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Guitar Classes Shakopee MN

See below to find local guitar classes in Shakopee that give access to instruction on guitar for beginners, blue guitar basics, fingerstyle guitar basics, intermediate acoustic techniques, and lead guitar basics, as well as advice and content on bass guitar classes and more.

Jeff E.
(877) 231-8505
Robinwood Lane
Hopkins, MN
Subjects
Guitar
Ages Taught
1 to 99
Specialties
Mostly rock and some blues. I aim mostly in fretboard theory. Once you show them how it all works and how the fret board works they can play anything.
Education
Rockfod East High - general studies - 80-84 (degree received) Guitar center - Guitar,music - 87-88 (degree received) Hennepin Tech colege - Electronics - 04-07 (degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Kevin G.
(877) 231-8505
James Ave S
Minneapolis, MN
Subjects
Music Theory, Guitar, Music Performance, Songwriting, Music Recording
Ages Taught
5 to 99
Specialties
I teach Rock, Hard Rock, Funk, Jazz, Blues, Metal, Shred Guitar. My methods are successful, interesting, and sometimes challenging to let the student find their potential of learning and playing original and creative music.
Education
Northmont High School - algebra, english, history - 89-93 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Paul L.
(877) 231-8505
Minnehaha Ave
Minneapolis, MN
Subjects
Guitar, Flamenco Guitar, Classical Guitar
Ages Taught
5 to 99
Education
University of Wisconsin La Crosse - Music(Classical guitar) - 2004-2007 (Bachelor's degree received) University of Minnesota - Music(Classical guitar - 2007-2010 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Eric C.
(877) 231-8505
Pilotknob Road
Saint Paul, MN
Subjects
Ukulele, Guitar, Bass Guitar, Music Theory
Ages Taught
5 to 99
Specialties
Pop, Jazz, Funk, Blues, Rock, Folk, basic music theory
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Schmitt Music
(952) 546-0555
Ne Corner Of 394 & 494
Hopkins, MN
 
Jason H.
(877) 231-8505
Russell Ave. S.
Minneapolis, MN
Subjects
Piano, Bass Guitar, Classical Guitar, Music Theory, Music Performance, Music Recording, Guitar
Ages Taught
5 to 89
Specialties
Music theory and classical piano and guitar, funk bass, Motown style, Hip Hop, House & Dance music, Electronic Music - synthesizers, samplers, music software, production, arranging, engineering...awarded the Peter Gabriel Production Award at Berklee College of Music by the Music Synthesis faculty for a partial scholarship, 1994. Featured on iTunes Store - Jason/ Roomsa feat: Lady Sarah, Dance Music Top 20 charts. Awarded Top 100 Electronic Artists of the Year, URB magazine, 2004.
Education
Berklee College of Music - 1994 - 1989 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
William Evan M.
(877) 231-8505
Holmes Ave
Minneapolis, MN
Subjects
Bass Guitar, Music Theory, Flamenco Guitar, Music Recording, Songwriting, Classical Guitar, Guitar, Music Performance
Ages Taught
5 to 99
Specialties
Because of my training at Lawrence University, I'm well versed in both classical and jazz music, but have also studied composition and arranging, music recording techniques, and pedagogy. I have studied jazz the most extensively, but consider myself proficient in almost any style or genre that involves the guitar.
Education
Minnesota State College - Southeast Technical - Guitar Building and Repair - 2009-2010 (Degree received) Lawrence University - Classical and Jazz Guitar Performance - 2004-2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Timothy B.
(877) 231-8505
Columbus Ave S.,
Minneapolis, MN
Subjects
Music Theory, Classical Guitar, Flamenco Guitar, Guitar, Music Performance, Bass Guitar
Ages Taught
5 to 99
Specialties
Mostly Classical, Flamenco, Blues, and Rock. Lots of experience teaching young students
Education
University of Minnesota - Music Performance - 6/05-5/10 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Ryan K.
(877) 231-8505
Goodrich
Saint Paul, MN
Subjects
Guitar, Saxophone
Ages Taught
1 to 99
Specialties
I specialize in classical, bluegrass, and blues. I like study flat picking guitar currently. I also do finger style as well. I go over theory and scaler work as well.
Education
Maple River - All - 1997-2001 Baker University - Music - 2002-2006
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Oslo Studios
(952) 479-8475
13208 Myrtle Dr
Burnsville, MN
 
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The Art Of Practicing

The Art Of Practicing
By Chris Standring ( www.chrisstandring.com )

I have always believed that success, in practically any subject you can think of, is a direct result of "clear thinking". That is, the ability to understand very clearly what needs to be achieved and the action to set about surmounting very necessary hurdles in order to reach those goals. Less than successful people are either not clear in their goals or for one reason or another give up along the way. It's leveling that rough terrain, along with a clearly defined end result in mind that will get you there in the end. The success roadmap might go something like this:

Visualize goal => Surmount problems => Score

Sounds simple doesn't it? However, this clear thinking is all very well but it's usually the thought required before step 1 (visualization) that causes problems. Very often the goal does not manifest in mind because the process is so overwhelming.

And so it is with practicing the guitar, or any instrument for that matter. In more laymen's terms it's more like "What the hell should I be practicing?".

Practice is a constant struggle for many people. There is so much to learn and often so little time to allocate to it. For the jazz musician, clear thinking can be as simple as "I really like that Charlie Parker 2, 5 - how does he do that?". Then transcribing the line, practicing it in all keys and working the phrase into your own vocabulary. The 'score' as I like to call it is the ability to work it in to your own playing. I want to talk a little about that in a minute.

First, I think the most important thing to talk about is how to make best use of your practice time. There was a time when I started playing where I used to sit in my room and allocate 15 minutes to practicing scales and arpeggios, 10 minutes on technique exercises, 20 minutes on sight reading and 1/2 an hour on practicing my classical guitar repertoire. Why? because my teacher told me I had to. Years later once I started to study jazz guitar on my own I didn't feel the need to be practicing this way. It wasn't really benefiting me fully. I started to have my own goals in mind that I wanted to reach. I wanted to learn to play like one or two of my heroes, but more importantly because I liked what they played. Even more under the microscope were certain melodic lines and licks that tweaked my ear and fueled me to transcribe or simply copy the way they phrased or 'felt' a phrase. Once I clearly had in mind what I wanted to achieve I could go about achieving it - I knew what I had to do.

It's important to sit down to practice and be really clear about what you are going to do during that practice time. Now, one thing that helped me tremendously was when I made a huge commitment to scheduled practicing. In other words, deciding that every single day, no matter what, I would sit down and dedicate exactly one hour...

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UST Executive Conference on the Future of Health Care
Dates: 11/5/2020 – 11/5/2020
Location:
University of St.Thomas Saint Paul
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