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Music Classes Englewood CO

See below to find music schools and music instructors in Englewood that give access to music classes, along with music ensembles, early childhood music, music summer programs, percussion classes, guitar classes, piano classes, and guitar classes, as well as advice and content on learning music.

Doug S.
(877) 231-8505
East Iliff Avenue
Denver, CO
Subjects
Guitar, Classical Guitar, Music Performance, Upright Bass, Music Theory, Bass Guitar
Ages Taught
5 to 99
Specialties
I specialize in latin, jazz, popular and classical guitar. I teach all styles including rock, blues, folk and country. Focus on teaching chords, scales, theory and reading skills.
Education
Denver Institute of Technology - Drafting - July 1976-1977 (Associate degree received) University of Colorado At Denver - Music - 1982 (not complete) University of Denver - Music - 2009-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Mike M.
(877) 231-8505
S. Hudson St.
Littleton, CO
Subjects
Drums, Percussion
Ages Taught
5 to 99
Specialties
Music, Drum set, Orchestral Snare Drum Technique, Hand Drums, World Percussion Moeller Technique, Multi-Fulcrum Technique, Four-Limb Cordination and independance, Odd time, Polyrhythms, Mixed Meter! Capable of teaching drum set Reading and Notation! Also capable of teaching ALL STYLES of music. If you can think of it, I have played it. Too many to list here.
Education
Cherry Creek High School - Jazz Drumset/Marching Band/Orchestral - 9/92-4/96 (degree received) California Institute of the Arts - Jazz Drumset/Orchestral/World Percussion - 9/98-12/01 (degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Melissa P.
(877) 231-8505
S High Ct
Littleton, CO
Subjects
Singing, Music Performance, Music Recording, Music Theory
Ages Taught
1 to 99
Education
Arizona State University - Fine Arts - 1997-2001 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Rachel P.
(877) 231-8505
E. Girard Avenue
Denver, CO
Subjects
Piano, Trumpet, Cello, Bassoon, Music Performance, Violin, Drums, Tuba, Flute, Viola, Clarinet, Ukulele, Trombone, French Horn, Oboe, Percussion, Guitar
Ages Taught
5 to 20
Specialties
I teach beginner to advanced level flute as well as beginner to intermediate guitar, piano, percussion, woodwinds, and brass. I am a classically trained musician, so I know more about classic/baroque/romantic music. However, I do have experience with jazz and mainstream music.
Education
Eastern University - Music Education and Music Performance - 2004-2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Beth S.
(877) 231-8505
East Hampden Ave
Denver, CO
Subjects
Piano
Ages Taught
3 to 99
Specialties
music, Piano classical piano
Education
Royalton Hartland Central School - Music - 1986-1990 Metro State College of Denver - Music/Piano - beginning May 2008
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Mary Anne O.
(877) 231-8505
S. University Blvd
Denver, CO
Subjects
Violin, Fiddle, Music Theory
Ages Taught
5 to 99
Specialties
Suzuki Classical
Education
Roaring Fork High School - - Sept. 2000-May 2004 (High School diploma received) University of Denver - Music-violin - Sept. 2004-June 2008 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Mike M.
(877) 231-8505
S. Clayton St.
Denver, CO
Subjects
Drums, Percussion
Ages Taught
5 to 99
Specialties
Music, Drum set, Orchestral Snare Drum Technique, Hand Drums, World Percussion Moeller Technique, Multi-Fulcrum Technique, Four-Limb Cordination and independance, Odd time, Polyrhythms, Mixed Meter! Capable of teaching drum set Reading and Notation! Also capable of teaching ALL STYLES of music. If you can think of it, I have played it. Too many to list here.
Education
Cherry Creek High School - Jazz Drumset/Marching Band/Orchestral - 9/92-4/96 (degree received) California Institute of the Arts - Jazz Drumset/Orchestral/World Percussion - 9/98-12/01 (degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Traci N.
(877) 231-8505
E. Iliff Ave.
Denver, CO
Subjects
Piano, Music Performance, Trumpet, Music Theory
Ages Taught
9 to 99
Specialties
Trumpet: any level, beginner to advanced! In lessons of all ability levels I stress the importance of a vocal approach to playing the trumpet, understanding how to make anything musical, that fundamentals are important, and that challenges are opportunities for success. Individual problems are always addressed in personalized ways for each student. It is rewarding and fun to see the self-awareness and deserved confidence that comes with the dedicated study of trumpet.
Education
DePaul University School of Music - Music: Trumpet Performance - Fall 2005-Spring 2009 (Bachelor's degree received) University of Denver - Music: Trumpet Performance - Fall 2009-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Mary Anne O.
(877) 231-8505
S Birch St
Denver, CO
Subjects
Fiddle, Violin, Music Theory
Ages Taught
5 to 99
Specialties
Suzuki Classical
Education
Roaring Fork High School - - Sept. 2000-May 2004 (High School diploma received) University of Denver - Music-violin - Sept. 2004-June 2008 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Keven K.
(877) 231-8505
S glencoe st
Denver, CO
Subjects
Percussion, Guitar, Music Theory, Bass Guitar, Classical Guitar, Songwriting, Music Performance
Ages Taught
5 to 99
Specialties
I specialize in Rock and Metal, but I can also teach classical, jazz, blues, punk, reggae, funk, and experimental.
Education
University of Colorado at Boulder - BA in Musicology with a World music emphasis and BA in Studio Art - 04-09 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Data Provided By:

