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Guitar Stores Boulder City NV

Local resource for guitar stores in Boulder City. Includes detailed information on local businesses that provide access to guitars, bass guitars, acoustic guitars, electric guitars, guitar rentals, guitar lessons, guitar repair, and guitar tuning, as well as advice and content on buying the right guitar.

Ajs Music & Vintage Guitars
(702) 436-9300
2031 W Sunset Rd
Henderson, NV
Types of Instruments Sold
Sound Reinforcement, Guitars & Fretted Instruments

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Berns Suzuki Studio
(702) 736-3585
5221 S Eastern Ave
Las Vegas, NV
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Guitars & Fretted Instruments, Print Music

Data Provided By:
Guitar Workz, Llc
(702) 433-0808
1450 W Horizon Ridge Pkwy Ste C209
Henderson, NV
 
Rons Entertainment Sound
(702) 205-4891
5516 Boulder Hwy #2f-419
Las Vegas, NV
 
PIANO STYLE LIVE
(702) 407-9232
6116 JUTLAND AVE
Las Vegas, NV
 
American Music 4074
(702) 407-0264
10624 S Eastern Ave
Henderson, NV
Types of Instruments Sold
Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided By:
Kessler & Sons Music
(702) 385-2263
3047 E Charleston Blvd
Las Vegas, NV
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

Data Provided By:
Ajs Music
(702) 436-9300
2031 W Sunset Rd
Henderson, NV
 
Guitar Center
(702) 450-2260
3085 E. Tropicana
Las Vegas, NV
 
IDA VIOLIN MAKING REPAIR
(702) 837-3820
2190 CALANDRIA AVE
Las Vegas, NV
 
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Take Command Over Your Instrument

By Chris Standring ( www.chrisstandring.com )

Back in the early 80s I went to the London College Of Music to study classical guitar for three years. I studied exclusively with a wonderful guitarist named Robert Brightmore who is now teaching at the Guildhall School Of Music in London. Bob was not only a great teacher but a mentor to me and I looked forward to my weekly lessons with him. However, he understood my dedication to the instrument and no matter how much I practiced during the week, he would never ever have me resting on my laurels. He always wanted to push me harder. I remember him saying to me many times, "Play strong Chris, play strong!". Those words are still embedded in my skull today and they may well have been some of the most powerful words he could have uttered.

But it took a while for me to really know what he was talking about. Indeed I don't think I really got it until my final term at the music school when I had to do a recital for my Fellowship diploma. Right before I went on to perform he said "Play strong Chris!". And so I did.

Classical guitar is a tough instrument. It's just you and the guitar. Nothing in between. It's an acoustic instrument, and if you are playing in a hall you have to project that sound to the back of the room. You have to play strong. There's no amp to help you. But strong doesn't mean loud. It has to do with articulation, commitment to the music and command of your instrument, even in quiet passages. It really has to do with a solid technique, in a perfect world, so you can focus on the music, not muscle mechanisms. Playing strong most of all I think means communicating the music as if you are a great master. Playing strong means that the audience is comfortable listening to you. Comfortable in that they can relax and be taken on a musical journey. Not uncomfortable, worrying if you are going to 'make' the next phrase.

Of course now I am ensconced in the jazz world, my classical guitar playing has taken a long hiatus. But everything I learned about playing strong has been adopted to my jazz guitar playing, and I still think about it often. Not only do I want to play strong, but when I listen to other musicians I want to hear that command, strength, confidence and surety in their playing. I want to be comfortable listening to others play so I can enjoy their musical journey.

It starts with technique. But as I mentioned it's not about dazzling chops. Technique is a means to an end. If you can't say what you want to say musically, then examine whether your technique needs improvement. But I like to focus on the word 'articulation', because to me that describes what we are trying to achieve a little better.

So how do we learn to play strong? In the classical world, slow but sure practice is key. Learning to project sound, focusing on right hand attack, using different areas of the sound hole e...

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