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Children's Music Classes Doylestown PA

See below to find children's music classes in Doylestown that give access to toddler music classes, children's singing classes, kid's movement education, children's dance classes, as well as advice and content on early childhood music education.

Community Conservatory of Music
4459 W. Swamp Rd.
Doylestown, PA
 
Terence Anderson
224 Larkspur Ln. Boyertown and Pottstown, PA
Hatfield, PA
Instruments
Drums, Mallet, Marimba, Other, Percussion, Timpani
Styles
Blues, Classical, Jazz, Kids, Other, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$35
Years of Experience
6 Years

Data Provided By:
Georganne D'Angelo
21 Bernard Drive
Ewing, NJ
Instruments
Harp, Suzuki Method
Styles
Classical, Folk - Country - Bluegrass, Kids
Experience Levels
Advanced, Beginner, Intermediate
Rate
$80
Years of Experience
40 Years

Data Provided By:
Community Music School of Collegeville
775 W. Main St.
Trappe, PA
 
Brennan M.
(877) 231-8505
Tennis Ave
Ambler, PA
Subjects
Guitar
Ages Taught
5 to 99
Specialties
Although I play primarily acoustic guitar, I play the following styles: bluegrass, blues, rock and roll, solo riffs, funk guitar, punk and alternative music, and I have recently been trying to learn classical styles of guitar playing. I have also been teaching myself scales for solo riffing over the past three years.
Education
M.C.C.C. - Education - 2004-2006 (not complete) Kutztown University - Education - 2003-2004 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Doylestown School of Music & the Arts
263 N. Main Street
Doyestown, PA
 
Justin Jue
177 Arbour Ct
North Wales, PA
Instruments
Composition, Conducting, Ear Training, Electronic, Film Scoring, Piano, Recording, Theory
Styles
Blues, Classical, Electronic, Jazz, Kids, Rock - Alternative
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
7 Years

Data Provided By:
Chestnut Hill College
9601 Germantown Ave
Philadelphia, PA
 
Kate B.
(877) 231-8505
Braxton Ct.
North Wales, PA
Subjects
Opera Voice, Singing, Music Performance, Piano
Ages Taught
5 to 99
Specialties
I studied classically in college and much of my time in private lessons with my professor was spent in correct placement of the mouth and direction of air for quality sound and a healthy voice. I plan to use many of the same exercises in private teaching. I also believe that our bodies need to be in good shape to fully see our singing ability, so I plan to encourage students to be active physically which will translate into their strength and stamina in voice.
Education
West Virginia University - Visual and Performing Arts, Voice Performance - August 2001- December 2005 (Bachelor's degree received) Morgantown High School - college prep - August 1998-May 2001 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Ty A.
(877) 231-8505
N. Union St.
Lambertville, NJ
Subjects
Guitar
Ages Taught
1 to 99
Specialties
Blues, Rock, Metal
Education
Berklee College of Music - Performance, Teaching, Music Production and Engineering, and Teaching - 2007-Present (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Data Provided By:

Thoughts from a Robben Ford Masterclass

Thoughts from a Robben Ford Masterclass
By Chris Standring ( www.chrisstandring.com )

I was invited to a masterclass recently at USC featuring guitarist Robben Ford. I was particularly keen to go as Robben was quite an influence on me as a growing musician back in the early 80s. Besides that, it is always nice to hang out with the USC professors, they are all great players in their own right, and always fun to hang out with.

I was expecting to see Robben play more and talk about his approach to playing but there was very little. Mostly he answered questions, and there were plenty of those. He began with quite a disclaimer in that he didn't have any formal training, was completely self taught and improved slowly by beating the s∗∗t out of the guitar! Something I think we all relate to.

He talked about his time with Miles Davis and his start with the Yellowjackets and how he got his first record deal, but then he mentioned something that struck a chord with me (if you pardon the pun!). He talked about the time when it was important to show everyone what he could do on the guitar and the need to get that out of his system. Then, when he was with Miles Davis, it was at a time when he was negotiating his first record deal with Warner Brothers and an opportunity to really start his solo career, something that became a factor in his leaving Miles' band.

Robben then went on to say that that first record with Warners ("Talk To Your Daughter") was a landmark record for him as it took him to a different level as an artist. No longer was it important for him to proove his abilities, but it became important to step up to the next level as a complete artist and find out who he really was.

He then went on to say that what really 'gets him off' was working on his own music, and making it feel good and groove and swing hard. His focus is always on the song itself, what it needs and how to go about serving it.

Then he went on to say that musicians for the most part aren't interested in the notes another musician is playing, but how those notes are being played. Musicians want to hear other players feel the phrase and make it groove hard. That is what the interaction thing is all about.

I should just clarify that I think what Robben is implying here is that musicians should already have a good vocabulary before they take this on board. I'm sure he wouldn't advocate playing all wrong notes. There is certainly a lot of truth in what he says though.

I'm always interested in how an artist arrives at being a truly great artist. Clearly talent is usually there from the beginning but there is always a point where an artist truly becomes great and I think it is around the time that that artist decides it is time to be completely himself or herself. The days of needing to impress others has to go away, the time spent on copying other players' licks and lines needs to be put in perspect...

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