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Children's Music Classes Fort Lauderdale FL

See below to find children's music classes in Fort Lauderdale that give access to toddler music classes, children's singing classes, kid's movement education, children's dance classes, as well as advice and content on early childhood music education.

Luzerne Music Center
5099 N. Dixie Highway #263
Oakland Park, FL
 
Khelga Link
2633 Pierce street
Hollywood, FL
Instruments
Accordion, Chorus, Concertina, Conducting, Ear Training, Piano, Theory, Voice
Styles
Classical, Folk - Country - Bluegrass, Kids, Other
Experience Levels
Advanced, Beginner, Intermediate
Rate
$45
Years of Experience
30 Years

Data Provided By:
Joseph Nibbs
1535 Ne 128th Street,North Miami fl 33161
North Miami, FL
Instruments
Electric Bass, Guitar, Piano, Theory
Styles
Blues, Classical, Jazz, World
Experience Levels
Intermediate
Rate
$30
Years of Experience
15 Years

Data Provided By:
Bryan D.
(877) 231-8505
NW 94th Terrace
Fort Lauderdale, FL
Subjects
Upright Bass, Bass Guitar, Guitar, Piano, Music Theory
Ages Taught
5 to 99
Specialties
Mostly contemporary music - I have incorporated some computer software into my teaching. I find it can provide a more broad range of information and interaction, especially in the teachers absence.
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Dyce Kimura
12163 Northwest 36th Place
Sunrise, FL
Promotion
$75 / hr
Hours
"Rock - Alternative
Memberships and Certifications
Blues"
Services
Guitar
Service Types and Repair
15 years

Rhonda Kupfer
4171 Carambola Circle S
Coconut Creek, FL
Instruments
Electronic, Flute, Piano, Theory
Styles
Blues, Classical, Electronic, Folk - Country - Bluegrass, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$0
Years of Experience
10 Years

Data Provided By:
Mark Bennett
4516 NW 51st St
Coconut Creek, FL
Instruments
Guitar
Styles
Blues, Jazz, Kids, Other, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$40
Years of Experience
11 Years

Data Provided By:
Marcella E.
(877) 231-8505
NW 11th Street
Fort Lauderdale, FL
Subjects
Violin, Music Performance, Music Theory, Viola
Ages Taught
5 to 18
Specialties
I mainly teach classical violin and viola using the Suzuki Method and other traditional methods. However, I do incorporate other genres as well, such as jazz, salsa, and fiddle tunes into my instruction.
Education
Florida Atlantic University - Music Education - 2009-present (not complete) University of South Florida - Music Education - 2005-2009 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Jacob S.
(877) 231-8505
NW 54th St
Fort Lauderdale, FL
Subjects
Music Performance, Bass Guitar, Music Theory, Guitar
Ages Taught
5 to 99
Specialties
I have taught all styles of guitar and played rock, blues, classical, and jazz genres at a high level. All lessons are customized to the learners needs and goals.
Education
Florida State University - Music, specializing in guitar - 2004-2006 (Bachelor's degree received) ITT Technical College - Business Administration - 2006-2008 (Master's degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Clauduarte Andrade
2301 NE 14st #101W
Pompano Beach, FL
Promotion
$35 / hr
Hours
"Jazz
Memberships and Certifications
World"
Services
Guitar
Service Types and Repair
30 years

Data Provided By:

Thoughts from a Robben Ford Masterclass

Thoughts from a Robben Ford Masterclass
By Chris Standring ( www.chrisstandring.com )

I was invited to a masterclass recently at USC featuring guitarist Robben Ford. I was particularly keen to go as Robben was quite an influence on me as a growing musician back in the early 80s. Besides that, it is always nice to hang out with the USC professors, they are all great players in their own right, and always fun to hang out with.

I was expecting to see Robben play more and talk about his approach to playing but there was very little. Mostly he answered questions, and there were plenty of those. He began with quite a disclaimer in that he didn't have any formal training, was completely self taught and improved slowly by beating the s∗∗t out of the guitar! Something I think we all relate to.

He talked about his time with Miles Davis and his start with the Yellowjackets and how he got his first record deal, but then he mentioned something that struck a chord with me (if you pardon the pun!). He talked about the time when it was important to show everyone what he could do on the guitar and the need to get that out of his system. Then, when he was with Miles Davis, it was at a time when he was negotiating his first record deal with Warner Brothers and an opportunity to really start his solo career, something that became a factor in his leaving Miles' band.

Robben then went on to say that that first record with Warners ("Talk To Your Daughter") was a landmark record for him as it took him to a different level as an artist. No longer was it important for him to proove his abilities, but it became important to step up to the next level as a complete artist and find out who he really was.

He then went on to say that what really 'gets him off' was working on his own music, and making it feel good and groove and swing hard. His focus is always on the song itself, what it needs and how to go about serving it.

Then he went on to say that musicians for the most part aren't interested in the notes another musician is playing, but how those notes are being played. Musicians want to hear other players feel the phrase and make it groove hard. That is what the interaction thing is all about.

I should just clarify that I think what Robben is implying here is that musicians should already have a good vocabulary before they take this on board. I'm sure he wouldn't advocate playing all wrong notes. There is certainly a lot of truth in what he says though.

I'm always interested in how an artist arrives at being a truly great artist. Clearly talent is usually there from the beginning but there is always a point where an artist truly becomes great and I think it is around the time that that artist decides it is time to be completely himself or herself. The days of needing to impress others has to go away, the time spent on copying other players' licks and lines needs to be put in perspect...

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