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Classical Guitar Classes Lakewood WA

Classical guitar classes include lessons on right hand positions, rest stroke, free stroke, playing scales, pedal tones, vibrato, basic arpeggios and more. See below for local music schools in Lakewood that give access to instruction in guitar playing techniques as well as advice and content on playing classical guitar.

Colby S.
(877) 231-8505
N Proctor
Tacoma, WA
Subjects
Guitar
Ages Taught
9 to 99
Specialties
I have a strong background in classical guitar technique and performance. Currently I apply this towards my interests in the various genres of the electric guitar, including: country, reggae, blues/funk, and americana. I also have a lot of experience and knowledge in various styles of slide guitar (electric, acoustic, dobro).
Education
University of Puget Sound - Music- Emphasis in Classical Guitar - 2002-2006 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
May Music Studio
(253) 851-2025
8418 96th St. NW
Gig Harbor, WA
 
Music Stand
(360) 528-3944
6528 Capitol Blvd Se, # C
Olympia, WA
 
Lakewood Music
(253) 581-2926
10111 Gravelly Lake Dr Sw Ste 1
Lakewood, WA
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music

Data Provided By:
Sluggo Music
(253) 272-7584
2710 6Th Ave
Tacoma, WA
Types of Instruments Sold
Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments

Data Provided By:
Garray Music Studios
107 E Stewart Ave
Puyallup, WA
 
Harbor Guitar Class Rock School Recording
(253) 853-5878
7026 Pioneer Way
Gig Harbor, WA
 
Music Centers Inc
(253) 584-3734
Po Box 99730
Lakewood, WA
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music

Data Provided By:
Ted Brown Music Co
(253) 272-3211
6228 Tacoma Mall Blvd
Tacoma, WA
Types of Instruments Sold
Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, DJ Equipment

Data Provided By:
Red Fiddle
(253) 584-2410
1324 N Hawthorne St
Tacoma, WA
Types of Instruments Sold
Band & Orchestral, Guitars & Fretted Instruments

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Put That Guitar Down

Put That Guitar Down
(and really improve as a musician!)
By Chris Standring ( www.chrisstandring.com )

For all the words of encouragement you have ever heard pertaining to picking up the guitar and practicing, either from me or your own sources, this article may come as a bit of a surprise to you. For once I am going to tell you to put the guitar down!

A little confused? Don't be, I'll try to explain. And the best way I can get my point across is by sharing an experience I personally had some time ago.

Back in the 80's, I went to music college in London. I feverishly studied classical guitar for 3 years. Practiced for hours each day. During this time I really developed some good disciplinary skills as far as practice was concerned. I would split up the day. Morning playing Bach fugues or whatever torturous classical guitar piece that had enslaved me at the time. A break for lunch, and in the afternoon I would pick up my electric guitar and plough through violin and flute music, which I'd rented from the music school library, to get my sight-reading together. Reading jazz and pop music is very different from classical music because phrasing interpretation is relative to the genre being played. So it is as much about listening to the band as it is reading the note values. So I wanted to get that together. Finally I worked on jazz harmony, specifically vocabulary for playing over changes. The Charlie Parker Omnibook was my bible, but I would also listen to be-bop players and steal their phrases and try to figure out how I should work them into my own playing. I remember stealing from Cannonball Adderly, Miles Davis, Mike Brecker, and I fell in love with the swinging styles of pianists Red Garland and Wynton Kelly, both of whom played on Miles Davis' album "Milestones", a record that had a profound effect on me. Just as importantly, I listened to the way these musicians would feel the music. It wasn't just about the notes.

Wynton Kelly in particular had a certain thing about playing over altered chords. He would play 4 note phrases that would be repeated in thirds going down. Sometimes in whole tones. In fact many jazz guys I knew at the time would make fun of his style a little bit by singing his name as they played those motifs, going "Wyn-ton-Kell-ey-Wyn-ton-Kell-ey" and so on. After I got the hang of his ideas I would find myself sitting at the guitar and working out my own variations of those ideas. Pretty soon I had a whole bag of Wynton style 'tricks".

And then something interesting happened...

I would practice and practice these new motifs and melodic ideas and really try to work them into my playing. Pretty soon I had a pretty broad library of resources I could draw from. And I would practice them over Jamie Abersold records and so on. The woodshedding continued. Over time, I realized that some of those phrases were technically difficult to play on guitar (...

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