just a few notes and the spaces are music in themselves!

Another compromising situation might be a borrowed or rented amp that ju...

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