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Classical Guitar Classes Marysville WA

Classical guitar classes include lessons on right hand positions, rest stroke, free stroke, playing scales, pedal tones, vibrato, basic arpeggios and more. See below for local music schools in Marysville that give access to instruction in guitar playing techniques as well as advice and content on playing classical guitar.

Guitar Pros
(425) 347-3818
221 SE Everett Mall Way
Everett, WA
 
Cascade Music
(360) 659-8555
306 State Ave
Marysville, WA
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Store Information
Instrument Rental: Yes
Website Sales: Yes
Lesson Information
Lessons: Yes
Instrument Repair Information
Full repair facility for brass and woodwind instruments.
Hours
M-F 9am-6pm
Sat 9am-5pm

Data Provided By:
Sound & Lighting
(425) 514-5595
6020 Evergreen Way
Everett, WA
Types of Instruments Sold
Sound Reinforcement, Guitars & Fretted Instruments

Data Provided By:
Bigfoot Music
(360) 651-2299
3405 172Nd St Ne
Arlington, WA
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided By:
Mills Music
(425) 742-2299
15704 Mill Creek Blvd Ste 16
Mill Creek, WA
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Organs, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided By:
Tommys Guitar Shop
(425) 252-9252
1911 Hewitt Ave
Everett, WA
 
Rockit Guitars
(425) 252-7929
2818 Hewitt Ave
Everett, WA
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided By:
Crowes String Instruments & Repair
(425) 303-9248
18120 Olive Ave
Stanwood, WA
Types of Instruments Sold
Guitars & Fretted Instruments

Data Provided By:
Joes Island Music
(360) 221-2505
Po Box 502
Langley, WA
Types of Instruments Sold
Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided By:
Mills Music Inc
(206) 280-0026
20725 127Th Avenue Se
Snohomish, WA
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

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Put That Guitar Down

Put That Guitar Down
(and really improve as a musician!)
By Chris Standring ( www.chrisstandring.com )

For all the words of encouragement you have ever heard pertaining to picking up the guitar and practicing, either from me or your own sources, this article may come as a bit of a surprise to you. For once I am going to tell you to put the guitar down!

A little confused? Don't be, I'll try to explain. And the best way I can get my point across is by sharing an experience I personally had some time ago.

Back in the 80's, I went to music college in London. I feverishly studied classical guitar for 3 years. Practiced for hours each day. During this time I really developed some good disciplinary skills as far as practice was concerned. I would split up the day. Morning playing Bach fugues or whatever torturous classical guitar piece that had enslaved me at the time. A break for lunch, and in the afternoon I would pick up my electric guitar and plough through violin and flute music, which I'd rented from the music school library, to get my sight-reading together. Reading jazz and pop music is very different from classical music because phrasing interpretation is relative to the genre being played. So it is as much about listening to the band as it is reading the note values. So I wanted to get that together. Finally I worked on jazz harmony, specifically vocabulary for playing over changes. The Charlie Parker Omnibook was my bible, but I would also listen to be-bop players and steal their phrases and try to figure out how I should work them into my own playing. I remember stealing from Cannonball Adderly, Miles Davis, Mike Brecker, and I fell in love with the swinging styles of pianists Red Garland and Wynton Kelly, both of whom played on Miles Davis' album "Milestones", a record that had a profound effect on me. Just as importantly, I listened to the way these musicians would feel the music. It wasn't just about the notes.

Wynton Kelly in particular had a certain thing about playing over altered chords. He would play 4 note phrases that would be repeated in thirds going down. Sometimes in whole tones. In fact many jazz guys I knew at the time would make fun of his style a little bit by singing his name as they played those motifs, going "Wyn-ton-Kell-ey-Wyn-ton-Kell-ey" and so on. After I got the hang of his ideas I would find myself sitting at the guitar and working out my own variations of those ideas. Pretty soon I had a whole bag of Wynton style 'tricks".

And then something interesting happened...

I would practice and practice these new motifs and melodic ideas and really try to work them into my playing. Pretty soon I had a pretty broad library of resources I could draw from. And I would practice them over Jamie Abersold records and so on. The woodshedding continued. Over time, I realized that some of those phrases were technically difficult to play on guitar (...

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