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Classical Guitar Classes Longview TX

Classical guitar classes include lessons on right hand positions, rest stroke, free stroke, playing scales, pedal tones, vibrato, basic arpeggios and more. See below for local music schools in Longview that give access to instruction in guitar playing techniques as well as advice and content on playing classical guitar.

American Violin Co
(903) 746-3269
949 Hamby Rd
Longview, TX
Types of Instruments Sold
Band & Orchestral, Guitars & Fretted Instruments

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Unkle Bills Guitar
(903) 758-0797
110 W Marshall Avenue
Longview, TX
 
John Pollard's Sound World
(903) 297-2096
1615 Pine Tree Road
Longview, TX
 
Mundt Music CO
(903) 758-8872
2312 Judson Road
Longview, TX
 
Carter N.
(877) 231-8505
Redhead St.
Katy, TX
Subjects
Speaking Voice, Music Performance, Music Recording, Songwriting, Guitar, Classical Guitar, Music Theory, Bass Guitar
Ages Taught
12 to 65
Specialties
I focus on teaching how to play the instrument, and use songs as study guides or references for the music theory part of my lessons. The genres that I cover are Classical, Folk, Country, Rock, Heavy Metal, Blues, and Jazz. I teach fingerpicking, and standard picking styles, as well as intermediate and advanced techniques. The foundation of my method revolves around inspiring creativity, and how to present emotion in the music.
Education
St. Thomas High School - Marching Band and Jazz Band - 9/1979 - 5/1981 (not complete) Hotel Business School Luzern, Switzerland - Hotel Management Aprenticeship - 5/1984 - 10/1987 (Degree received) Houston Community College - Music Theory / Business - 6/1988 - 8/1988 (Degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Muel Barn Music
(903) 572-4316
9458 Fm 2796
Gilmer, TX
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

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AUBURN MUSIC GROUP
(903) 757-1155
1201 W LOOP 281 STE 300
Longview, TX
 
Mundt Music
(903) 758-8872
2312 Judson Rd
Longview, TX
 
Alan R.
(877) 231-8505
Crossing Pl,
Austin, TX
Subjects
Songwriting, Flamenco Guitar, Music Theory, Guitar, Music Performance, Classical Guitar
Ages Taught
5 to 99
Specialties
My first love was blues and rock guitar, and I now specialize in Jazz guitar and performance. I also have three years of formal classical guitar training and lots of experience playing many other styles including Latin Jazz, Salsa, Pop, Classical, Fusion, etc.
Education
Texas A&M International University - Guitar Performance - 2004-2007 (not complete) Berklee College of Music - Jazz Composition - 2007-2010 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Jordan T.
(877) 231-8505
Cinchring ln
Austin, TX
Subjects
Songwriting, Classical Guitar, Music Theory, Music Performance, Guitar
Ages Taught
5 to 99
Specialties
Classical Acoustic Fretboard Knowledge Songwriting Blues Rock Open G Tuning Country
Education
Berklee College of Music - Guitar, Professional Music - Spring '07-Current
Membership Organizations
TakeLessons Music Teacher

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Put That Guitar Down

Put That Guitar Down
(and really improve as a musician!)
By Chris Standring ( www.chrisstandring.com )

For all the words of encouragement you have ever heard pertaining to picking up the guitar and practicing, either from me or your own sources, this article may come as a bit of a surprise to you. For once I am going to tell you to put the guitar down!

A little confused? Don't be, I'll try to explain. And the best way I can get my point across is by sharing an experience I personally had some time ago.

Back in the 80's, I went to music college in London. I feverishly studied classical guitar for 3 years. Practiced for hours each day. During this time I really developed some good disciplinary skills as far as practice was concerned. I would split up the day. Morning playing Bach fugues or whatever torturous classical guitar piece that had enslaved me at the time. A break for lunch, and in the afternoon I would pick up my electric guitar and plough through violin and flute music, which I'd rented from the music school library, to get my sight-reading together. Reading jazz and pop music is very different from classical music because phrasing interpretation is relative to the genre being played. So it is as much about listening to the band as it is reading the note values. So I wanted to get that together. Finally I worked on jazz harmony, specifically vocabulary for playing over changes. The Charlie Parker Omnibook was my bible, but I would also listen to be-bop players and steal their phrases and try to figure out how I should work them into my own playing. I remember stealing from Cannonball Adderly, Miles Davis, Mike Brecker, and I fell in love with the swinging styles of pianists Red Garland and Wynton Kelly, both of whom played on Miles Davis' album "Milestones", a record that had a profound effect on me. Just as importantly, I listened to the way these musicians would feel the music. It wasn't just about the notes.

Wynton Kelly in particular had a certain thing about playing over altered chords. He would play 4 note phrases that would be repeated in thirds going down. Sometimes in whole tones. In fact many jazz guys I knew at the time would make fun of his style a little bit by singing his name as they played those motifs, going "Wyn-ton-Kell-ey-Wyn-ton-Kell-ey" and so on. After I got the hang of his ideas I would find myself sitting at the guitar and working out my own variations of those ideas. Pretty soon I had a whole bag of Wynton style 'tricks".

And then something interesting happened...

I would practice and practice these new motifs and melodic ideas and really try to work them into my playing. Pretty soon I had a pretty broad library of resources I could draw from. And I would practice them over Jamie Abersold records and so on. The woodshedding continued. Over time, I realized that some of those phrases were technically difficult to play on guitar (...

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