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Classical Guitar Classes Indianapolis IN

Classical guitar classes include lessons on right hand positions, rest stroke, free stroke, playing scales, pedal tones, vibrato, basic arpeggios and more. See below for local music schools in Indianapolis that give access to instruction in guitar playing techniques as well as advice and content on playing classical guitar.

JJ F.
(877) 231-8505
N. Michigan Rd.
Indianapolis, IN
Subjects
Music Recording, Music Performance, Guitar, Songwriting, Ukulele, Music Theory
Ages Taught
5 to 99
Specialties
Blues, Folk, Rock and Song Writing.
Education
Indiana University - Audio Technology - 1986-88 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Guitar & Piano Heaven Chrstn
(317) 787-7082
3130 E Epler Ave
Indianapolis, IN
 
Arthurs Music Store Inc
(317) 638-3524
931 Shelby St
Indianapolis, IN
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music
Lesson Information
Lessons: Yes
Clinics: Yes
Instrument Repair Information
Arthur's Music Store offers repairs and restrings on site. We do not do repairs on amplifiers or electronic equipment.
Repairable Stringed Instruments:
Acoustic Guitar
Electric Guitar
Acoustic Bass Guitar
Electric Bass Guitar
Banjo
Mandolin
Dobro/Lap Steel
Dulcimer Autoharp
Ukulele
Orchestral Stringed Instruments:
~ Violin
~ Viola
~ Cello
~ Bass
All Woodwinds
All Brasswinds
Acc
Hours
STORE HOURS
Monday 10-8
Tuesday 10-8
Wednesday CLOSED
Thursday 10-8
Friday 10-5
Saturday 10-5
Sunday CLOSED
LESSONS
Monday 10-8
Tuesday 10-8
Thursday 4-8
Saturday 10-5
Service Manager
Monday 10-5
Tuesday 10-8
Thursday 10-8
Friday 10-5
Saturday 10-5


Data Provided By:
Main Street Music Of Beech Grv
(317) 788-4598
40 N 17Th Ave
Beech Grove, IN
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Band & Orchestral, Drums & Percussion, Sound Reinforcement, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided By:
This Guys Music
(317) 549-3725
7468 Country Brook Dr
Indianapolis, IN
Types of Instruments Sold
Drums & Percussion, Guitars & Fretted Instruments

Data Provided By:
Rick Wilhelm
56 Knoll Ct. Apt. B
Carmel, IN
Instruments
Ear Training, Electric Bass, Guitar, Theory
Styles
Blues, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative
Experience Levels
Beginner, Intermediate
Rate
$0
Years of Experience
6 Years

Data Provided By:
Arthurs Music Store
(317) 638-3524
931 Shelby St
Indianapolis, IN
 
About Music Inc
(317) 255-4411
911 Broad Ripple Ave
Indianapolis, IN
Types of Instruments Sold
Band & Orchestral, Guitars & Fretted Instruments, Print Music

Data Provided By:
Indy Pro Audio
(317) 291-3608
4233 Lafayette Rd
Indianapolis, IN
Types of Instruments Sold
Acoustic Piano, Digital Piano, Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments, Print Music, DJ Equipment

Data Provided By:
Irc Music
(317) 849-7965
5911 E 82Nd St
Indianapolis, IN
Types of Instruments Sold
Digital Piano, Electronic Keyboard, Drums & Percussion, Sound Reinforcement, Recording Equipment, Guitars & Fretted Instruments

Data Provided By:
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Put That Guitar Down

Put That Guitar Down
(and really improve as a musician!)
By Chris Standring ( www.chrisstandring.com )

For all the words of encouragement you have ever heard pertaining to picking up the guitar and practicing, either from me or your own sources, this article may come as a bit of a surprise to you. For once I am going to tell you to put the guitar down!

A little confused? Don't be, I'll try to explain. And the best way I can get my point across is by sharing an experience I personally had some time ago.

Back in the 80's, I went to music college in London. I feverishly studied classical guitar for 3 years. Practiced for hours each day. During this time I really developed some good disciplinary skills as far as practice was concerned. I would split up the day. Morning playing Bach fugues or whatever torturous classical guitar piece that had enslaved me at the time. A break for lunch, and in the afternoon I would pick up my electric guitar and plough through violin and flute music, which I'd rented from the music school library, to get my sight-reading together. Reading jazz and pop music is very different from classical music because phrasing interpretation is relative to the genre being played. So it is as much about listening to the band as it is reading the note values. So I wanted to get that together. Finally I worked on jazz harmony, specifically vocabulary for playing over changes. The Charlie Parker Omnibook was my bible, but I would also listen to be-bop players and steal their phrases and try to figure out how I should work them into my own playing. I remember stealing from Cannonball Adderly, Miles Davis, Mike Brecker, and I fell in love with the swinging styles of pianists Red Garland and Wynton Kelly, both of whom played on Miles Davis' album "Milestones", a record that had a profound effect on me. Just as importantly, I listened to the way these musicians would feel the music. It wasn't just about the notes.

Wynton Kelly in particular had a certain thing about playing over altered chords. He would play 4 note phrases that would be repeated in thirds going down. Sometimes in whole tones. In fact many jazz guys I knew at the time would make fun of his style a little bit by singing his name as they played those motifs, going "Wyn-ton-Kell-ey-Wyn-ton-Kell-ey" and so on. After I got the hang of his ideas I would find myself sitting at the guitar and working out my own variations of those ideas. Pretty soon I had a whole bag of Wynton style 'tricks".

And then something interesting happened...

I would practice and practice these new motifs and melodic ideas and really try to work them into my playing. Pretty soon I had a pretty broad library of resources I could draw from. And I would practice them over Jamie Abersold records and so on. The woodshedding continued. Over time, I realized that some of those phrases were technically difficult to play on guitar (...

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