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Children's Music Classes Murfreesboro TN

See below to find children's music classes in Murfreesboro that give access to toddler music classes, children's singing classes, kid's movement education, children's dance classes, as well as advice and content on early childhood music education.

Chris D.
(877) 231-8505
Middle Tennesse State University
Murfreesboro, TN
Subjects
Music Recording, Songwriting, Music Performance, Guitar, Classical Guitar, Music Theory
Ages Taught
10 to 99
Specialties
The biggest part of my rep. is romantic era guitar (albeniz- Tango no.2, Mallorco 'Barcarola' [and others]) but I also have passion for baroque and renaissance guitar. However, I am capable of learning and performing with modern electric instruments and the musical styles and techniques they utilize. Apart from guitar I have exp. with Pro Tools, Reason, and DP. My song writing, arranging, and editing skills are, along with guitar, part of my double major and I am constantly working on and ref…
Education
MTSU - music theory/composition and guitar performance - '06-10 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
BOB B.
(877) 231-8505
N. THOMPSON
Murfreesboro, TN
Subjects
Music Performance, Music Theory, Bass Guitar, Songwriting, Guitar, Flamenco Guitar, Music Recording
Ages Taught
6 to 99
Specialties
All areas including Special Ed.
Education
SEAHOLM - COLLEGE PREP - 1963-67 (High School diploma received) EASTERN MICH UNIVERSITY - MUSIC - 1967-71 (Bachelor's degree received) MTSU - SPECIAL ED - 2007-CURRENT
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Music & Arts
(615) 893-4241
536 N Thompson Lane, Suite G
Murfreesboro, TN
 
Carlos Enrique Gonzalez
3720 Yelton Dr.
Nashville, TN
Instruments
Composition, Ear Training, Guitar, Other
Styles
Classical, Other
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
30 Years

Data Provided By:
University of Tennessee - Chattanooga
615 McCallie Avenue
Chattanooga, TN
 
Matt S.
(877) 231-8505
Destiny Dr.
Murfreesboro, TN
Subjects
Drums
Ages Taught
13 to 19
Specialties
I like working hard with my students to find out which ways they learn the best. Each student requires a different method and style of teaching. I really like working on rudiments, different drumming books, and writing out grooves that students can learn. I'm best known as a metal/rock drummer because of the band Project 86 that I play with but I also enjoy teaching Latin and Jazz.
Education
Middle Tennessee State University - Recording Industry - Fall 05 - Spring 09 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Troika H.
(877) 231-8505
Bradburn Village Cr.
Antioch, TN
Subjects
Music Theory, Piano, Music Performance
Ages Taught
5 to 70
Specialties
::::Piano:::: As family is the base for a stable home, scales for me is foundation. I specialize in Jazz, Classical and Contemporary.
Education
Fisk University - Music Performance, minor Music Business - 2005 - 2009 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Middle Tennessee State University (Robert W,McLean School of Music )
(615) 898-2469
1301 E Main St
Murfreesboro, TN
 
Emily Hanna Crane
APSU Department of Music P.O. Box 4625
Clarksville, TN
Instruments
Suzuki Method, Viola, Violin
Styles
Classical
Experience Levels
Advanced
Rate
$50
Years of Experience
12 Years

Data Provided By:
Amy Frederick
124 Jesse Brown Drive
Goodlettsville, TN
Instruments
Ear Training, Piano
Styles
Blues, Classical, Folk - Country - Bluegrass, Jazz, Rock - Alternative
Experience Levels
Beginner, Intermediate
Rate
$0
Years of Experience
15 Years

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Thoughts from a Robben Ford Masterclass

Thoughts from a Robben Ford Masterclass
By Chris Standring ( www.chrisstandring.com )

I was invited to a masterclass recently at USC featuring guitarist Robben Ford. I was particularly keen to go as Robben was quite an influence on me as a growing musician back in the early 80s. Besides that, it is always nice to hang out with the USC professors, they are all great players in their own right, and always fun to hang out with.

I was expecting to see Robben play more and talk about his approach to playing but there was very little. Mostly he answered questions, and there were plenty of those. He began with quite a disclaimer in that he didn't have any formal training, was completely self taught and improved slowly by beating the s∗∗t out of the guitar! Something I think we all relate to.

He talked about his time with Miles Davis and his start with the Yellowjackets and how he got his first record deal, but then he mentioned something that struck a chord with me (if you pardon the pun!). He talked about the time when it was important to show everyone what he could do on the guitar and the need to get that out of his system. Then, when he was with Miles Davis, it was at a time when he was negotiating his first record deal with Warner Brothers and an opportunity to really start his solo career, something that became a factor in his leaving Miles' band.

Robben then went on to say that that first record with Warners ("Talk To Your Daughter") was a landmark record for him as it took him to a different level as an artist. No longer was it important for him to proove his abilities, but it became important to step up to the next level as a complete artist and find out who he really was.

He then went on to say that what really 'gets him off' was working on his own music, and making it feel good and groove and swing hard. His focus is always on the song itself, what it needs and how to go about serving it.

Then he went on to say that musicians for the most part aren't interested in the notes another musician is playing, but how those notes are being played. Musicians want to hear other players feel the phrase and make it groove hard. That is what the interaction thing is all about.

I should just clarify that I think what Robben is implying here is that musicians should already have a good vocabulary before they take this on board. I'm sure he wouldn't advocate playing all wrong notes. There is certainly a lot of truth in what he says though.

I'm always interested in how an artist arrives at being a truly great artist. Clearly talent is usually there from the beginning but there is always a point where an artist truly becomes great and I think it is around the time that that artist decides it is time to be completely himself or herself. The days of needing to impress others has to go away, the time spent on copying other players' licks and lines needs to be put in perspect...

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