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Guitar Classes Janesville WI

See below to find local guitar classes in Janesville that give access to instruction on guitar for beginners, blue guitar basics, fingerstyle guitar basics, intermediate acoustic techniques, and lead guitar basics, as well as advice and content on bass guitar classes and more.

Anatowind Clinic
(608) 362-1920
615 8th St
Beloit, WI
 
Johns Guitar Works
(815) 624-4770
12444 N Rockton Ave
Rockton, IL
 
Jeremy K.
(877) 231-8505
w. Broadway
Waukesha, WI
Subjects
Bass Guitar, Classical Guitar, Mandolin, Music Theory, Music Performance, Music Recording, Songwriting, Guitar
Ages Taught
5 to 99
Specialties
Rock, Blues, Jazz, Country, Metal, Classical, Fingerstyle
Education
Waukesha Country Technical College - Applied Science of Automotive Technology - 1998-2000 (Associate degree received) University of Wisconsin-Milwaukee - Music Performance-Jazz Guitar - 2008 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Vortexx Music
(262) 363-2900
100 Atkinson St
Mukwonago, WI
 
Jerrys Music Inc.
(715) 842-3272
702 N 3rd Ave
Wausau, WI
 
Paradise Guitars
(608) 364-4960
921 E Inman Pkwy
Beloit, WI
 
Sara d.
(877) 231-8505
South Street
Waukesha, WI
Subjects
Songwriting, Classical Guitar, Music Theory, Music Performance, Guitar, Singing
Ages Taught
5 to 99
Specialties
Diploma in Classical Guitar Performance and Education. Experience in theater as both musician and actress. Interests and experiences in performance of various musical genres as guitarist and vocalist both solo and as part of ensembles and groups.
Education
Santa Cecilia Conservatory of Music (Rome, Italy) - Classical Guitar - 2002-2010 (Degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Joseph S.
(877) 231-8505
76 n 38 ct
Milwaukee, WI
Subjects
Guitar
Ages Taught
5 to 99
Specialties
I specialize in fingerstyle guitar and some flatpicking. I am great with beginner guitar players.
Education
Milwaukee area technical college - Present - 2010 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Sunny Roads Guitar-Bass Lssns
(715) 723-1500
15 1/2 W Central St
Chippewa Falls, WI
 
Redwood Acoustics Guitar Shop
(262) 439-8393
2835 N Brookfield Rd
Brookfield, WI
 
Data Provided By:

The Art Of Practicing

The Art Of Practicing
By Chris Standring ( www.chrisstandring.com )

I have always believed that success, in practically any subject you can think of, is a direct result of "clear thinking". That is, the ability to understand very clearly what needs to be achieved and the action to set about surmounting very necessary hurdles in order to reach those goals. Less than successful people are either not clear in their goals or for one reason or another give up along the way. It's leveling that rough terrain, along with a clearly defined end result in mind that will get you there in the end. The success roadmap might go something like this:

Visualize goal => Surmount problems => Score

Sounds simple doesn't it? However, this clear thinking is all very well but it's usually the thought required before step 1 (visualization) that causes problems. Very often the goal does not manifest in mind because the process is so overwhelming.

And so it is with practicing the guitar, or any instrument for that matter. In more laymen's terms it's more like "What the hell should I be practicing?".

Practice is a constant struggle for many people. There is so much to learn and often so little time to allocate to it. For the jazz musician, clear thinking can be as simple as "I really like that Charlie Parker 2, 5 - how does he do that?". Then transcribing the line, practicing it in all keys and working the phrase into your own vocabulary. The 'score' as I like to call it is the ability to work it in to your own playing. I want to talk a little about that in a minute.

First, I think the most important thing to talk about is how to make best use of your practice time. There was a time when I started playing where I used to sit in my room and allocate 15 minutes to practicing scales and arpeggios, 10 minutes on technique exercises, 20 minutes on sight reading and 1/2 an hour on practicing my classical guitar repertoire. Why? because my teacher told me I had to. Years later once I started to study jazz guitar on my own I didn't feel the need to be practicing this way. It wasn't really benefiting me fully. I started to have my own goals in mind that I wanted to reach. I wanted to learn to play like one or two of my heroes, but more importantly because I liked what they played. Even more under the microscope were certain melodic lines and licks that tweaked my ear and fueled me to transcribe or simply copy the way they phrased or 'felt' a phrase. Once I clearly had in mind what I wanted to achieve I could go about achieving it - I knew what I had to do.

It's important to sit down to practice and be really clear about what you are going to do during that practice time. Now, one thing that helped me tremendously was when I made a huge commitment to scheduled practicing. In other words, deciding that every single day, no matter what, I would sit down and dedicate exactly one hour...

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