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Music Classes Nacogdoches TX

See below to find music schools and music instructors in Nacogdoches that give access to music classes, along with music ensembles, early childhood music, music summer programs, percussion classes, guitar classes, piano classes, and guitar classes, as well as advice and content on learning music.

Music Preparatory Division Stephen F. Austin State University
Nacogdoches, TX
 
Stephen F. Austin State University
SFA Station/Box 13043
Nacogdoches, TX
 
Jim B.
(877) 231-8505
TIMBERLANE DRIVE
San Antonio, TX
Subjects
Guitar
Ages Taught
8 to 68
Specialties
Will follow a guitar instruction book, and teach songs student want to learn. Rhythm guitar teaching chords, picking & strumming and alternate chord positions for sound & variety. All modern music styles, folk, rock, r&b, and pop.
Education
BROWN MILITARY ACADEMY - (High School diploma received) CAL STATE FULLERTON - MUSIC/COMMUNICATIONS - (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Lorena B.
(877) 231-8505
Hot Wells Blvd.
San Antonio, TX
Subjects
Singing, Opera Voice, Piano, Music Theory
Ages Taught
5 to 99
Specialties
Classical, Hymns, Inspirational, Contemporary, Gospel and Christian
Education
Our lady of the Lake University - Music/Vocal Performance - 2007-2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Darren E.
(877) 231-8505
Welcome Dr
San Antonio, TX
Subjects
Piano, Drums, Singing, Music Performance, Classical Guitar, Percussion, Music Recording, Music Theory, Songwriting, Speaking Voice, Guitar, Bass Guitar
Ages Taught
5 to 99
Specialties
I play all styles and genre . Guitar and bass-Theory and performance in classical, rock, jazz, country. Drums-Theory and performance in rock, pop,jazz. piano keyboards-theory and composition. Singing-folk,rock, performance, exercises and training.
Education
san antonio college - design and music - 2004-2009 (Associate degree received) university of north texas - applied technologies - 2009-2010 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Music Preparatory Division, Stephen F. Austin State University
(936) 468-1291
Nacogdoches TX
Nacogdoches, TX

Data Provided By:
Stephen F. Austin State University (School of Music - Stephen F. Austin State University)
(936) 468-4602
1936 North St.
Nacogdoches, TX
 
Matthew B.
(877) 231-8505
East Side Drive
Austin, TX
Subjects
Singing, Music Performance, Speaking Voice, Songwriting, Percussion, Music Recording, Guitar, Bass Guitar, Music Theory
Ages Taught
5 to 99
Specialties
My method varies a great deal, as I often need to emulate styles for film. My natural style is very geared towards a British pop sensibility, although classically I am more influenced by German and Russian composers. My original (family) music education was in sixties pop and blues/folk guitar technique. My penchant for electronic music, ambient, dub, techno, and the like, should also be mentioned, for it has, over the years, effected my personal style.
Education
Austin Community College - Music Theory, Literature - 2009-2010 (not complete) Berklee Boston - Music Production - 2005-2005 (not complete) St. Petersburg College - Electronic Music, Music Composition - 2001-2002 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Clinton L.
(877) 231-8505
Parkside Center Blvd
Dallas, TX
Subjects
Drums
Ages Taught
7 to 51
Specialties
All Styles, Use the Chapin book, Stick Control and many many more. Rock, Jazz, Country, Latin
Education
University of North TX - - 1973-1980 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Gordie S.
(877) 231-8505
Preston rd
Dallas, TX
Subjects
Guitar
Ages Taught
8 to 99
Specialties
Rock,Blues,Metal,Country,
Membership Organizations
TakeLessons Music Teacher

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Take A Breath, Listen To The Spaces

Take A Breath, Listen To The Spaces
By Chris Standring ( www.chrisstandring.com )

I was at the NAMM show recently, a massive trade show for musical products. If you've ever been into Guitar Center and witnessed that infernal noise made by guitarists and bass players 'trying out' instruments, then the NAMM show is that x 50,000. It can be hell, yet a necessary evil if you are in the business.

I spent some time walking around and of course made my way to many of the guitar and amp booths, after all it's always good to keep up with anything new and groundbreaking. I came across a few professional guitar players who had been hired to demonstrate guitars, and as good as these players were technically, there was always one aspect of their playing that stood out to me. I find this is the case with any guitar player that is not communicating. They play too much. Tons and tons of notes, in rapid succession, all brilliantly executed. But what is really being said? How can you enjoy music when you feel like you are having your teeth drilled?

Guitar players are notorious for doing this, simply because they can. If they were horn players things would be very different. You simply have to take a breath. Guitar players technically don't have to do this, so they don't, and as a result their music is compromised.

The first time I was aware of this was several years ago when I started using a digital vocoder. In order for the notes to be heard on my guitar, I would have to mouth something into the microphone to trigger them. Then of course you get to shape the sound with syllables and so on. I was in a rehearsal and my sax player said to me, "Chris you play different when you use that thing, because you have to take a breath". Perhaps that was a kind way of saying I sucked, but the talkbox thing was cool. It certainly struck a chord anyway. So from then on, and it took a while to really sink in, but I tried to really focus on phrasing. And not just as a guitar player, but compositionally, if my music doesn't breathe, I'm just not interested.

As jazz guitarists, there is a terrible tendency for us to play a lot of notes, firstly because the genre historically has given us permission to do so, and second, archtop jazz guitars don't generally lend themselves to sustaining notes, so in order to 'get over', guitarists fall into the trap of overplaying.

There are of course compromising situations which affect the way we play and it is important to be aware of these at the time. First, if you are taking a solo and the band behind you is not being particularly supportive, i.e.; playing busily and not listening to you, then this very often makes a player play more notes because they are fighting to speak, as it were. But if the band is just grooving, you as a soloist can play just a few notes and the spaces are music in themselves!

Another compromising situation might be a borrowed or rented amp that ju...

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