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Children's Music Classes North Las Vegas NV

See below to find children's music classes in North Las Vegas that give access to toddler music classes, children's singing classes, kid's movement education, children's dance classes, as well as advice and content on early childhood music education.

Steven B.
(877) 231-8505
Bottle Sage Avenue
Las Vegas, NV
Subjects
Piano, Guitar, Music Recording, Songwriting, Music Theory, Music Performance, Bass Guitar
Ages Taught
7 to 65
Specialties
Traditional classical piano/theory, contemporary progression theory as applied to rock, pop, country and blues.
Membership Organizations
TakeLessons Music Teacher

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Ryan H.
(877) 231-8505
Martin Luther King Blvd,
Las Vegas, NV
Subjects
Guitar, Bass Guitar, Piano
Ages Taught
5 to 99
Specialties
I specialize in Western theory (as opposed to Eastern Carnatic and Subcontinental theory) jazz and blues improvisation
Education
American School of Modern Music - Jazz performance - Dec 2000-June 2002 (Degree received) University of North Texas - Jazz guitar/music education - Sept 2002-Sept 2004 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jonathan B.
(877) 231-8505
Red Sunset Ave
Henderson, NV
Subjects
Singing, Opera Voice, Acting, Theatrical Broadway Singing, Music Performance, Music Theory
Ages Taught
5 to 99
Specialties
Classical and operatic voice, popular genres including Rock, Pop, and Broadway.
Education
University of Nevada, Las Vegas - Voice - 2010-2013 (not complete) University of Nevada, Las Vegas - Music Education - 2008-2010 (Master's degree received) Oregon State University - Music - 2000-2007 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

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Nevada School of the Arts
(702) 385-2787
Las Vegas NV
Las Vegas, NV

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University of Nevada, Las Vegas (UNLV Music Department)
(702) 895-3332
4505 Maryland Parkway Box 455025
Las Vegas, NV
 
Randolph C.
(877) 231-8505
Sparkling Sky Ave
Las Vegas, NV
Subjects
Theatrical Broadway Singing, Opera Voice, Singing
Ages Taught
1 to 99
Specialties
I use the bell canto style of singing. But am versed in any style. I believe that using a technique that avoids tension in the body and vocal instrument, a person can sing forever.
Education
Monrovia High School - General - 09-83 to 06-86 (High School diploma received) California Polytechnic University - Vocal Performance and Management and Human Resources - 09-86 to 06-94 (Bachelor's degree received) Arizona State University - Music Theater Performance - 09-94 to 06-97 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Glenn W.
(877) 231-8505
Violet Note Street
Henderson, NV
Subjects
Theatrical Broadway Singing, Opera Voice, Singing, Music Performance, Speaking Voice, Guitar
Ages Taught
7 to 99
Education
Normandy Highschool - - 1971-1974 (High School diploma received) Cuyahoga Community College - Associate Arts - 1974-1976 (Associate degree received) Akron University - Business Administration - 1977-1980 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Luis F.
(877) 231-8505
BRISTOL CREST LN
Las Vegas, NV
Subjects
Piano, Guitar, Music Theory, Songwriting
Ages Taught
5 to 99
Specialties
Classical, Jazz, Pop, Latin, Children music.
Education
La Salle - High School - 1983-1987 University of Costa Rica - Music Composition - 1988-1994 University of Costa Rica - Music Composition - 1994-1996
Membership Organizations
TakeLessons Music Teacher

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University of Nevada, Las Vegas
(702) 774-8658
Las Vegas NV
Las Vegas, NV

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Premier Music Academy
(702) 656-0999
7280 W Azure Dr Ste 140
Las Vegas, NV

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Thoughts from a Robben Ford Masterclass

Thoughts from a Robben Ford Masterclass
By Chris Standring ( www.chrisstandring.com )

I was invited to a masterclass recently at USC featuring guitarist Robben Ford. I was particularly keen to go as Robben was quite an influence on me as a growing musician back in the early 80s. Besides that, it is always nice to hang out with the USC professors, they are all great players in their own right, and always fun to hang out with.

I was expecting to see Robben play more and talk about his approach to playing but there was very little. Mostly he answered questions, and there were plenty of those. He began with quite a disclaimer in that he didn't have any formal training, was completely self taught and improved slowly by beating the s∗∗t out of the guitar! Something I think we all relate to.

He talked about his time with Miles Davis and his start with the Yellowjackets and how he got his first record deal, but then he mentioned something that struck a chord with me (if you pardon the pun!). He talked about the time when it was important to show everyone what he could do on the guitar and the need to get that out of his system. Then, when he was with Miles Davis, it was at a time when he was negotiating his first record deal with Warner Brothers and an opportunity to really start his solo career, something that became a factor in his leaving Miles' band.

Robben then went on to say that that first record with Warners ("Talk To Your Daughter") was a landmark record for him as it took him to a different level as an artist. No longer was it important for him to proove his abilities, but it became important to step up to the next level as a complete artist and find out who he really was.

He then went on to say that what really 'gets him off' was working on his own music, and making it feel good and groove and swing hard. His focus is always on the song itself, what it needs and how to go about serving it.

Then he went on to say that musicians for the most part aren't interested in the notes another musician is playing, but how those notes are being played. Musicians want to hear other players feel the phrase and make it groove hard. That is what the interaction thing is all about.

I should just clarify that I think what Robben is implying here is that musicians should already have a good vocabulary before they take this on board. I'm sure he wouldn't advocate playing all wrong notes. There is certainly a lot of truth in what he says though.

I'm always interested in how an artist arrives at being a truly great artist. Clearly talent is usually there from the beginning but there is always a point where an artist truly becomes great and I think it is around the time that that artist decides it is time to be completely himself or herself. The days of needing to impress others has to go away, the time spent on copying other players' licks and lines needs to be put in perspect...

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