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Classical Guitar Classes Fort Lauderdale FL

Classical guitar classes include lessons on right hand positions, rest stroke, free stroke, playing scales, pedal tones, vibrato, basic arpeggios and more. See below for local music schools in Fort Lauderdale that give access to instruction in guitar playing techniques as well as advice and content on playing classical guitar.

Bryan D.
(877) 231-8505
NW 94th Terrace
Fort Lauderdale, FL
Subjects
Upright Bass, Bass Guitar, Guitar, Piano, Music Theory
Ages Taught
5 to 99
Specialties
Mostly contemporary music - I have incorporated some computer software into my teaching. I find it can provide a more broad range of information and interaction, especially in the teachers absence.
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Pablo C.
(877) 231-8505
NW 9th Drive
Hollywood, FL
Subjects
Bass Guitar, Guitar, Music Performance, Songwriting, Banjo
Ages Taught
4 to 99
Specialties
I specialize in teaching beginner to intermediate students proficiency in reading chord sheets and TAB for guitar, bass, and banjo while exploring power chord voicing, dynamics with distortion, barre chords, blues progression basics & diversity, pentatonic scale guitar improvisation, and drop-D melodic techniques.
Education
Charles W. Flanagan High School - Music/Art - 1997-2001 (High School diploma received) University of North Florida - English - 2002-2004 (Associate degree received) Florida International University - Education/Music - 2004-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Eric F.
(877) 231-8505
SW 54th Way
Boca Raton, FL
Subjects
Trumpet, Music Theory, Music Theory, Guitar, Trumpet, Guitar, Bass Guitar, Bass Guitar, Music Performance, Songwriting, Songwriting, Music Performance, Piano, Piano, Music Recording, Music Recording
Ages Taught
12 to 99
Specialties
lydian chromatic theory, George Russell jazz, rock, pop, digital studio recording, record copying, recording techniques, mastering.
Education
Berklee College - Education - 1976-79 (Bachelor's degree received) New England Conservatory - Composition - 1991-93 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Robert R.
(877) 231-8505
Affirmed Lane
Boca Raton, FL
Subjects
Upright Bass, Bass Guitar, Guitar
Ages Taught
8 to 99
Specialties
Guitar and Bass: beg to adv Specializing in Jazz but not limited to that. I have played and taught all styles of music.
Education
University of Miami - Studio Music and Jazz - 9/1990-12/1992 (Bachelor's degree received) University of Miami - Jazz Pedagogy - 9/1993- 5/1995 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jesus C.
(877) 231-8505
NE 88th ST
Miami, FL
Subjects
Speaking Voice, Guitar, Singing, Songwriting, Music Theory, Bass Guitar, Piano
Ages Taught
10 to 99
Specialties
Theory and Improvisation, Scales and Chords
Education
New World School of the Arts And FIU - Music - (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jacob S.
(877) 231-8505
NW 54th St
Fort Lauderdale, FL
Subjects
Music Performance, Bass Guitar, Music Theory, Guitar
Ages Taught
5 to 99
Specialties
I have taught all styles of guitar and played rock, blues, classical, and jazz genres at a high level. All lessons are customized to the learners needs and goals.
Education
Florida State University - Music, specializing in guitar - 2004-2006 (Bachelor's degree received) ITT Technical College - Business Administration - 2006-2008 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Mark Bennett
4516 NW 51st St
Coconut Creek, FL
Instruments
Guitar
Styles
Blues, Jazz, Kids, Other, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$40
Years of Experience
11 Years

Data Provided By:
Joseph Nibbs
1535 Ne 128th Street,North Miami fl 33161
North Miami, FL
Instruments
Electric Bass, Guitar, Piano, Theory
Styles
Blues, Classical, Jazz, World
Experience Levels
Intermediate
Rate
$30
Years of Experience
15 Years

Data Provided By:
Ernesto O.
(877) 231-8505
W 21st Ave
Hialeah, FL
Subjects
Songwriting, Guitar, Music Theory, Music Recording
Ages Taught
5 to 100
Specialties
I specialize in fretboard theory, songwriting, improvisation, finger-picking, chord theory, and chart reading. I like to think of myself as a very well rounded player who shows interest in several genres of music including anything from Pop and RnB to Alternative Rock and Progressive Death-Metal. I'm open to all genres of music and hope to share similar musical interest's with my future students.
Education
Musicians Institute - G.I.T - 2008-2009 (not complete) Miami Dade College - A.S in Music Performance - Currently Enrolled (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Justin L.
(877) 231-8505
NE 65th Street
Miami, FL
Subjects
Music Theory, Guitar, Songwriting
Ages Taught
7 to 99
Specialties
I teach both electric and acoustic guitar geared toward the classic and contemporary rock and roll and blues lover. After our initial lesson, I will have gathered enough personal information to plan out your curriculum. You will be learning your favorite songs, and/or songs by your favorite artists supplemented with technical lessons.
Education
West Islip High School - - 91-95 (degree received) Nassau Community College - Liberal Arts - 97-99 (degree received)
Membership Organizations
TakeLessons Music Teacher

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Put That Guitar Down

Put That Guitar Down
(and really improve as a musician!)
By Chris Standring ( www.chrisstandring.com )

For all the words of encouragement you have ever heard pertaining to picking up the guitar and practicing, either from me or your own sources, this article may come as a bit of a surprise to you. For once I am going to tell you to put the guitar down!

A little confused? Don't be, I'll try to explain. And the best way I can get my point across is by sharing an experience I personally had some time ago.

Back in the 80's, I went to music college in London. I feverishly studied classical guitar for 3 years. Practiced for hours each day. During this time I really developed some good disciplinary skills as far as practice was concerned. I would split up the day. Morning playing Bach fugues or whatever torturous classical guitar piece that had enslaved me at the time. A break for lunch, and in the afternoon I would pick up my electric guitar and plough through violin and flute music, which I'd rented from the music school library, to get my sight-reading together. Reading jazz and pop music is very different from classical music because phrasing interpretation is relative to the genre being played. So it is as much about listening to the band as it is reading the note values. So I wanted to get that together. Finally I worked on jazz harmony, specifically vocabulary for playing over changes. The Charlie Parker Omnibook was my bible, but I would also listen to be-bop players and steal their phrases and try to figure out how I should work them into my own playing. I remember stealing from Cannonball Adderly, Miles Davis, Mike Brecker, and I fell in love with the swinging styles of pianists Red Garland and Wynton Kelly, both of whom played on Miles Davis' album "Milestones", a record that had a profound effect on me. Just as importantly, I listened to the way these musicians would feel the music. It wasn't just about the notes.

Wynton Kelly in particular had a certain thing about playing over altered chords. He would play 4 note phrases that would be repeated in thirds going down. Sometimes in whole tones. In fact many jazz guys I knew at the time would make fun of his style a little bit by singing his name as they played those motifs, going "Wyn-ton-Kell-ey-Wyn-ton-Kell-ey" and so on. After I got the hang of his ideas I would find myself sitting at the guitar and working out my own variations of those ideas. Pretty soon I had a whole bag of Wynton style 'tricks".

And then something interesting happened...

I would practice and practice these new motifs and melodic ideas and really try to work them into my playing. Pretty soon I had a pretty broad library of resources I could draw from. And I would practice them over Jamie Abersold records and so on. The woodshedding continued. Over time, I realized that some of those phrases were technically difficult to play on guitar (...

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