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Guitar Stores Seattle WA

Local resource for guitar stores in Seattle. Includes detailed information on local businesses that provide access to guitars, bass guitars, acoustic guitars, electric guitars, guitar rentals, guitar lessons, guitar repair, and guitar tuning, as well as advice and content on buying the right guitar.

Lark In The Morning
(206) 623-3440
1411 1St Ave
Seattle, WA
Types of Instruments Sold
Drums & Percussion, Guitars & Fretted Instruments, Print Music

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Capitol Music
(206) 622-0171
718 Virginia St
Seattle, WA
Types of Instruments Sold
Electronic Keyboard, Organs, Drums & Percussion, Recording Equipment, Guitars & Fretted Instruments, Print Music

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Blaze International
(206) 407-3775
300 Queen Anne Ave N # 118
Seattle, WA
Types of Instruments Sold
Guitars & Fretted Instruments

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Folkstore,The
(206) 524-1110
5210 Roosevelt Way Ne
Seattle, WA
Types of Instruments Sold
Guitars & Fretted Instruments

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Guitar Emporium
(206) 783-7607
5349 Ballard Ave Nw
Seattle, WA
Types of Instruments Sold
Guitars & Fretted Instruments

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Emerald City Guitars
(206) 382-0231
83 S Washington St
Seattle, WA
Types of Instruments Sold
Drums & Percussion, Guitars & Fretted Instruments, Print Music

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Bass Northwest
(206) 622-2277
119 Yesler Way
Seattle, WA
Types of Instruments Sold
Guitars & Fretted Instruments

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Zobristmusic
(206) 624-2424
4742 42Nd Ave Sw
Seattle, WA
Types of Instruments Sold
Drums & Percussion, Guitars & Fretted Instruments, Print Music

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D Avitars
(206) 633-4295
9238 Dayton Ave N
Seattle, WA
Types of Instruments Sold
Guitars & Fretted Instruments, Print Music

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Rosewood Guitar
(206) 297-8788
8402 Greenwood Ave N
Seattle, WA
Types of Instruments Sold
Guitars & Fretted Instruments

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Take Command Over Your Instrument

By Chris Standring ( www.chrisstandring.com )

Back in the early 80s I went to the London College Of Music to study classical guitar for three years. I studied exclusively with a wonderful guitarist named Robert Brightmore who is now teaching at the Guildhall School Of Music in London. Bob was not only a great teacher but a mentor to me and I looked forward to my weekly lessons with him. However, he understood my dedication to the instrument and no matter how much I practiced during the week, he would never ever have me resting on my laurels. He always wanted to push me harder. I remember him saying to me many times, "Play strong Chris, play strong!". Those words are still embedded in my skull today and they may well have been some of the most powerful words he could have uttered.

But it took a while for me to really know what he was talking about. Indeed I don't think I really got it until my final term at the music school when I had to do a recital for my Fellowship diploma. Right before I went on to perform he said "Play strong Chris!". And so I did.

Classical guitar is a tough instrument. It's just you and the guitar. Nothing in between. It's an acoustic instrument, and if you are playing in a hall you have to project that sound to the back of the room. You have to play strong. There's no amp to help you. But strong doesn't mean loud. It has to do with articulation, commitment to the music and command of your instrument, even in quiet passages. It really has to do with a solid technique, in a perfect world, so you can focus on the music, not muscle mechanisms. Playing strong most of all I think means communicating the music as if you are a great master. Playing strong means that the audience is comfortable listening to you. Comfortable in that they can relax and be taken on a musical journey. Not uncomfortable, worrying if you are going to 'make' the next phrase.

Of course now I am ensconced in the jazz world, my classical guitar playing has taken a long hiatus. But everything I learned about playing strong has been adopted to my jazz guitar playing, and I still think about it often. Not only do I want to play strong, but when I listen to other musicians I want to hear that command, strength, confidence and surety in their playing. I want to be comfortable listening to others play so I can enjoy their musical journey.

It starts with technique. But as I mentioned it's not about dazzling chops. Technique is a means to an end. If you can't say what you want to say musically, then examine whether your technique needs improvement. But I like to focus on the word 'articulation', because to me that describes what we are trying to achieve a little better.

So how do we learn to play strong? In the classical world, slow but sure practice is key. Learning to project sound, focusing on right hand attack, using different areas of the sound hole e...

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