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Classical Guitar Classes Bensalem PA

Classical guitar classes include lessons on right hand positions, rest stroke, free stroke, playing scales, pedal tones, vibrato, basic arpeggios and more. See below for local music schools in Bensalem that give access to instruction in guitar playing techniques as well as advice and content on playing classical guitar.

Alan E.
(877) 231-8505
Rt
Cherry Hill, NJ
Subjects
Speaking Voice, Music Theory, Guitar, Music Recording, Music Performance, Bass Guitar, Classical Guitar, Songwriting
Ages Taught
5 to 99
Specialties
I specialize in improv and composition. But I teach beginners or students with no interest in these things fine.
Education
University of the Arts - Music - 05-09 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Nero C.
(877) 231-8505
S Broad Street 3rd
Philadelphia, PA
Subjects
Music Performance, Songwriting, Bass Guitar, Classical Guitar, Guitar, Music Theory
Ages Taught
12 to 20
Specialties
Improvisation, Classical, Jazz, Rock
Education
Peabody Conservatory of Music - classical gtr - 1996-97 Univ of the Arts - jazz gtr - 1998-2001 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Dena C.
(877) 231-8505
Blair Mill Rd.
Horsham, PA
Subjects
Guitar, Piano, Singing
Ages Taught
6 to 99
Specialties
Musical theatre, Adaptive music lessons (for learning differences).
Education
Sperry HS - music, theatre - 1975-1979 (High School diploma received) SUNY Potsdam - music education - 1982-1985 (Bachelor's degree received) Temple University - music therapy - 1896-1993 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jason S.
(877) 231-8505
North 2nd Street
Philadelphia, PA
Subjects
Drums, Guitar
Ages Taught
5 to 99
Specialties
I specialize in Rock and Jazz guitar, and Rock drums.
Education
Rutgers Camden - Music - 2006-2010 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Brennan M.
(877) 231-8505
Tennis Ave
Ambler, PA
Subjects
Guitar
Ages Taught
5 to 99
Specialties
Although I play primarily acoustic guitar, I play the following styles: bluegrass, blues, rock and roll, solo riffs, funk guitar, punk and alternative music, and I have recently been trying to learn classical styles of guitar playing. I have also been teaching myself scales for solo riffing over the past three years.
Education
M.C.C.C. - Education - 2004-2006 (not complete) Kutztown University - Education - 2003-2004 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Alan E.
(877) 231-8505
cross street
Philadelphia, PA
Subjects
Bass Guitar, Speaking Voice, Classical Guitar, Guitar, Music Theory, Music Performance, Songwriting, Music Recording
Ages Taught
5 to 99
Specialties
I specialize in improv and composition. But I teach beginners or students with no interest in these things fine.
Education
University of the Arts - Music - 05-09 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Zachary P.
(877) 231-8505
S. 15th St.
Philadelphia, PA
Subjects
Mandolin, Piano, Banjo, Classical Guitar, Percussion, Ukulele, Guitar, Music Performance, Drums, Bass Guitar, Songwriting, Music Theory
Ages Taught
1 to 99
Specialties
I am educated in the merridee winters method of teaching. I am a capable player and educator in the styles of Jazz, Rock, Folk, Blues, and Classical technique
Education
University of The Arts - Jazz Guitar Performance - 2005-2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Ian V.
(877) 231-8505
East Girard Ave.
Philadelphia, PA
Subjects
Music Theory, Bass Guitar, Guitar, Piano, Upright Bass, Music Performance
Ages Taught
8 to 99
Specialties
I specialize in Jazz and Improvisation. Upright and Bass guitar are specialties in the realm of Rock, Jazz, R&B, Reggae, and Funk.
Education
Central Bucks East - - 1993-1995 (High School diploma received) New School for Social Research - Music Performance Jazz and Contemporary Music - 1998-2000 (Bachelor's degree received) University of the Arts - Music Education - 2007-2008 (not complete) Temple University - Music Education - Fall 2009- (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Bhauraw A.
(877) 231-8505
Washington Crossing Penn Rd
Titusville, NJ
Subjects
Music Theory, Bass Guitar, Guitar, Percussion, Piano, Music Performance, Songwriting, Drums, Music Recording
Ages Taught
1 to 99
Specialties
Rock Pop Hip Hop Audio production some jazz/classical songwriting music business
Education
SUNY Purchase College: Music Conservatory - Studio Production - 2002-2005 (Bachelor's degree)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Maestro Studios
3 Kings Highway East
Haddonfield, NJ
Instruments
Audio Recording, Cello, Electric Bass, Guitar, Piano, Recording, Theory, Viola, Violin, Voice
Styles
Blues, Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$0
Years of Experience
10 Years

Data Provided By:
Data Provided By:

Put That Guitar Down

Put That Guitar Down
(and really improve as a musician!)
By Chris Standring ( www.chrisstandring.com )

For all the words of encouragement you have ever heard pertaining to picking up the guitar and practicing, either from me or your own sources, this article may come as a bit of a surprise to you. For once I am going to tell you to put the guitar down!

A little confused? Don't be, I'll try to explain. And the best way I can get my point across is by sharing an experience I personally had some time ago.

Back in the 80's, I went to music college in London. I feverishly studied classical guitar for 3 years. Practiced for hours each day. During this time I really developed some good disciplinary skills as far as practice was concerned. I would split up the day. Morning playing Bach fugues or whatever torturous classical guitar piece that had enslaved me at the time. A break for lunch, and in the afternoon I would pick up my electric guitar and plough through violin and flute music, which I'd rented from the music school library, to get my sight-reading together. Reading jazz and pop music is very different from classical music because phrasing interpretation is relative to the genre being played. So it is as much about listening to the band as it is reading the note values. So I wanted to get that together. Finally I worked on jazz harmony, specifically vocabulary for playing over changes. The Charlie Parker Omnibook was my bible, but I would also listen to be-bop players and steal their phrases and try to figure out how I should work them into my own playing. I remember stealing from Cannonball Adderly, Miles Davis, Mike Brecker, and I fell in love with the swinging styles of pianists Red Garland and Wynton Kelly, both of whom played on Miles Davis' album "Milestones", a record that had a profound effect on me. Just as importantly, I listened to the way these musicians would feel the music. It wasn't just about the notes.

Wynton Kelly in particular had a certain thing about playing over altered chords. He would play 4 note phrases that would be repeated in thirds going down. Sometimes in whole tones. In fact many jazz guys I knew at the time would make fun of his style a little bit by singing his name as they played those motifs, going "Wyn-ton-Kell-ey-Wyn-ton-Kell-ey" and so on. After I got the hang of his ideas I would find myself sitting at the guitar and working out my own variations of those ideas. Pretty soon I had a whole bag of Wynton style 'tricks".

And then something interesting happened...

I would practice and practice these new motifs and melodic ideas and really try to work them into my playing. Pretty soon I had a pretty broad library of resources I could draw from. And I would practice them over Jamie Abersold records and so on. The woodshedding continued. Over time, I realized that some of those phrases were technically difficult to play on guitar (...

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