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Guitar Classes Hendersonville NC

See below to find local guitar classes in Hendersonville that give access to instruction on guitar for beginners, blue guitar basics, fingerstyle guitar basics, intermediate acoustic techniques, and lead guitar basics, as well as advice and content on bass guitar classes and more.

Wood Vibrations Guitar Instruction
(828) 891-7552
157 Surry Ln
Hendersonville, NC
 
Guitar Academy
(828) 775-7841
235 Duncan Hill Rd
Hendersonville, NC
 
Acoustics Piano & Guitar
(828) 713-7597
Hendersonville Rd
Asheville, NC
 
Lindsey Tims
PO Box 97204
Raleigh, NC
Instruments
Audio Recording, Drums, Electric Bass, Guitar, Mandolin, Recording, Violin
Styles
Blues, Folk - Country - Bluegrass, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$47.50
Years of Experience
8 Years

Data Provided By:
Bob C.
(877) 231-8505
Covered Bridge Road
Clayton, NC
Subjects
Music Theory, Flamenco Guitar, Banjo, Bass Guitar, Guitar, Ukulele, Classical Guitar, Music Performance
Ages Taught
9 to 99
Specialties
I use method books tailored to the students interests and needs whether it be Classical, Folk, or Rock Guitar. When helpful and desired, I also include other avenues of music such as theory, ear training, literature, and history.
Education
Duquesne University - Master of Music Theory - 1980-1983 (Master's degree received) Carnegie-Mellon University - Bachelor of Fine Arts in Music-Guitar Performance - 1975-1979 (Bachelor's degree received) Baldwin-Wallace College Conservatory of Music - Music-Performance in Classical Guitar - 1972-1975 (not complete) Lakewood High School - General Studies-Emphasis on Music - 1968-1972 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jim Beavers Music Studios
(828) 693-4056
810 S Grove Street
Hendersonville, NC
 
Area 22 Guitars
(828) 884-2222
107 N Caldwell St
Brevard, NC
 
Asheville Music & ART
(828) 258-0721
697 Haywood Rd, Ste C
Asheville, NC
 
Stuart A.
(877) 231-8505
Exacta Lane,
Raleigh, NC
Subjects
Guitar, Music Performance, Speaking Voice
Ages Taught
5 to 99
Specialties
Heavy background in blues, rock, contemporary Christian. I have developed a specialty in providing lead and rhythm simultaneously (for environments with one guitarist). I've developed the ability to jump start new guitarists' (especially those who prefer electric) chording skills, and teaching them how to leverage this in developing their lead playing.
Education
USAF Academy - Basic Sciences - 1973 - 1977 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Milton Gores Guitar Music
(910) 840-7710
1003 S Madison St
Whiteville, NC
 
Data Provided By:

The Art Of Practicing

The Art Of Practicing
By Chris Standring ( www.chrisstandring.com )

I have always believed that success, in practically any subject you can think of, is a direct result of "clear thinking". That is, the ability to understand very clearly what needs to be achieved and the action to set about surmounting very necessary hurdles in order to reach those goals. Less than successful people are either not clear in their goals or for one reason or another give up along the way. It's leveling that rough terrain, along with a clearly defined end result in mind that will get you there in the end. The success roadmap might go something like this:

Visualize goal => Surmount problems => Score

Sounds simple doesn't it? However, this clear thinking is all very well but it's usually the thought required before step 1 (visualization) that causes problems. Very often the goal does not manifest in mind because the process is so overwhelming.

And so it is with practicing the guitar, or any instrument for that matter. In more laymen's terms it's more like "What the hell should I be practicing?".

Practice is a constant struggle for many people. There is so much to learn and often so little time to allocate to it. For the jazz musician, clear thinking can be as simple as "I really like that Charlie Parker 2, 5 - how does he do that?". Then transcribing the line, practicing it in all keys and working the phrase into your own vocabulary. The 'score' as I like to call it is the ability to work it in to your own playing. I want to talk a little about that in a minute.

First, I think the most important thing to talk about is how to make best use of your practice time. There was a time when I started playing where I used to sit in my room and allocate 15 minutes to practicing scales and arpeggios, 10 minutes on technique exercises, 20 minutes on sight reading and 1/2 an hour on practicing my classical guitar repertoire. Why? because my teacher told me I had to. Years later once I started to study jazz guitar on my own I didn't feel the need to be practicing this way. It wasn't really benefiting me fully. I started to have my own goals in mind that I wanted to reach. I wanted to learn to play like one or two of my heroes, but more importantly because I liked what they played. Even more under the microscope were certain melodic lines and licks that tweaked my ear and fueled me to transcribe or simply copy the way they phrased or 'felt' a phrase. Once I clearly had in mind what I wanted to achieve I could go about achieving it - I knew what I had to do.

It's important to sit down to practice and be really clear about what you are going to do during that practice time. Now, one thing that helped me tremendously was when I made a huge commitment to scheduled practicing. In other words, deciding that every single day, no matter what, I would sit down and dedicate exactly one hour...

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