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Jazz Classes Mesquite TX

Local resource for Jazz classes in Mesquite. Includes detailed information on local music schools and music instructors that provide access to blues lessons, Jazz lessons, and instruction in Jazz music, Jazz improvisation, Jazz theory, Jazz chords, Jazz styles, and Jazz harmony, as well as advice and content on playing Jazz music.

Southern Methodist University
PO Box 750356
Dallas, TX
 
Vince M.
(877) 231-8505
Cordova Drive
Mesquite, TX
Subjects
Music Theory, Bass Guitar, Guitar, Cello, Piano, Music Performance, Music Recording
Ages Taught
5 to 99
Specialties
I've studied and taught classical, blues, acoustic, rock, pop, and ambient/electronica,
Education
Plano Senior H.S. - Basics/ Music - 1988-90 (degree received) Richland C. College - Basics/ Music - 1990-93 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Brandi E.
(877) 231-8505
Colgate Ave
Dallas, TX
Subjects
Singing, Opera Voice, Music Theory
Ages Taught
10 to 99
Education
DePauw University - Music - 1998-1999 (not complete) Collin College - Music - 2007-2010 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Clinton L.
(877) 231-8505
Parkside Center Blvd
Dallas, TX
Subjects
Drums
Ages Taught
7 to 51
Specialties
All Styles, Use the Chapin book, Stick Control and many many more. Rock, Jazz, Country, Latin
Education
University of North TX - - 1973-1980 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Music & Arts
(972) 980-3737
Prestonwood Town Center, 15212 Montfort Drive Suite 322
Dallas, TX
 
Maestro J. Rand Certain
825 Bellflower Dr. Certain Music
Plano, TX
Instruments
Composition, Conducting, Ear Training, Musicology, Piano, Theory, Violin
Styles
Classical
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
40 Years

Data Provided By:
Jerod S.
(877) 231-8505
Eustis Ave
Dallas, TX
Subjects
Opera Voice, Music Theory, Music Performance, Singing, Theatrical Broadway Singing, Songwriting, Music Recording, Speaking Voice, Piano
Ages Taught
4 to 99
Specialties
piano, voice, singing, Songwriting, Music, Music Theory, Public Speaking, Vocal : Pop, R&B, gospel, Rock, Adult Contemporary. Praise Team and Ensemble singing. Anything related to church music. Piano : Classical, Written, Chord Charts, Fake Books, etc.
Education
Baylor University - 1997-2001 - Bachelor's in Music Midway- Graduated 1997 - High School
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Matt B.
(877) 231-8505
Coppedge
Dallas, TX
Subjects
Opera Voice, Music Theory, Piano, Singing, Music Performance, Songwriting, Music Recording, Speaking Voice
Ages Taught
7 to 99
Specialties
I specialize in training memory, technique, artistic sensitivity and the development of a musical mind. I am familiar with many methods and use them where appropriate. I will observe you (the student) and find out how you learn best, and tailor lessons accordingly, thereby using your preferred method of learning (aural, visual, or kinesthetic) to strengthen any weaknesses. Lessons with me are very fun and challenging.
Education
Texas Christian University - Piano: Artist's Diploma - 2005-2007 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Gordie S.
(877) 231-8505
Preston rd
Dallas, TX
Subjects
Guitar
Ages Taught
8 to 99
Specialties
Rock,Blues,Metal,Country,
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Music Preparatory Division Stephen F. Austin State University
Nacogdoches, TX
 
Data Provided By:

Playing With Conviction

Playing With Conviction
By Chris Standring ( www.chrisstandring.com )

I'm very often disappointed when I go and hear straight-ahead jazz guitarists play in a club, no matter how good they may be. Many have practiced their technique and have a knowledge of harmony that is clearly impressive. They have good time and play well with the other band members. But 9 times out of 10 I am disappointed and for the most part I think I know why.

Most of these players spend countless hours in the bedroom practicing, working on stuff, perfecting things, analyzing chord changes, working on harmonic ideas and so on, something that no one recommends more highly than I, but it seems that so often these musicians lack the ability to communicate musically.

It actually reminds me a little of when I used to live in London and I'd be having a drink with a few horn players at the bar during an intermission (in the UK, horn players particularly from the north of England seem to enjoy a pint or two!) and I'd listen to them say how much they had no time at all for the 'punters' in the audience. With this attitude, those horn players put themselves on a pedestal, instantly separating themselves, drawing an imaginary line at the end of the stage. More like an electric fence! I never understood it, it was almost a way of justifying how little work they were prepared to do to really get their musical point across. What they said musically might have been very clever, even impressive, but whatever it was remained on the stage. No one in the audience was invited to experience that musical conversation. The audience was the last thing that mattered it seemed.

Now I'm not suggesting that we as artists entertain with tap dancing, plate spinning, telling jokes and so on, I'm talking about finding a way to connect with the audience, and the first step to doing this is through sound projection with our instrument. Don't forget, as instrumentalists we have to try that much harder to communicate with the listener because there is no vocalist to do that for us. We have to make sure our instrumental voice carries.

And I find, going back to my disappointment with so many jazz guitarists in clubs, that they simply are not concerned with that communication between themselves and the audience. I do not believe it has been an issue with most of them and I believe it is extremely important.

I am talking about playing with real conviction. So many players lack that strength, everything is quiet and timid and they seem like they are looking for the right notes, meandering away, somewhat apologetically. This does not translate to an audience, very often does not translate to other musicians. Too many hours in the bedroom practicing obsessively and not enough time in coffee shops talking to other human beings about THEIR lives! Musicians can be horribly insular and those completely obsessed with their instruments usually end up as the bigges...

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