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Guitar Classes Kansas City MO

See below to find local guitar classes in Kansas City that give access to instruction on guitar for beginners, blue guitar basics, fingerstyle guitar basics, intermediate acoustic techniques, and lead guitar basics, as well as advice and content on bass guitar classes and more.

Daniel D.
(877) 231-8505
Locust Ave
Kansas City, KS
Subjects
Music Theory, Guitar, Classical Guitar, Music Performance, Acting, Speaking Voice
Ages Taught
1 to 99
Specialties
Rock, Blues, Metal, Jazz, Improvisation, and Composition
Education
Pittsburg State University - Education - 04-06 (Master's degree received) Pittsburg State University - English - 01-03 (Master's degree received) University of Kansas - English - 96-01 (Bachelor's degree received) Sumner Academy - - 91-96 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Antioch Music Center
(816) 455-2800
6004 NE Antioch Rd
Kansas City, MO
 
Hamps Guitar Studio
(816) 792-0274
412 Pershing St
Liberty, MO
 
Heartland Music Academy SUPPLY
(816) 554-4999
618 SW 3rd St Ste E
Lees Summit, MO
 
Fitzer Guitar Bass & Keyboard
(913) 649-5678
9107 W 100th Ter
Overland Park, KS
 
Larry Beekman Guitar Studio
(816) 523-0090
5726 Kenwood Ave
Kansas City, MO
 
Kansas City Young Audiences
(816) 531-4022
5601 Wyandotte Street, # 3
Kansas City, MO
 
Carrick Mustion Guitar & Bass
(816) 781-6358
Liberty, MO
 
Meyer Music CO
(816) 228-5656
1512 SW Us Highway 40
Blue Springs, MO
 
Peter A.
(877) 231-8505
Kenwood Ave,
Kansas City, MO
Subjects
Music Theory, Theatrical Broadway Singing, Music Performance, Singing, Songwriting, Opera Voice
Ages Taught
16 to 28
Specialties
In my study of music education at Rutgers University, we discussed Orff, Kodaly, Suzuki and other methods of teaching, but overall, I've taken a blend of the ones I've learned (along with personal ideas about teaching) and have taught in that way, trying to accommodate any specific needs of each individual student.
Education
Rutgers University (Mason Gross School of the Arts) - Music Education (Choral, Vocal, Composition) - Fall 2005 - Fall 2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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The Art Of Practicing

The Art Of Practicing
By Chris Standring ( www.chrisstandring.com )

I have always believed that success, in practically any subject you can think of, is a direct result of "clear thinking". That is, the ability to understand very clearly what needs to be achieved and the action to set about surmounting very necessary hurdles in order to reach those goals. Less than successful people are either not clear in their goals or for one reason or another give up along the way. It's leveling that rough terrain, along with a clearly defined end result in mind that will get you there in the end. The success roadmap might go something like this:

Visualize goal => Surmount problems => Score

Sounds simple doesn't it? However, this clear thinking is all very well but it's usually the thought required before step 1 (visualization) that causes problems. Very often the goal does not manifest in mind because the process is so overwhelming.

And so it is with practicing the guitar, or any instrument for that matter. In more laymen's terms it's more like "What the hell should I be practicing?".

Practice is a constant struggle for many people. There is so much to learn and often so little time to allocate to it. For the jazz musician, clear thinking can be as simple as "I really like that Charlie Parker 2, 5 - how does he do that?". Then transcribing the line, practicing it in all keys and working the phrase into your own vocabulary. The 'score' as I like to call it is the ability to work it in to your own playing. I want to talk a little about that in a minute.

First, I think the most important thing to talk about is how to make best use of your practice time. There was a time when I started playing where I used to sit in my room and allocate 15 minutes to practicing scales and arpeggios, 10 minutes on technique exercises, 20 minutes on sight reading and 1/2 an hour on practicing my classical guitar repertoire. Why? because my teacher told me I had to. Years later once I started to study jazz guitar on my own I didn't feel the need to be practicing this way. It wasn't really benefiting me fully. I started to have my own goals in mind that I wanted to reach. I wanted to learn to play like one or two of my heroes, but more importantly because I liked what they played. Even more under the microscope were certain melodic lines and licks that tweaked my ear and fueled me to transcribe or simply copy the way they phrased or 'felt' a phrase. Once I clearly had in mind what I wanted to achieve I could go about achieving it - I knew what I had to do.

It's important to sit down to practice and be really clear about what you are going to do during that practice time. Now, one thing that helped me tremendously was when I made a huge commitment to scheduled practicing. In other words, deciding that every single day, no matter what, I would sit down and dedicate exactly one hour...

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