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Classical Guitar Classes Westport CT

Classical guitar classes include lessons on right hand positions, rest stroke, free stroke, playing scales, pedal tones, vibrato, basic arpeggios and more. See below for local music schools in Westport that give access to instruction in guitar playing techniques as well as advice and content on playing classical guitar.

Jose G. M.
(877) 231-8505
SUNY
Stony Brook, NY
Subjects
Classical Guitar, Guitar, Music Theory, Music Performance
Ages Taught
5 to 99
Specialties
Classical, pop, reggae, acoustic, electrical guitar. Musicianship ( Music theory & sight singing) Music history.
Education
SUNY Stony Brook - Classical Guitar Performance - 2009-2010 (not complete) Conservatory of Music PR - Classical Guitar - 2004-2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Guitar Studio One
(631) 271-9347
101 Woodbury Rd
Huntington, NY
 
Briggs Music
(631) 470-7736
764B Park Ave
Huntington, NY
 
Merit Music Store & Lesson
(203) 847-6100
143 Main St
Norwalk, CT
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments, Print Music

Data Provided By:
Zera Musicland
(203) 255-2881
1863 Post Rd
Fairfield, CT
Types of Instruments Sold
Acoustic Piano, Band & Orchestral, Guitars & Fretted Instruments, Print Music

Data Provided By:
Peter H.
(877) 231-8505
Landmark Sq.
Port Chester, NY
Subjects
Music Theory, Guitar
Ages Taught
10 to 60
Specialties
I teach a wide range of popular music styles, with both electric and acoustic guitars, specializing in jazz, but also rock, blues, Latin, Brazilian, and contemporary styles. I use a variety of written materials such as the Berklee Guitar Series, songbook collections (from the Beatles, Eric Clapton and Jon Mayer to Pat Metheny, Wes Montgomery and Broadway composers) and theory methods. I also use play-along recordings for students to work on soloing and timing. Topics include basic technique, …
Education
Berklee College of Music - Guitar, composition - 1973-1977 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
DreemKore - Private Lessons Inc.
(516) 921-2920
100 New York Ave
Huntington, NY
 
Music Center Of Westport
(203) 259-7615
1460 Post Rd E
Westport, CT
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Website Sales: Yes
Lesson Information
Lessons: Yes
Instrument Repair Information
Repairs : Yes
Hours
Normal Business Hours:
Monday - Thursday 10am to 7pm
Friday 10am to 6pm
Saturday 10am to 5pm
CLOSED SUNDAYS
See below for info regarding holiday closures, etc.
Summer Hours:
(June 21 -- Labor Day)
Monday - Thursday 10am to 6pm
Friday 11am to 4pm,
but CLOSED FRIDAYS August 6-20.
(Open August 27)
Saturday 11am to 4pm
CLOSED for Independence Day (Fri, 7/3 and Sat, 7/4) & Labor Day (Mon, 9/7)

Data Provided By:
Norwalk Music Inc
(203) 847-3925
120 New Canaan Ave
Norwalk, CT
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided By:
Black Rock Music Center
(203) 384-2207
3004 Fairfield Ave
Bridgeport, CT
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

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Data Provided By:

Put That Guitar Down

Put That Guitar Down
(and really improve as a musician!)
By Chris Standring ( www.chrisstandring.com )

For all the words of encouragement you have ever heard pertaining to picking up the guitar and practicing, either from me or your own sources, this article may come as a bit of a surprise to you. For once I am going to tell you to put the guitar down!

A little confused? Don't be, I'll try to explain. And the best way I can get my point across is by sharing an experience I personally had some time ago.

Back in the 80's, I went to music college in London. I feverishly studied classical guitar for 3 years. Practiced for hours each day. During this time I really developed some good disciplinary skills as far as practice was concerned. I would split up the day. Morning playing Bach fugues or whatever torturous classical guitar piece that had enslaved me at the time. A break for lunch, and in the afternoon I would pick up my electric guitar and plough through violin and flute music, which I'd rented from the music school library, to get my sight-reading together. Reading jazz and pop music is very different from classical music because phrasing interpretation is relative to the genre being played. So it is as much about listening to the band as it is reading the note values. So I wanted to get that together. Finally I worked on jazz harmony, specifically vocabulary for playing over changes. The Charlie Parker Omnibook was my bible, but I would also listen to be-bop players and steal their phrases and try to figure out how I should work them into my own playing. I remember stealing from Cannonball Adderly, Miles Davis, Mike Brecker, and I fell in love with the swinging styles of pianists Red Garland and Wynton Kelly, both of whom played on Miles Davis' album "Milestones", a record that had a profound effect on me. Just as importantly, I listened to the way these musicians would feel the music. It wasn't just about the notes.

Wynton Kelly in particular had a certain thing about playing over altered chords. He would play 4 note phrases that would be repeated in thirds going down. Sometimes in whole tones. In fact many jazz guys I knew at the time would make fun of his style a little bit by singing his name as they played those motifs, going "Wyn-ton-Kell-ey-Wyn-ton-Kell-ey" and so on. After I got the hang of his ideas I would find myself sitting at the guitar and working out my own variations of those ideas. Pretty soon I had a whole bag of Wynton style 'tricks".

And then something interesting happened...

I would practice and practice these new motifs and melodic ideas and really try to work them into my playing. Pretty soon I had a pretty broad library of resources I could draw from. And I would practice them over Jamie Abersold records and so on. The woodshedding continued. Over time, I realized that some of those phrases were technically difficult to play on guitar (...

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Local Events

Jenny's Penny Musical
Dates: 11/19/2019 – 11/19/2019
Location:
Riverdale Y Bronx
View Details