Take A Breath, Listen To The Spaces

Take A Breath, Listen To The Spaces
By Chris Standring ( www.chrisstandring.com )

I was at the NAMM show recently, a massive trade show for musical products. If you've ever been into Guitar Center and witnessed that infernal noise made by guitarists and bass players 'trying out' instruments, then the NAMM show is that x 50,000. It can be hell, yet a necessary evil if you are in the business.

I spent some time walking around and of course made my way to many of the guitar and amp booths, after all it's always good to keep up with anything new and groundbreaking. I came across a few professional guitar players who had been hired to demonstrate guitars, and as good as these players were technically, there was always one aspect of their playing that stood out to me. I find this is the case with any guitar player that is not communicating. They play too much. Tons and tons of notes, in rapid succession, all brilliantly executed. But what is really being said? How can you enjoy music when you feel like you are having your teeth drilled?

Guitar players are notorious for doing this, simply because they can. If they were horn players things would be very different. You simply have to take a breath. Guitar players technically don't have to do this, so they don't, and as a result their music is compromised.

The first time I was aware of this was several years ago when I started using a digital vocoder. In order for the notes to be heard on my guitar, I would have to mouth something into the microphone to trigger them. Then of course you get to shape the sound with syllables and so on. I was in a rehearsal and my sax player said to me, "Chris you play different when you use that thing, because you have to take a breath". Perhaps that was a kind way of saying I sucked, but the talkbox thing was cool. It certainly struck a chord anyway. So from then on, and it took a while to really sink in, but I tried to really focus on phrasing. And not just as a guitar player, but compositionally, if my music doesn't breathe, I'm just not interested.

As jazz guitarists, there is a terrible tendency for us to play a lot of notes, firstly because the genre historically has given us permission to do so, and second, archtop jazz guitars don't generally lend themselves to sustaining notes, so in order to 'get over', guitarists fall into the trap of overplaying.

There are of course compromising situations which affect the way we play and it is important to be aware of these at the time. First, if you are taking a solo and the band behind you is not being particularly supportive, i.e.; playing busily and not listening to you, then this very often makes a player play more notes because they are fighting to speak, as it were. But if the band is just grooving, you as a soloist can play just a few notes and the spaces are music in themselves!

Another compromising situation might be a borrowed or rented amp that ju...

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