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Music Classes Edison NJ

See below to find music schools and music instructors in Edison that give access to music classes, along with music ensembles, early childhood music, music summer programs, percussion classes, guitar classes, piano classes, and guitar classes, as well as advice and content on learning music.

Jeff S.
(877) 231-8505
Rector Street
Perth Amboy, NJ
Subjects
Guitar, Music Performance, Songwriting, Music Recording, Speaking Voice
Ages Taught
1 to 99
Education
American University - communications - 1973-1977 (Bachelor's degree received) Long Branch High School - college prep - 1970-1973 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Nina Green
40 Meeker St
Cranford, NJ
Instruments
Piano, Theory
Styles
Classical, Jazz, Kids, Other, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$56
Years of Experience
17 Years

Data Provided By:
Sarah B.
(877) 231-8505
Nehring Ave
Staten Island, NY
Subjects
Music Theory, Piano
Ages Taught
3 to 99
Specialties
Popular and classical piano, music theory.
Education
Rosati-Kain - general - 1996-2000 (High School diploma received) Maryville University - Music/Music Therapy - 2000-2004 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Tatyana Cherepinsky
42 Dina Ct
Staten Island, NY
Instruments
Piano, Theory
Styles
Classical
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
27 Years

Data Provided By:
Valeriya Tuz
161 Maplewood Ave., 3rd Fl
Maplewood, NJ
Instruments
Chorus, Composition, Conducting, Ear Training, Early Music, Electronic, Music Therapy, Piano, Recording, Theory, Voice
Styles
Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Other, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$60
Years of Experience
20 Years

Data Provided By:
Elizabeth Brinkofski
21 Tamarack Road
Somerset, NJ
Instruments
Early Music, Guitar, Music Business, Music Therapy, Musicology, Theory
Styles
Blues, Classical, Jazz, Kids, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$25
Years of Experience
8 Years

Data Provided By:
Cristine Carpena
623 Southridge Woods Blvd 623 Southridge Woods Blvd
Monmouth Junction, NJ
Instruments
Ear Training, Piano, Theory
Styles
Classical
Experience Levels
Advanced, Beginner, Intermediate
Rate
$45
Years of Experience
13 Years

Data Provided By:
karen g.
(877) 231-8505
kissam ave
Staten Island, NY
Subjects
Singing, Speaking Voice
Ages Taught
1 to 99
Specialties
I can teach singing for pop/rock or for theater. I play guitar, but I do not give lessons in guitar. I have also taught accent reduction and speaking voice for 10 years.
Education
Wagner College - Theater/Music - 1983-87 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Tatyana Cherepinsky
42 Dina Ct
Staten Island, NY
Promotion
$50 / hr
Hours
Classical
Memberships and Certifications
"Piano
Services
Theory"
Service Types and Repair
27 years

Bridget H.
(877) 231-8505
W Third Street
South Orange, NJ
Subjects
Piano, Theatrical Broadway Singing, Music Performance, Speaking Voice, Opera Voice, Music Theory, Singing
Ages Taught
5 to 99
Specialties
Classical singing, Musical Theater, Jazz, music for young children, beginner piano, pop singing, audition preparation, beginning music for adults
Education
University of Windsor - Vocal Performance - 2000-2003 (Bachelor's degree received) Manhattan School of Music - Classical Voice - 2005-2007 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Data Provided By:

Take A Breath, Listen To The Spaces

Take A Breath, Listen To The Spaces
By Chris Standring ( www.chrisstandring.com )

I was at the NAMM show recently, a massive trade show for musical products. If you've ever been into Guitar Center and witnessed that infernal noise made by guitarists and bass players 'trying out' instruments, then the NAMM show is that x 50,000. It can be hell, yet a necessary evil if you are in the business.

I spent some time walking around and of course made my way to many of the guitar and amp booths, after all it's always good to keep up with anything new and groundbreaking. I came across a few professional guitar players who had been hired to demonstrate guitars, and as good as these players were technically, there was always one aspect of their playing that stood out to me. I find this is the case with any guitar player that is not communicating. They play too much. Tons and tons of notes, in rapid succession, all brilliantly executed. But what is really being said? How can you enjoy music when you feel like you are having your teeth drilled?

Guitar players are notorious for doing this, simply because they can. If they were horn players things would be very different. You simply have to take a breath. Guitar players technically don't have to do this, so they don't, and as a result their music is compromised.

The first time I was aware of this was several years ago when I started using a digital vocoder. In order for the notes to be heard on my guitar, I would have to mouth something into the microphone to trigger them. Then of course you get to shape the sound with syllables and so on. I was in a rehearsal and my sax player said to me, "Chris you play different when you use that thing, because you have to take a breath". Perhaps that was a kind way of saying I sucked, but the talkbox thing was cool. It certainly struck a chord anyway. So from then on, and it took a while to really sink in, but I tried to really focus on phrasing. And not just as a guitar player, but compositionally, if my music doesn't breathe, I'm just not interested.

As jazz guitarists, there is a terrible tendency for us to play a lot of notes, firstly because the genre historically has given us permission to do so, and second, archtop jazz guitars don't generally lend themselves to sustaining notes, so in order to 'get over', guitarists fall into the trap of overplaying.

There are of course compromising situations which affect the way we play and it is important to be aware of these at the time. First, if you are taking a solo and the band behind you is not being particularly supportive, i.e.; playing busily and not listening to you, then this very often makes a player play more notes because they are fighting to speak, as it were. But if the band is just grooving, you as a soloist can play just a few notes and the spaces are music in themselves!

Another compromising situation might be a borrowed or rented amp that ju...

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Local Events

Jenny's Penny Musical
Dates: 11/19/2019 – 11/19/2019
Location:
Riverdale Y Bronx
View Details