Search Play Jazz Guitar.com

 

 




Children's Music Classes Butler PA

See below to find children's music classes in Butler that give access to toddler music classes, children's singing classes, kid's movement education, children's dance classes, as well as advice and content on early childhood music education.

Slippery Rock University
Slippery Rock, PA
 
Slippery Rock University (SRU Department of Music)
(724) 738-2063
225 Swope Music Hall
Slippery Rock, PA
 
Doylestown School of Music & the Arts
263 N. Main Street
Doyestown, PA
 
Darlington Fine Arts Center
977 Shavertown Rd.
Boothwyn, PA
 
Lebanon Valley College
101 N. College Ave.
Annville, PA
 
Frank R.
(877) 231-8505
portman rd
Butler, PA
Subjects
Guitar
Ages Taught
5 to 99
Specialties
I would not say i specialize in any one thing.I have played mainly rock and top 40.But music is universal....If you play\teach guitar ,piano, flute or whatever i think you need to lay down that basic foundation for your student and they will find their own voice
Education
Penn Inst.Culinary Arts - culinary arts - 91-93 (Associate degree received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Center For Young Musicians
(724) 933-1120
10850 Perry Hwy
Wexford, PA

Data Provided By:
Catherine Offner
301 Mustang Lane
Collegeville, PA
Instruments
Composition, Ear Training, Piano, Theory
Styles
Classical, Kids, Other
Experience Levels
Advanced, Beginner, Intermediate
Rate
$50
Years of Experience
10 Years

Data Provided By:
Temple University
2001 N 13th Street
Phladelphia, PA
 
Performing Arts Institute of Wyoming Seminary
201 N. Spargue Ave.
Kingston, PA
 
Data Provided By:

Thoughts from a Robben Ford Masterclass

Thoughts from a Robben Ford Masterclass
By Chris Standring ( www.chrisstandring.com )

I was invited to a masterclass recently at USC featuring guitarist Robben Ford. I was particularly keen to go as Robben was quite an influence on me as a growing musician back in the early 80s. Besides that, it is always nice to hang out with the USC professors, they are all great players in their own right, and always fun to hang out with.

I was expecting to see Robben play more and talk about his approach to playing but there was very little. Mostly he answered questions, and there were plenty of those. He began with quite a disclaimer in that he didn't have any formal training, was completely self taught and improved slowly by beating the s∗∗t out of the guitar! Something I think we all relate to.

He talked about his time with Miles Davis and his start with the Yellowjackets and how he got his first record deal, but then he mentioned something that struck a chord with me (if you pardon the pun!). He talked about the time when it was important to show everyone what he could do on the guitar and the need to get that out of his system. Then, when he was with Miles Davis, it was at a time when he was negotiating his first record deal with Warner Brothers and an opportunity to really start his solo career, something that became a factor in his leaving Miles' band.

Robben then went on to say that that first record with Warners ("Talk To Your Daughter") was a landmark record for him as it took him to a different level as an artist. No longer was it important for him to proove his abilities, but it became important to step up to the next level as a complete artist and find out who he really was.

He then went on to say that what really 'gets him off' was working on his own music, and making it feel good and groove and swing hard. His focus is always on the song itself, what it needs and how to go about serving it.

Then he went on to say that musicians for the most part aren't interested in the notes another musician is playing, but how those notes are being played. Musicians want to hear other players feel the phrase and make it groove hard. That is what the interaction thing is all about.

I should just clarify that I think what Robben is implying here is that musicians should already have a good vocabulary before they take this on board. I'm sure he wouldn't advocate playing all wrong notes. There is certainly a lot of truth in what he says though.

I'm always interested in how an artist arrives at being a truly great artist. Clearly talent is usually there from the beginning but there is always a point where an artist truly becomes great and I think it is around the time that that artist decides it is time to be completely himself or herself. The days of needing to impress others has to go away, the time spent on copying other players' licks and lines needs to be put in perspect...

Click here to read the rest of this article from Play Jazz Guitar