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Music Classes Lake Zurich IL

See below to find music schools and music instructors in Lake Zurich that give access to music classes, along with music ensembles, early childhood music, music summer programs, percussion classes, guitar classes, piano classes, and guitar classes, as well as advice and content on learning music.

Ingrid L.
(877) 231-8505
E Palatine Rd
Palatine, IL
Subjects
Music Performance, Music Theory, Opera Voice, Singing, Theatrical Broadway Singing
Ages Taught
7 to 80
Specialties
I specialize in classical and musical theatre styles.
Education
Lawrence University - Vocal Performance - 1998-2002 (Bachelor's degree received) Southern Methodist University - Orchestral Conducting - 2004-2006 (Master's degree received) Northwestern University - Orchestral Conducting - 2006-2010 (PhD degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jeanne Slatkay
Carpenter Drive Near Palatine HS
Palatine, IL
Instruments
Ear Training, Horn, Piano, Theory
Styles
Classical, Jazz, Kids, Other
Experience Levels
Beginner, Intermediate
Rate
$40
Years of Experience
20+ Years

Data Provided By:
Joseph L.
(877) 231-8505
W Northwest Highway
Palatine, IL
Subjects
Guitar, Drums, Percussion, Music Theory, Songwriting, Music Recording, Music Performance, Classical Guitar, Bass Guitar
Ages Taught
5 to 99
Specialties
I am pretty adaptive to any style, as I have interests that lie in many. As far as a specialty in genre, I would say those are rock, indie rock, reggae, and country.
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Donna Chung
1207 Ranchview Ct 1207 Ranchview Ct
Buffalo Grove, IL
Instruments
Voice
Styles
Classical, Folk - Country - Bluegrass, Jazz, Kids, Other, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$35
Years of Experience
18 Years

Data Provided By:
Rolan Velasquez
1507 Grove Dr.
Round Lake Beach, IL
Instruments
Electric Bass
Styles
Blues, Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$40

Data Provided By:
Jeff F.
(877) 231-8505
S Lake St
Mundelein, IL
Subjects
Percussion, Drums
Ages Taught
9 to 99
Specialties
rudiments, jazz, Latin, rock, funk, fusion, reggae, and hand percussion, a little mallet percussion
Education
Roosevelt University - business education - 8/08 - present University of Phoenix - business management - 10/05 - 11/07 (Bachelor's degree received) Oakton Community Coll - percussion performance - various
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Doug S.
(877) 231-8505
NW Highway
Palatine, IL
Subjects
Music Theory, Music Recording, Music Performance, Bass Guitar, Guitar
Ages Taught
1 to 99
Specialties
I have been told that I use the discovery method. I never realized there was a description for the way I teach. Generally I'll use what ever means I feel that are necessary to help the student discover what it is they think they need or more importantly what I think they need by helping them see the relevance of it.
Education
Harper College - Music - 1986-1988 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Randal K.
(877) 231-8505
Dunton Ct.
Mundelein, IL
Subjects
Guitar, Bass Guitar
Ages Taught
5 to 99
Specialties
Rock, Reggae,Blues, and Folk. Travis Fingerstyle.
Education
SIU-Carbondale - advertising - 1988-1992 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Martone M.
(877) 231-8505
Concord Av.
Fox River Grove, IL
Subjects
Bass Guitar, Guitar
Ages Taught
7 to 99
Specialties
Music, guitar, bass folk, country, rock and basic guitar fundamentals
Education
St. Viator H.S. - general - grad 1967 (degree received) Harper Jr. College - general/music - 1968-1971 (degree received) St. Josephs College - music - 1972-1973 (not complete) Harper College - music - 1974-1975 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Lisa T.
(877) 231-8505
North Wille St.
Mount Prospect, IL
Subjects
Guitar
Ages Taught
10 to 99
Specialties
I can teach basic beginner and intermediate guitar. I can play most genres.
Education
Northeastern Illinois University - Elementary Ed,. k-8 and Middle School Endorsements - 2003-2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Data Provided By:

Take A Breath, Listen To The Spaces

Take A Breath, Listen To The Spaces
By Chris Standring ( www.chrisstandring.com )

I was at the NAMM show recently, a massive trade show for musical products. If you've ever been into Guitar Center and witnessed that infernal noise made by guitarists and bass players 'trying out' instruments, then the NAMM show is that x 50,000. It can be hell, yet a necessary evil if you are in the business.

I spent some time walking around and of course made my way to many of the guitar and amp booths, after all it's always good to keep up with anything new and groundbreaking. I came across a few professional guitar players who had been hired to demonstrate guitars, and as good as these players were technically, there was always one aspect of their playing that stood out to me. I find this is the case with any guitar player that is not communicating. They play too much. Tons and tons of notes, in rapid succession, all brilliantly executed. But what is really being said? How can you enjoy music when you feel like you are having your teeth drilled?

Guitar players are notorious for doing this, simply because they can. If they were horn players things would be very different. You simply have to take a breath. Guitar players technically don't have to do this, so they don't, and as a result their music is compromised.

The first time I was aware of this was several years ago when I started using a digital vocoder. In order for the notes to be heard on my guitar, I would have to mouth something into the microphone to trigger them. Then of course you get to shape the sound with syllables and so on. I was in a rehearsal and my sax player said to me, "Chris you play different when you use that thing, because you have to take a breath". Perhaps that was a kind way of saying I sucked, but the talkbox thing was cool. It certainly struck a chord anyway. So from then on, and it took a while to really sink in, but I tried to really focus on phrasing. And not just as a guitar player, but compositionally, if my music doesn't breathe, I'm just not interested.

As jazz guitarists, there is a terrible tendency for us to play a lot of notes, firstly because the genre historically has given us permission to do so, and second, archtop jazz guitars don't generally lend themselves to sustaining notes, so in order to 'get over', guitarists fall into the trap of overplaying.

There are of course compromising situations which affect the way we play and it is important to be aware of these at the time. First, if you are taking a solo and the band behind you is not being particularly supportive, i.e.; playing busily and not listening to you, then this very often makes a player play more notes because they are fighting to speak, as it were. But if the band is just grooving, you as a soloist can play just a few notes and the spaces are music in themselves!

Another compromising situation might be a borrowed or rented amp that ju...

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