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Guitar Classes Wayne NJ

See below to find local guitar classes in Wayne that give access to instruction on guitar for beginners, blue guitar basics, fingerstyle guitar basics, intermediate acoustic techniques, and lead guitar basics, as well as advice and content on bass guitar classes and more.

Wiley G.
(877) 231-8505
harriet st
West Orange, NJ
Subjects
Guitar, Music Theory, Music Performance
Ages Taught
5 to 99
Specialties
I have an in depth knowledge of jazz and classical harmony. And would love to work with any students who are pursuing a college degree in jazz studies. I also love classic rock, r&b, reggae, and funk. These are my specialties.
Education
Goddard College - music composition and education - 9/08- present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Cheryl C.
(877) 231-8505
Carriage House Rd
Mount Tabor, NJ
Subjects
Classical Guitar, Music Performance, Music Recording, Guitar, Music Theory, Songwriting
Ages Taught
7 to 99
Specialties
Specialize in acoustic guitar - both classical and contemporary, steel string and nylon. I usually include music theory and sight singing/reading and rhythm exercises during the lesson.
Education
Montclair State University - Music - Graduated 2000 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Dimitry E.
(877) 231-8505
West 136th St.
New York, NY
Subjects
Bass Guitar, Piano, Music Theory, Music Performance, Guitar
Ages Taught
5 to 99
Specialties
I specialize in jazz as well as classical theory and jazz theory.
Education
New York University - Jazz Studies - 9/2005 - 5/2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Conor Meehan
66 Pinehurst Ave. Apt. A2
New York, NY
Instruments
Drums, Guitar
Styles
Blues, Folk - Country - Bluegrass, Jazz, Kids, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$60
Years of Experience
15 Years

Data Provided By:
Isaac S.
(877) 231-8505
Riverside Dr. 5C
New York, NY
Subjects
Music Theory, Guitar, Classical Guitar
Ages Taught
12 to 50
Specialties
Most of my musical training is in classical guitar, but I have more experience teaching rock and acoustic to beginning students.
Education
Eastman School of Music - classical guitar - 9/04-5/09 (Bachelor's degree received) Manhattan School of Music - classical guitar - 9/2010-present
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Perry W.
(877) 231-8505
Bergen Turnpike
Ridgefield Park, NJ
Subjects
Guitar, Music Theory, Bass Guitar, Piano, Mandolin, Upright Bass
Ages Taught
5 to 99
Specialties
My main instrument is jazz bass (upright), but I also play bass guitar in various styles (rock, jazz, motown, etc.) I can also teach beginning/intermediate guitar (rock/jazz), piano (classical/jazz), and mandolin (bluegrass, celtic, etc).
Education
Mannes College The New School for Music - Jazz Performance - Double Bass - 1999-2000 (not complete) Manhattan School of Music - Jazz Performance - Double Bass - 2003-2007 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jose G. M.
(877) 231-8505
St. Nicholas Place
New York, NY
Subjects
Guitar, Music Performance, Classical Guitar, Music Theory
Ages Taught
5 to 99
Specialties
Classical, pop, reggae, acoustic, electrical guitar. Musicianship ( Music theory & sight singing) Music history.
Education
SUNY Stony Brook - Classical Guitar Performance - 2009-2010 (not complete) Conservatory of Music PR - Classical Guitar - 2004-2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jordan D.
(877) 231-8505
W 170 St
New York, NY
Subjects
Music Performance, Music Theory, Guitar, Classical Guitar
Ages Taught
5 to 99
Specialties
For the beginning student, lessons are focused on technique and fundamentals such as reading music, rhythm, etc. I use a variety of method books to work out of depending on what may best suit the individual student. For intermediate-advanced students, lessons can be geared towards more specific styles such as classical, jazz, ...
Education
University of Cincinnati - Classical Guitar - 2005-2009 (Bachelor's degree received) Manhattan School of Music - Classical Guitar - 2009-2011(expected) (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Suki Rae
2350 Broadway Suite 1218
New York, NY
Instruments
Flute, Guitar, Other, Piano, Recorder, Voice
Styles
Blues, Classical, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$55
Years of Experience
20 Years

Data Provided By:
Zachary L.
(877) 231-8505
W. 140th St.,
New York, NY
Subjects
Guitar, Music Theory, Music Performance, Classical Guitar
Ages Taught
5 to 99
Specialties
I am a classical guitarist. I have a BM and MM in classical guitar performance. However, I teach most popular styles as well. I was awarded a scholarship to study jazz at the University of Southern California, and I played with famous blues guitarist Hubert Sumlin as a teenager.
Education
Vanderbilt University - Classical guitar performance - 2001-2005 (Bachelor's degree received) Manhattan School of Music - Classical guitar performance - 2007-2009 (Master's degree received) Manhattan School of Music - Classical guitar performance - 2009-2010 (Degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Data Provided By:

The Art Of Practicing

The Art Of Practicing
By Chris Standring ( www.chrisstandring.com )

I have always believed that success, in practically any subject you can think of, is a direct result of "clear thinking". That is, the ability to understand very clearly what needs to be achieved and the action to set about surmounting very necessary hurdles in order to reach those goals. Less than successful people are either not clear in their goals or for one reason or another give up along the way. It's leveling that rough terrain, along with a clearly defined end result in mind that will get you there in the end. The success roadmap might go something like this:

Visualize goal => Surmount problems => Score

Sounds simple doesn't it? However, this clear thinking is all very well but it's usually the thought required before step 1 (visualization) that causes problems. Very often the goal does not manifest in mind because the process is so overwhelming.

And so it is with practicing the guitar, or any instrument for that matter. In more laymen's terms it's more like "What the hell should I be practicing?".

Practice is a constant struggle for many people. There is so much to learn and often so little time to allocate to it. For the jazz musician, clear thinking can be as simple as "I really like that Charlie Parker 2, 5 - how does he do that?". Then transcribing the line, practicing it in all keys and working the phrase into your own vocabulary. The 'score' as I like to call it is the ability to work it in to your own playing. I want to talk a little about that in a minute.

First, I think the most important thing to talk about is how to make best use of your practice time. There was a time when I started playing where I used to sit in my room and allocate 15 minutes to practicing scales and arpeggios, 10 minutes on technique exercises, 20 minutes on sight reading and 1/2 an hour on practicing my classical guitar repertoire. Why? because my teacher told me I had to. Years later once I started to study jazz guitar on my own I didn't feel the need to be practicing this way. It wasn't really benefiting me fully. I started to have my own goals in mind that I wanted to reach. I wanted to learn to play like one or two of my heroes, but more importantly because I liked what they played. Even more under the microscope were certain melodic lines and licks that tweaked my ear and fueled me to transcribe or simply copy the way they phrased or 'felt' a phrase. Once I clearly had in mind what I wanted to achieve I could go about achieving it - I knew what I had to do.

It's important to sit down to practice and be really clear about what you are going to do during that practice time. Now, one thing that helped me tremendously was when I made a huge commitment to scheduled practicing. In other words, deciding that every single day, no matter what, I would sit down and dedicate exactly one hour...

Click here to read the rest of this article from Play Jazz Guitar

Local Events

Jenny's Penny Musical
Dates: 11/19/2019 – 11/19/2019
Location:
Riverdale Y Bronx
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