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Bass Guitar Classes Tucson AZ

Bass guitar classes include lessons on bass guitar anatomy, bass tuning, bass note reading, the 12 major scales, slap bass techniques, bass blues and more. See below for local music schools in Tucson that give access to bass guitar classes, as well as advice and content on using modes to play bass guitar.

Levi G.
(877) 231-8505
East Sunrise,
Tucson, AZ
Subjects
Music Theory, Bass Guitar, Guitar, Piano, Dance, Music Performance, Songwriting, Music Recording
Ages Taught
1 to 99
Specialties
Styles I specialize in include tasteful guitar soloing, groove development, rhythm and lead on electric and acoustic, improvisation, playing with other musicians, and helping a student find their own sound. Genres that I specialize in include Blues, Rock, Funk, Jazz, Reggae, World, and Instrumental.
Education
Tucson High Magnet School - Music/General Study - 1995-1999 (High School diploma received) Pima Community College - Gen. Ed./Music - 1999-2009 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
David T.
(877) 231-8505
N. Martin Ave.
Tucson, AZ
Subjects
Music Theory, Music Performance, Music Recording, Guitar
Ages Taught
7 to 99
Specialties
I guess if I had to choose one thing, I specialize in rock guitar but I also play blues some jazz, classical and bluegrass.
Education
Ohio State University - Music - 2008-2010 (Bachelor's degree received) Kenyon College - Music - 2005-2008 (not complete)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Musical Hearts Guitar Academy
(520) 299-3797
Tucson, AZ
 
Arizona Academy Of Music & Dance
(520) 327-2303
4811 E Sunrise Dr
Tucson, AZ
 
Flute & Guitar-Silverwood Duo
(520) 299-3797
PO Box 65343
Tucson, AZ
 
Scott K.
(877) 231-8505
W. Placita Tres Rios
Tucson, AZ
Subjects
Music Theory, Bass Guitar, Guitar, Piano, Classical Guitar, Music Recording
Ages Taught
5 to 99
Specialties
Rock/ Jazz/ Classical/ Experimental
Education
Mills College - Electronic Music - 2002 - 2006 (Master's degree received) Mills College - Music Composition - 2002 - 2006 (Master's degree received) University of Arizona - Music Composition - 1998 - 2002 (Bachelor's degree received) New School for the Arts - Music - 1995 - 1997 (High School diploma received)
Membership Organizations
TakeLessons Music Teacher

Data Provided By:
Joshua Brown
4641 N 1st Ave #5
Tucson, AZ
Instruments
Drums, Guitar, Piano, Violin, Voice
Styles
Blues, Classical, Folk - Country - Bluegrass, Jazz, Kids, Rock - Alternative, World
Experience Levels
Advanced, Beginner, Intermediate
Rate
$47.50
Years of Experience
15 Years

Data Provided By:
Oro Valley Music & Dance Academy
(520) 219-9950
7954 N Oracle Rd
Tucson, AZ
 
Southwest Guitar Studio
(520) 790-2377
4889 E Speedway Blvd
Tucson, AZ
 
Daves Musicians Shop
(520) 881-4362
2758 N Campbell Ave
Tucson, AZ
Types of Instruments Sold
Band & Orchestral, Drums & Percussion, Guitars & Fretted Instruments

Data Provided By:
Data Provided By:

Developing Good Time

Developing Good Time
By Chris Standring ( www.chrisstandring.com )

Guitar players have a terrible tendency to rush. I would say, as a general rule, it is guitar players that need to work on their time more than any other musician. I think it is easy to forget how important the concept of time is, and moreover, I think so many players aren't willing to face up to the fact that they need to work on it, if they are even aware of the problem at all!

Now, let's get one thing a little clear. I can be quite hard on musicians from an observational standpoint. But that is only because I am EXTREMELY hard on myself. I strive for greatness and I get excited when others do too.

Jazz guitar players are possibly the worst culprits when it comes to the concept of time. And I am not just talking about beginners or intermediates. I could mention right now a number of highly respected players who in my opinion do not have good time. Many think that the idea of bopping in 'double' time is simply a matter of stringing a flurry of notes together as fast as possible, and the idea of a few clams, well, "it's jazz isn't it?". My response to this: NO NO NO!!

In order to explore this facet of music further, we need to break down the concept of 'time' and how musicians define it.

I like to think of 'time' as referring to the following:

1) Time Feel
2) Playing in time
3) Subconsciously knowing where the time is

Let's look at each briefly.

Time Feel
First, playing with a good 'time feel' can be understood as swinging hard in a rhythm section. The musician has good energy and can play well with others, putting a smile on the bass player and drummer's faces because they all understand that indescribable 'thing' that they all have, and relate to. Now, it is also important to know that there are musicians who have good time who do not play well with others. There is none of that 'give and take' flow of energy. They have a concept of time but it is not one that is necessarily shared. This is usually a product of too many hours practicing in the bedroom and not enough listening to others and feeding off them musically.

Having a good time feel can also be interpreted as someone who plays good rhythm. Someone who can support a soloist, make them feel good and provide inspiration for ideas. Usually someone who has a good time feel rhythmically is one who actually enjoys supporting a soloist, making the rhythm section feel good so the soloist can spark off it. This is an art in itself. We all know, when the band feels good, there is nothing quite like it.

Playing in time
Playing in time is something that can be learned, but from a soloist's standpoint, there is much discipline involved. It is here that in a perfect world, the craft of playing in time merges with the art of playing with a good time feel. Let me try to explain further...

I recently bought an album by Joe Pass called &...

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