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Children's Music Classes Gallatin TN

See below to find children's music classes in Gallatin that give access to toddler music classes, children's singing classes, kid's movement education, children's dance classes, as well as advice and content on early childhood music education.

Karen Gibson
Bonnacreek Dr
Hermitage, TN
Instruments
Piano
Styles
Blues, Classical, Jazz, Kids, Other
Experience Levels
Beginner, Intermediate
Rate
$0
Years of Experience
7 Years

Data Provided By:
Mitchell C.
(877) 231-8505
Oak Meadow Ct
Hendersonville, TN
Subjects
Guitar
Ages Taught
5 to 18
Specialties
Blues, Rock, Country, Flatpicking, Bluegrass,
Education
Calloway County High School - General Studies - 1996-1999 (High School diploma received) Middle Tennessee State University - Recording Industry/Music Business - 2000-2003 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Erica C.
(877) 231-8505
Iroquois Trail
Goodlettsville, TN
Subjects
Music Theory, Theatrical Broadway Singing, Music Performance, Singing, Speaking Voice, Dance
Ages Taught
5 to 99
Specialties
All Styles: Jazz, Musical Theatre, Country, Rock, Pop, and Folk.
Education
Belmont University - Commercial Music / Vocal - Grad. 2006 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Scott N.
(877) 231-8505
carolyn ave
Nashville, TN
Subjects
Guitar, Bass Guitar, Music Performance, Music Theory, Songwriting, Music Recording
Ages Taught
5 to 99
Specialties
I specialize in technique, rhythm, improvisation and music theory
Education
niagara county comm. college - music - 85-86 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jim Fox
P.O. Box 111665
Nashville, TN
Instruments
Piano
Styles
Blues, Classical, Jazz
Experience Levels
Advanced, Beginner, Intermediate
Rate
$40
Years of Experience
25 Years

Data Provided By:
Amy Frederick
124 Jesse Brown Drive
Goodlettsville, TN
Instruments
Ear Training, Piano
Styles
Blues, Classical, Folk - Country - Bluegrass, Jazz, Rock - Alternative
Experience Levels
Beginner, Intermediate
Rate
$0
Years of Experience
15 Years

Data Provided By:
Danika M.
(877) 231-8505
Drakes Drive
Lebanon, TN
Subjects
Music Recording, Singing, Speaking Voice, Music Performance, Music Theory, Opera Voice
Ages Taught
5 to 99
Specialties
I incorporate the entire body in learnign to sing, because I believe there is more to singing than the voice. The styles I specialize in are classical, gospel, jazz, R&B, show tunes, and folk tunes.
Education
Florida A&M University - Choral Music Education - 08/1996-05/1999 (not complete) Florida State University - Choral Music Education - 08/1999-05/2002 (Bachelor's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Steve W.
(877) 231-8505
Brick Church Pike
Goodlettsville, TN
Subjects
Percussion, Bass Guitar, Music Performance, Piano, Music Recording, Music Theory, Guitar, Drums
Ages Taught
15 to 65
Specialties
Mainly pop and rock, but I am very versatile and have had extensive experience in just about everything imaginable.
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Music & Arts
(615) 264-8686
Glenbrook Center, 1050 Glenbrook Way, Suite 460
Hendersonville, TN
 
Charlotte Wilson
1116 Whitten Road
Memphis, TN
Instruments
Composition, Ear Training, Electronic, Piano, Theory, Voice
Styles
Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$24
Years of Experience
20 Years

Data Provided By:
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Thoughts from a Robben Ford Masterclass

Thoughts from a Robben Ford Masterclass
By Chris Standring ( www.chrisstandring.com )

I was invited to a masterclass recently at USC featuring guitarist Robben Ford. I was particularly keen to go as Robben was quite an influence on me as a growing musician back in the early 80s. Besides that, it is always nice to hang out with the USC professors, they are all great players in their own right, and always fun to hang out with.

I was expecting to see Robben play more and talk about his approach to playing but there was very little. Mostly he answered questions, and there were plenty of those. He began with quite a disclaimer in that he didn't have any formal training, was completely self taught and improved slowly by beating the s∗∗t out of the guitar! Something I think we all relate to.

He talked about his time with Miles Davis and his start with the Yellowjackets and how he got his first record deal, but then he mentioned something that struck a chord with me (if you pardon the pun!). He talked about the time when it was important to show everyone what he could do on the guitar and the need to get that out of his system. Then, when he was with Miles Davis, it was at a time when he was negotiating his first record deal with Warner Brothers and an opportunity to really start his solo career, something that became a factor in his leaving Miles' band.

Robben then went on to say that that first record with Warners ("Talk To Your Daughter") was a landmark record for him as it took him to a different level as an artist. No longer was it important for him to proove his abilities, but it became important to step up to the next level as a complete artist and find out who he really was.

He then went on to say that what really 'gets him off' was working on his own music, and making it feel good and groove and swing hard. His focus is always on the song itself, what it needs and how to go about serving it.

Then he went on to say that musicians for the most part aren't interested in the notes another musician is playing, but how those notes are being played. Musicians want to hear other players feel the phrase and make it groove hard. That is what the interaction thing is all about.

I should just clarify that I think what Robben is implying here is that musicians should already have a good vocabulary before they take this on board. I'm sure he wouldn't advocate playing all wrong notes. There is certainly a lot of truth in what he says though.

I'm always interested in how an artist arrives at being a truly great artist. Clearly talent is usually there from the beginning but there is always a point where an artist truly becomes great and I think it is around the time that that artist decides it is time to be completely himself or herself. The days of needing to impress others has to go away, the time spent on copying other players' licks and lines needs to be put in perspect...

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