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Children's Music Classes Pasadena MD

See below to find children's music classes in Pasadena that give access to toddler music classes, children's singing classes, kid's movement education, children's dance classes, as well as advice and content on early childhood music education.

Noelle Presby Lipa
10 McCormick Avenue none
Baltimore, MD
Instruments
Clarinet, Flute, Piccolo, Saxophone
Styles
Classical, Kids, Other
Experience Levels
Advanced, Beginner, Intermediate
Rate
$40
Years of Experience
12 Years

Data Provided By:
David W.
(877) 231-8505
Everall Ave
Baltimore, MD
Subjects
Songwriting, Bass Guitar, Guitar, Music Theory, Music Performance
Ages Taught
5 to 75
Specialties
Received formal education in jazz/ blues and very experienced in playing/writing rock, folk, and alternative music.
Education
McDaniel College - Music Performance - 08/28/2004-05/23/2008 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Richard P.
(877) 231-8505
N Rolling Road
Windsor Mill, MD
Subjects
Piano, Music Theory
Ages Taught
6 to 99
Specialties
music, piano, music theory classical, hymn playing
Education
Calvary Baptist School - College Prep - 1994-1998 Bob Jones University - Church Music, Piano - 1998-2002 Bob Jones University - Church Music, Piano - 2002-2004
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Benjamin P.
(877) 231-8505
Rosalie Ave
Parkville, MD
Subjects
Music Recording, Guitar, Music Theory
Ages Taught
5 to 99
Specialties
Rock, Pop, Blues, Country, flat-picking, finger-style
Education
Franklin & Marshall College - History - 2000-2003 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
David S.
(877) 231-8505
Montgomery Rd
Ellicott City, MD
Subjects
Guitar, Classical Guitar, Bass Guitar, Songwriting, Music Performance, Music Theory
Ages Taught
8 to 70
Specialties
Pop, rock, jazz, blues, classical, metal and funk.
Education
Salisbury University - Music (Composition) - 09/98-05/04 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Dan T.
(877) 231-8505
Fernley Square
Halethorpe, MD
Subjects
Music Theory, Percussion, Drums
Ages Taught
5 to 99
Specialties
Rock, funk, jazz, blues, hip hop, reggae, rudimental drumming, art music, percussion A wide variety of methods can be explored and incorporated into one's lesson, and will be geared towards the goals of the learner.
Education
Seneca Valley High School - Science and Engineering - 09/00-06/04 (High School diploma received) University of Maryland, Baltimore Co. - Music Education, Percussion, Psychology - 09/04-current (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Orlando S.
(877) 231-8505
Nettleton Court
Windsor Mill, MD
Subjects
Singing, Piano, Opera Voice, Theatrical Broadway Singing, Speaking Voice, Songwriting, Music Theory
Ages Taught
10 to 99
Specialties
Voice, Beginning Piano, Singing, opera Voice, Music Theory, Theatrical Broadway Singing, Ear Training, Sight Singing, Sight Reading, Speaking Voice, Songwriting Bel Canto, Old World Technique, Belting, Broadway, Opera, Oratorio, Art Song, Sacred Music, R&B, Jazz, Beginning Piano
Education
Parkville HIgh School - Computer Science - 8/2001 - 5/2005 UMBC - Vocal Performance and Composition - 8/2005 - 5/2009 Peabody Institute - 8/2009- 5/2011 Pursuing Master's in voice
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Chris M.
(877) 231-8505
Fox Brier Lane
Nottingham, MD
Subjects
Drums
Ages Taught
8 to 99
Specialties
Snare drum rudiments, traditional and matched grip emphasis on developing good reading skills for snare and drumset. Drumset styles include, Rock, Prog Rock, Metal, Fusion, Jazz, Latin & Funk. Double Bass Drumming, Polyrhythms, Odd Time Signatures and Linear grooves.
Education
Berklee College of Music - Performance/ Percussion - September 1989 - May 1993 (Bachelor's degree received) Tesst College - Design - January 1999 - May 2000 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Ian D.
(877) 231-8505
Main St.,
Ellicott City, MD
Subjects
Piano
Ages Taught
1 to 99
Specialties
music, piano, jazz piano Jazz
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
James G.
(877) 231-8505
Harrowdale Street,
Baltimore, MD
Subjects
Songwriting, Piano, Music Theory, Guitar, Music Performance
Ages Taught
4 to 99
Specialties
I studied and performed jazz guitar in college, though I perform a wide variety of genres (pop, rock, blues, show tunes, etc.) professionally. My specialties on piano would be pop and rock, as well as beginning piano in any genre.
Education
University of Maryland Baltimore County - music performance-jazz-guitar - 8/2005-5/2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
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Thoughts from a Robben Ford Masterclass

Thoughts from a Robben Ford Masterclass
By Chris Standring ( www.chrisstandring.com )

I was invited to a masterclass recently at USC featuring guitarist Robben Ford. I was particularly keen to go as Robben was quite an influence on me as a growing musician back in the early 80s. Besides that, it is always nice to hang out with the USC professors, they are all great players in their own right, and always fun to hang out with.

I was expecting to see Robben play more and talk about his approach to playing but there was very little. Mostly he answered questions, and there were plenty of those. He began with quite a disclaimer in that he didn't have any formal training, was completely self taught and improved slowly by beating the s∗∗t out of the guitar! Something I think we all relate to.

He talked about his time with Miles Davis and his start with the Yellowjackets and how he got his first record deal, but then he mentioned something that struck a chord with me (if you pardon the pun!). He talked about the time when it was important to show everyone what he could do on the guitar and the need to get that out of his system. Then, when he was with Miles Davis, it was at a time when he was negotiating his first record deal with Warner Brothers and an opportunity to really start his solo career, something that became a factor in his leaving Miles' band.

Robben then went on to say that that first record with Warners ("Talk To Your Daughter") was a landmark record for him as it took him to a different level as an artist. No longer was it important for him to proove his abilities, but it became important to step up to the next level as a complete artist and find out who he really was.

He then went on to say that what really 'gets him off' was working on his own music, and making it feel good and groove and swing hard. His focus is always on the song itself, what it needs and how to go about serving it.

Then he went on to say that musicians for the most part aren't interested in the notes another musician is playing, but how those notes are being played. Musicians want to hear other players feel the phrase and make it groove hard. That is what the interaction thing is all about.

I should just clarify that I think what Robben is implying here is that musicians should already have a good vocabulary before they take this on board. I'm sure he wouldn't advocate playing all wrong notes. There is certainly a lot of truth in what he says though.

I'm always interested in how an artist arrives at being a truly great artist. Clearly talent is usually there from the beginning but there is always a point where an artist truly becomes great and I think it is around the time that that artist decides it is time to be completely himself or herself. The days of needing to impress others has to go away, the time spent on copying other players' licks and lines needs to be put in perspect...

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