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Classical Guitar Classes New Canaan CT

Classical guitar classes include lessons on right hand positions, rest stroke, free stroke, playing scales, pedal tones, vibrato, basic arpeggios and more. See below for local music schools in New Canaan that give access to instruction in guitar playing techniques as well as advice and content on playing classical guitar.

Jason J.
(877) 231-8505
Windsor Terrace White Plains
White Plains, NY
Subjects
Songwriting, Classical Guitar, Music Theory, Guitar
Ages Taught
3 to 99
Specialties
I have experience as well as training in Suzuki method. I have experience teaching Classical/Rock/Metal/Pop/Folk
Education
Parkway North, St. Louis MO - 09/97-04/01 (High School diploma received) UMKC Music conservatory, University of Missouri Kansas City - Music performance - 08/01-07/05 (Bachelor's degree received) Rudi E. Scheidt School of Music, University of Memphis - Music Performance - 08/05-05/07 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Brian Pauls Traveling Guitar School
(914) 328-6425
4 Lyon Pl
White Plains, NY
 
Ricks Guitar Lessons
(914) 347-3470
10 W Main St
Elmsford, NY
 
Harry Cohen Guitar Instruction
(347) 602-5396
Scarsdale, NY
 
Mozartina Musical Arts Conservatory
(914) 631-5190
43 Prospect Ave
Tarrytown, NY
 
Peter H.
(877) 231-8505
Landmark Sq.
Port Chester, NY
Subjects
Music Theory, Guitar
Ages Taught
10 to 60
Specialties
I teach a wide range of popular music styles, with both electric and acoustic guitars, specializing in jazz, but also rock, blues, Latin, Brazilian, and contemporary styles. I use a variety of written materials such as the Berklee Guitar Series, songbook collections (from the Beatles, Eric Clapton and Jon Mayer to Pat Metheny, Wes Montgomery and Broadway composers) and theory methods. I also use play-along recordings for students to work on soloing and timing. Topics include basic technique, …
Education
Berklee College of Music - Guitar, composition - 1973-1977 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Westchester School of Guitar
(914) 762-6560
1133 Pleasantville Rd
Briarcliff Manor, NY
 
DreemKore - Private Lessons Inc.
(516) 921-2920
100 New York Ave
Huntington, NY
 
Briggs Music
(631) 470-7736
764B Park Ave
Huntington, NY
 
Guitar Studio One
(631) 271-9347
101 Woodbury Rd
Huntington, NY
 
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Put That Guitar Down

Put That Guitar Down
(and really improve as a musician!)
By Chris Standring ( www.chrisstandring.com )

For all the words of encouragement you have ever heard pertaining to picking up the guitar and practicing, either from me or your own sources, this article may come as a bit of a surprise to you. For once I am going to tell you to put the guitar down!

A little confused? Don't be, I'll try to explain. And the best way I can get my point across is by sharing an experience I personally had some time ago.

Back in the 80's, I went to music college in London. I feverishly studied classical guitar for 3 years. Practiced for hours each day. During this time I really developed some good disciplinary skills as far as practice was concerned. I would split up the day. Morning playing Bach fugues or whatever torturous classical guitar piece that had enslaved me at the time. A break for lunch, and in the afternoon I would pick up my electric guitar and plough through violin and flute music, which I'd rented from the music school library, to get my sight-reading together. Reading jazz and pop music is very different from classical music because phrasing interpretation is relative to the genre being played. So it is as much about listening to the band as it is reading the note values. So I wanted to get that together. Finally I worked on jazz harmony, specifically vocabulary for playing over changes. The Charlie Parker Omnibook was my bible, but I would also listen to be-bop players and steal their phrases and try to figure out how I should work them into my own playing. I remember stealing from Cannonball Adderly, Miles Davis, Mike Brecker, and I fell in love with the swinging styles of pianists Red Garland and Wynton Kelly, both of whom played on Miles Davis' album "Milestones", a record that had a profound effect on me. Just as importantly, I listened to the way these musicians would feel the music. It wasn't just about the notes.

Wynton Kelly in particular had a certain thing about playing over altered chords. He would play 4 note phrases that would be repeated in thirds going down. Sometimes in whole tones. In fact many jazz guys I knew at the time would make fun of his style a little bit by singing his name as they played those motifs, going "Wyn-ton-Kell-ey-Wyn-ton-Kell-ey" and so on. After I got the hang of his ideas I would find myself sitting at the guitar and working out my own variations of those ideas. Pretty soon I had a whole bag of Wynton style 'tricks".

And then something interesting happened...

I would practice and practice these new motifs and melodic ideas and really try to work them into my playing. Pretty soon I had a pretty broad library of resources I could draw from. And I would practice them over Jamie Abersold records and so on. The woodshedding continued. Over time, I realized that some of those phrases were technically difficult to play on guitar (...

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Local Events

Jenny's Penny Musical
Dates: 11/19/2019 – 11/19/2019
Location:
Riverdale Y Bronx
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