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Classical Guitar Classes Williamsburg VA

Classical guitar classes include lessons on right hand positions, rest stroke, free stroke, playing scales, pedal tones, vibrato, basic arpeggios and more. See below for local music schools in Williamsburg that give access to instruction in guitar playing techniques as well as advice and content on playing classical guitar.

Charles C.
(877) 231-8505
De Wald Cir
Newport News, VA
Subjects
Guitar, Music Theory, Bass Guitar, Classical Guitar, Clarinet
Ages Taught
5 to 99
Specialties
I specialize especially in the theoretical aspects of music. I can break down the music into it's component parts, ie: phrases, overall structures, harmonic progressions. In clarinet, I have experience in classical-modern. In guitar I have experience in classical as well folk and some jazz.
Education
Christopher Newport University - BM-Instrumental Music Education - Fall 2007-Spring 2011 (not complete) Christopher Newport University - Master of Arts in Teaching - Fall 2010-Spring 2012 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Centerstage Academy
(757) 890-0175
4030 - D George Washington Memori...
Yorktown, VA
 
Amory Music
(757) 229-8070
4436 John Tyler Hwy
Williamsburg, VA
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided By:
Hi-Tone Sound And Audio
(757) 303-0330
500 Arabian Cir
Yorktown, VA
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Drums & Percussion, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided By:
Authentic Guitars
(757) 220-9911
4809 Courthouse St
Williamsburg, VA
 
Williamsburg Guitar Lessons
(757) 565-6022
113 Richards Rd
Williamsburg, VA
 
Jeffs Music
(757) 244-4490
112 Newmarket Sq
Newport News, VA
 
Winter Sound Co
(804) 642-6434
P.O. Box 396
Gloucester Point, VA
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment
Lesson Information
Lessons: Yes
Instrument Repair Information
Board level electronics and guitar repairs on worthy equipment. Please bring us your loved quality guitars and electronics. We can help keep them on the road.
Hours
Monday - Friday 10:00AM-7:00PM
Saturday 10:00AM-6:00PM
Sunday 12:00PM-5:00PM

Data Provided By:
Authentic Guitars
(757) 595-4663
12715 Warwick Blvd Ste Q
Newport News, VA
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided By:
Authentic Guitars
(757) 220-9911
4809-1 Courthouse St
Williamsburg, VA
 
Data Provided By:

Put That Guitar Down

Put That Guitar Down
(and really improve as a musician!)
By Chris Standring ( www.chrisstandring.com )

For all the words of encouragement you have ever heard pertaining to picking up the guitar and practicing, either from me or your own sources, this article may come as a bit of a surprise to you. For once I am going to tell you to put the guitar down!

A little confused? Don't be, I'll try to explain. And the best way I can get my point across is by sharing an experience I personally had some time ago.

Back in the 80's, I went to music college in London. I feverishly studied classical guitar for 3 years. Practiced for hours each day. During this time I really developed some good disciplinary skills as far as practice was concerned. I would split up the day. Morning playing Bach fugues or whatever torturous classical guitar piece that had enslaved me at the time. A break for lunch, and in the afternoon I would pick up my electric guitar and plough through violin and flute music, which I'd rented from the music school library, to get my sight-reading together. Reading jazz and pop music is very different from classical music because phrasing interpretation is relative to the genre being played. So it is as much about listening to the band as it is reading the note values. So I wanted to get that together. Finally I worked on jazz harmony, specifically vocabulary for playing over changes. The Charlie Parker Omnibook was my bible, but I would also listen to be-bop players and steal their phrases and try to figure out how I should work them into my own playing. I remember stealing from Cannonball Adderly, Miles Davis, Mike Brecker, and I fell in love with the swinging styles of pianists Red Garland and Wynton Kelly, both of whom played on Miles Davis' album "Milestones", a record that had a profound effect on me. Just as importantly, I listened to the way these musicians would feel the music. It wasn't just about the notes.

Wynton Kelly in particular had a certain thing about playing over altered chords. He would play 4 note phrases that would be repeated in thirds going down. Sometimes in whole tones. In fact many jazz guys I knew at the time would make fun of his style a little bit by singing his name as they played those motifs, going "Wyn-ton-Kell-ey-Wyn-ton-Kell-ey" and so on. After I got the hang of his ideas I would find myself sitting at the guitar and working out my own variations of those ideas. Pretty soon I had a whole bag of Wynton style 'tricks".

And then something interesting happened...

I would practice and practice these new motifs and melodic ideas and really try to work them into my playing. Pretty soon I had a pretty broad library of resources I could draw from. And I would practice them over Jamie Abersold records and so on. The woodshedding continued. Over time, I realized that some of those phrases were technically difficult to play on guitar (...

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